As we look at this home we see a family gathering and this is not a peaceful visit but rather boisterous and joyful. Because we see wine and music at this gathering we tell that the socioeconomic class of this family is middle-class and that this gathering is more in likely a celebration. In this painting, Jan Steen has portrayed a scene which started out as a family meal because in the background we see items such as a dirty skillet, a spoon, plate, containers, and eggshells. However, this family meal has changed into a joyful yet noisy celebration. There are many interactions in this painting that imply a celebration is occurring such as the father indulging in some intoxicating drink and it seems as if he is closing his eyes to sing, and most likely singing off key. Another instance of a celebration is the children are using some sort of musical instrument to make music and we see that the mother and grandmother have begin to sing as well.
Jan Steen depicted this family's celebration in such a subtle way because in this painting he warns viewer about what is depicted in this painting which is the consequences of a bad upbringing. In the Merry Family, we see that the artist has included a famous Dutch proverb which says,"So father, so son", in order to highlight the moral
…show more content…
The Merry Family is one of Jan Steen's most famous painting.However, despite all the merry going on,this is much more than a cozy family evening but rather a chaotic family scene. This painting is chaotic because everybody in this family is having such a great time but nobody notices that the little boy that is following his father's example and drinking wine.With most of Jan Steen's painting, the scene was intended to instruct and amuse the viewer.After all, bad habits may well be amusing, but this painting acts as an example of how people should not
This is a summary of “A Christmas Story” by Annie Dillard. Every Christmas there was a massive dinner held in a seemingly never-ending dining hall. It was lavish and spacious with a table that was as long as a river and was decorated with many different table cloths and decorations. The ceiling of the hall was covered in chandeliers and the floor was filled with different groupings of people: the sick and injured, the children, to those who wanted to dance or participate in games or various others who gathered in separate sections throughout the hall.
It was a very merry day in London on December 25, 1853 as the village was filled with laughter and joy as families all around celebrated the ecstatic holiday of Christmas together. Wherever you went you would see people of all nature without a morose (p. 5) attitude celebrating with family, even the most unlikely businessman who the town knew as Ebenezer Scrooge. After the visit from the spirits who helped Scrooge realize it was time to give up his grumpy personality, he was a new man who followed one general precept (p. 51) which was to honor Christmas and gave every inch of his soul to make sure it was enjoyed by everyone as he loved to see the jovial (p. 26) expressions of joyous children and adults which was brought by the holiday. This
He decorates his house with precision, and that is how his personality is. He has a very unique and meticulous way of doing things, and the decorations in his house symbolize that. Connell describes the dining room as a fancy room with expensive dishes, and extravagant food. “The table appointments were of the finest--the linen,
The family shows signs of being part of either a low or poor class based off the conditions of the household they are living in and the bareness of their apartment. For instance, the dining room is extremely small and the kitchen seems old and worn out. Correspondingly, the family members seem to lack personality due to to the simple clothing they are wearing. However, the bright colors found interior of the home create a contrast between the dreary environment of the household. This helps convey the message that although the family may not be as economically stable and live a dull life, they still happily interact among one another and come together every evening to have a meal together.
While reading “The Trouble with (the Term) Art,” written by Carolyn Dean in the summer of 2006, we are taken through an array of different scenarios that lead us to questions what art really is. Dean explores the idea that the word “art” is used far too often and too habitually, and that as we study the non-Western cultures we need to use much more discretion regarding what we call the different pieces of their culture. Throughout the essay, Dean supports her thesis that we too often categorize non-Western pieces as art by using different examples of how certain non-art pieces were deemed as art throughout the course of their history. Dean does this by using four key examples of how these ancient pieces are inappropriately called art to successfully support her thesis and avoid biases.
“You and your sister have happy birthdays and very good Christmases” (Lines 20), illustrates that not only was her childhood was happy but the simple
In ‘A Christmas Carol’, Dickens presents Ignorance and Want in a metaphorical fashion, depicting them as children. This is done in such a manner as to shock and appall the reader, leading to greater emotional investment. Throughout the extract’s entirety, Ignorance and Want are depicted as children, increasing the atmosphere of pessimism that surrounds them. Dickens describes the manner in which the Ghost of Christmas Present “brought two children” – by describing Ignorance and Want as “children”, Dickens creates the impression of innocence, vulnerability, and weakness.
