Joyce Carol Oates’ short story “Where Are You Going, Where Have You Been” expresses the dream of all teenagers, to grow up quickly. Throughout the story Connie’s wish to transition from childhood to maturity is juxtaposed; in the beginning she yearns to be older, but as the story progresses and she is forced to grow up, she crumbles. Unable to know who she truly is, Connie’s innocence slowly diminishes once she unveils Arnold Friend’s true, uncanny personality, leading Connie from the safety of her childhood to the unknowns of the real world showing the innocence of kids is lost before they are ready. Symbolism and setting in the story intertwine to portray both Connie’s desired and forced transition through various locations. Note that in …show more content…
Connie stands nervously at the door while he waits for her outside, the screen door acting as the only barrier between the two. Arnold Friend making Connie meet him outside the house to go on a drive symbolizes the forced transition from childhood to adulthood. When standing in her house, Connie is safe and protected; Arnold Friend is not able to get to her. Teenagers are constantly watched and protected by their parents during childhood and Connie’s house is what’s protecting her from the dangers of Arnold Friend and the outside world. If Connie were to step outside into “the land that [she] had never seen before and did not recognize,” (15) she would not be protected by anyone but herself, a responsibility of adults. The world outside her house represents maturity because once outside, she is on her own in an unknown area with no one but Arnold Friend. The screen door acts as the boundary between the two varied worlds, once again the action of moving through the boundary is dangerous and leading Connie into a world she knows nothing …show more content…
At home she had a childlike walk, a pale and smirking mouth, and a cynical laugh; at home Connie was a child. In public, Connie acted like someone different, with a languid walk, bright pink lips and a high-pitched laugh; Connie tried to fit in with the older kids. Based on the way she presents herself, Connie seems to be able to attract guys’ attention and handle any situation with grace. However, just as the confrontation between the two showed Friend’s true character, the confrontation showed Connie’s as well. After her nerves overcame her, Connie reached for the phone to call for help, but all she could hear was a tiny roaring and was “so sick with fear that she could do nothing but listen to it” and then “she cried out, she cried for her mother, she felt her breath start jerking back and forth into her lungs as if it were something Arnold Friend was stabbing her with” (13). After faced with the not-so-magical parts of the real world, Connie wants her mother and the protection of childhood. This double side of Connie shows she is unsure of who she is, constantly switching between two people, and therefore, not ready to grow
In the beginning, Oates creates a false sense of security. She is at home and Connie seems safe, this is what makes what happens next unexpected. After this, a strange man rolls up to Connie's home, and Connie is only worried about how she looks, not her safety. This makes you wonder what is going to happen, and if their is a reason she is scared. Then, the pace of the story completely changes when Arnold Friend starts to approach Connie and say things that make her feel uneasy.
Living “just an ordinary girl’s” life was no longer the lifestyle for a girl named Connie. Once a man told her that she was gonna be his, her life turned. Connie was no longer able to forget about reality instead she was forced into adulthood by a man named Arnold Friend. Connie is the main character in the short story, “Where Are You Going, Where Have You Been?”, by Joyce Carol Oates. The story is mainly about how Arnold Friend, a sort of stalker of Connie’s, comes to her house.
The Devil as Your Friend Have you ever wondered why or how people can manipulate themselves as the devil to receive what they desire? In “Where Are You Going, Where Have You Been?”, a short fictional story by Joyce Carol Oates, the devil is hidden as one of the main characters, Arnold Friend. Through characterization, setting, and plot, Joyce Carol Oates successfully portrays Arnold Friend as a symbolic Satan. Arnold Friend is similar to Satan in his characterization provided by Joyce Carol Oates. Arnold Friend disguises himself in ways to hide all his negative features from Connie, as he seems less threatening this way.
Connie the fifteen-year-old protagonist who spends much of her time going out with friends and meeting boys. Connie and her mother do not get along. They disagree about almost everything. Connie does not get attention she desires from her family. She is greatly mistreated by her family.
Summary: (1). Connie and her friends go to the restaurant where all the older kids hang at. (2). Connie meets a boy named Eddie and she hangs out with him for a few hours. (3).
Connie in Joyce Carol Oates’s story “Where Are You Going, Where Have You Been” desperately wants to be independent from her family, while Gregor Samsa in Kafka’s “The Metamorphosis” pathetically yearns for inclusion. In this story, Oates pays special attention to the mother-daughter relationship and the lack of meaningful communication between them. Connie's mother is an image of the future Connie doesn't want – the life of a domestic housewife. Connie has a love-hate relationship with her mother, with whom she identifies, but at the same time she has to distance herself from her mother in order to establish her independence. On the other hand, The Metamorphosis, a story by Franz Kafka, is about a man who has been transformed into a giant beetle
And honey, no matter who you were with last night, today you're with Arnold Friend and don't you forget it! Maybe you better step out here". By writing all of this, the author is able to build a very strong obsessive connection between Connie and
Again, the reader sees traditional values placed against changing times, reinforcing Connie’s internal struggle to define
In the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person.
Connie uses her attitude and appearance to attract boys. But she is not aware of the reality of the society in which she lives. Connie is living in a fantasy world, but when she gets trapped by Arnold Friend she is put into a scary reality. There
In the memoir, The Glass Castle by Jeannette Walls, Jeannette manages to overcome her obstacles by realizing her independence. She is impacted by her parents’ incapabilities because she realizes that she has to do things differently than other children. Her father was a stubborn alcoholic who believed that: “[they] were all getting too soft, too dependent on creature comforts, and that [they] were losing touch with the natural order of the world”(Walls 106). He believes that every human should be independent and fend for themselves. By using the term “creature comforts”, her father is trying to separate himself from what he calls the civilians.
In her short story "Where Are You Going, Where Have You Been?", Joyce Carol Oates utilizes a variety of literary devices to strengthen the story in its entirety. This short story is essentially about a 16-year-old girl named Connie and the conflict between her desire to be mature and her desire to remain an adolescent. Throughout the story, the audience sees this conflict through her words in addition to through her behavior. The audience is also introduced to Arnold Friend, a rather peculiar man, who essentially kidnaps her. This short story by Joyce Carol Oates functions and is additionally meaningful because of her usage of literary devices.
This article is giving insight to individuals of putting themselves in Connie’s place and how to handle situations like hers. There are two main characters. Connie is a typical teenage
Connie’s first encounter with Friend was at a diner when he stated to Connie, “Gonna get you, baby”(pg.1142). Because Connie was use to this type of attention, she did not view it as strange that an older man was calling her in such away. However, if Connie had seen Friend as dangerous instead of just another man, her kidnapping might have been prevented. Later in the story when Friend showed up as Connie’s house, she walked outside and talked to him instead of questioning how he knew where she lived or calling the police. Oates described Connie's interaction with Friend by stating,“Connie liked the way he was dressed, which was the way all of them dressed: tight faded jeans stuffed into black, scuffed boots, a belt that pulled his waist in and showed how lean he was, and a white pullover shirt that was a little soiled and showed the hard muscles of his arms and shoulders”(pg.1145).
A teenage girl named Connie is introduced as someone who is self conscious, and shows a fear of intimacy. She is constantly checking her looks, and she does not reveal to have a close bond with anyone. She has no positive relationship with her family, and even the girl that she spent most summer days with goes without a name for most of the story. When a middle-aged man drives up, layering Connie with compliments, and offering her an out to the life that she has, the far too present fear