Jan Steen created many pieces, but “The Dancing Couple”, housed in the National Gallery of Art in Washington, D.C, is one of his better works. Created in 1663, “The Dancing Couple” portrays a celebration between a couple and a group of friends and family. This work is rather large, measured at 3’ 4”x 4’8”. Steen uses oil paint on canvas in this work. This is a detailed work with a variety of different
“In the silence of their studios, busied for days at a time with works which leave the mind relatively free, painters become like women; their thoughts can revolve around the minor facts of life and penetrate their hidden meaning.” There’s a hidden meaning or objective behind every artist’s work. We all interpret paintings differently; some art can be forms of phi phenomenon (illusion of movement created by presenting visual stimuli in rapid succession), or others could be interpreting cues such as Monocular and Binocular. We can’t fully understand what the artist is trying to present unless there is an outline, but we can surely look at the texture, colour, line and shape of each painting to get a meaning for ourselves. A person that demonstrates a form of interpreting his art is Stu Oxley.
Family reunions are often used to dwell upon the past and reflect upon one’s life. Richard Rodriguez, in is his passage, goes to extreme lengths to explain to the reader his carefully taken observation of his family’s life. Looking deeper into the words and feelings of the passage, Rodriguez portrays a sense of strong family values. It is apparent (by his selective use of diction and narrative structure found throughout the passage) that Rodriguez is writing to a more mature, experienced audience. As a mature writer, Rodriguez knows that the best way to connect with his audience is through the one day responsible for some of their greatest childhood memories -- Christmas.
When thinking about the harmonious and blessing Thanksgiving, one connects the setting and atmosphere to the painting of Freedom From Want by Norman Rockwell. Norman Rockwell, an American painter and illustrator, was best known for his depiction of everyday American life. In Rockwell’s early years, he putted the emphases of his paintings on the warm and idealistic aspect of world, treating with simplistic charm and certain degree of humor. In January 1943, during World War II, when President Franklin Delano Roosevelt gave an emotionally moving speech, addressing his vision to the American freedom and the desperate need of concern for the real threat of war, Rockwell was greatly inspired. Thence, he painted the Four Freedoms including Freedom
The physical image of poverty portrayed by the family reflects The Great Depression’s toll on their livelihood. It is clearly and plainly displayed that the mother and her children are impoverished by the techniques of black and white color choice, and intricate, detailed texture. The hardship faced by the family is highlighted by the photograph being in black and white. This allows for the simplicity of their condition to be shown without the distractions a photograph in color would provide. The image is very detailed and defined by texture, to leave no question to whether the family lacks wealth or riches.
This essay will be analyzing the paintings Mending Socks and Barbecue by Archibald Motley. Mainly focusing on the painting to recognize and understand the visual choices that were made when creating the artwork. As well as being able to state specific elements in the painting. Motleys Artwork The 1920s and 1930s was a time when everyone was inspired by jazz and urban, black expression.
Artwork is all around the world, but is it really worth the resources and time for it? In the essay “Is Art a Waste of Time?” by Ryhs Southan he discusses the purpose of art and explains the group, Effective Altruism. The main argument is that Effective Altruism do not agree with using resources and time on artwork. Effective Altruism is against artwork the resources, and time it uses up that do not contribute to the poor.
Introduction Visual and performing arts tend to act as separate entities within the field of education; considerably isolated from the majority of academia, these sectors are often considered to be secondary or elective options after completing primary education. The arts are an essential part of a well-rounded education, however, when an institute begins a budgeting process, the arts are rarely considered a top priority. For example, during periods of recession many public schools within the United Stated were forced to cut visual, performing and musical arts programs, despite studies that proved the exposure to the arts to be beneficial for students both academically and in extracurricular activities. Learning in an art-infused environment