A “Tilted Arc” is an art installation created by Richard Serra, and American minimalist sculptor well-known for working with the large-scale installations of sheet metal. In 1981 he mounted a solid plate of COR-TEN steel covered in rust on Foley Federal Plaza in Manhattan. The plate is 120-foot long and 12-foot high which makes it easily noticeable. While attracting a certain constant amount of negative feedback, it still exists with the help of numerous defenders. However, the opponents of the arc are striving for its removal with an intense insistence and it is highly possible that the arc will vanish from Plaza. In that way, it is necessary to understand what the meaning of the sculpture created by Richard Serra is and whether it is worth …show more content…
This area is a center of the state power of America as there are the buildings of the courts. In its center is a fountain, which does not work possibly because of a strong wind. For this plaza, Serra created a sculpture that consisted of a slightly inclined steel plate which bends passed through the whole plaza dividing its space into two parts, one part of which was perceived as convex and the other as concave. It is evident that the sculpture is presented in an unusual form. However, it allows immediately avoid the problem of self-reference that is inherent to the traditional forms of culture as soon as the work of art enters the public space. It does not tell about the author's personality anymore but shows how the place can be changed through the presence of some object there and in particular, of sculpture. A sculpture presented in public space in its usual shape creates the illusion of autonomy as if it is independent of the place and it can be put anywhere. Serra sought to create a sculpture specific to the place, a site-specific sculpture, which made it …show more content…
As it was already mentioned, the sculpture cannot be removed as it would lose its sense and be destroyed. In that way, it is necessary to assess to what extent the public sculpture is responsible to the public. The work of art should remind people about some important issue and it is evident that the “Tilted Arc” successfully performs this task. It is important to understand that art is not about the compromise but about the challenge and also about history and representation of the current culture. However, the oppositionists of the arc like William Diamond and Edward D. Re have numerous claims against the sculpture stating that the sculpture makes it inconvenient to access buildings and destroyed the aesthetic qualities of the square. Moreover, it throws out threatening shadows, was too costly for taxpayers and closes the view of the part of the
In life, there are people, ideas, and moments that determine the future. Items like this shape how the world is perceived and determines what happens in the future. To honor them, people build monuments and memorials for them. With consideration of an event or person's significance, design, culture, and the economic effects that building a remembrance for one creates a place for people to recognize and remember important moments in history in order for people to learn, progress, and change in their ways. When deciding how to build a monument, the first question usually asked is “why”?
Vietnam Veterans Memorial is one of the most controversial architecture work of all times and also one of the most visited memorial in Washington D.C. There was always the expectation that since the war had been controversial, the memorial might or must be also. The memorial is constructed in three remarkable parts: the black wall cutting into the earth, the names inscribed upon the wall, and the statue of the soldiers. This symbol of the memoirs of some of our heroes not only get flooded with excitement but also been courted with several controversies.
The Monument was opposed by some of the members of the Massachusetts Society and many city officials are arguing about it appropriateness, historical distortion and political
In the article Half-Measures Won’t Erase the Painful Past of Our Monuments, by Holland Cotter, cotter describes the connotations of historical monuments from the past and how it impacts the present by using rhetorical choices such as ethos, pathos, and a neutral tone, to relate to those who have been impacted by the history and to spread more awareness about their history. The government’s actions on whether the monuments convey a positive or negative messages, is not satisfying, which is related to the title “Half-Measures Won’t Erase the Painful Past of our Monuments”. Through the use of pathos, Cotter relates to readers who have been impacted by the people who are being celebrated by monuments, by referring to the messages monuments
Although, we have to “come to the table of democracy as equals.” The statues represent a time when not everyone was equal or treated equally. Mitch Landrieu uses pathos to encourage us to unite and remove the monuments. To achieve “life, liberty, and the pursuit of happiness,”
They finally took it down and ran more tests and it finally came back that it was a reproduction of the original statue. Gladwell refers back to this case through the story to represent how they knew at first glance something was not right. “Thin Slicing” is a major topic that stood out from the rest of the information while reading the book. It is relevant in today’s society because it has to with taking minute details about someone or something and using that thin slice to develop a larger opinion of him, her, or it. Gottman for the University of Washington can determine how a marriage will endure/last in fifteen minutes of testing.
Everyone will see a piece of art differently and people will come to the terms that not every citizen will appreciate or have the same perspective on the sculpture that your are about to put in the center of town. According to an editorial Art for Art’s Sake: The case for government funding against art, the unemployment rate in the nation is high, which not only does other cities account for the increasing rate of unemployment but so does our very own. Therefore, using the city should be using their funds to help people’s lives transforming it for the good. I believe so because what good is a city if their aesthetics increases but the citizens lives slowly crumbles away from the lack of a job or even a home to live in. Furthermore, the editorial states that “Art is, by its very nature, expressive and controversial.
The viewer probably does not see the pillar as it was originally intended because part of the top seems to be missing, and creates an uncertainty to what the entire story could have been. Quite possibly, the separation of the pillar from its original location may have tampered with the artist’s original expression or intention when they first erected the pillar. Perhaps, it was one piece of a greater whole. The pillar is about a meter tall and a foot wide. The story can only be seen on one side of the pillar.
Monuments that are constructed in order to give commendation to people, places, or events are located all over the globe. It is very possible for someone to find a few in their very own town. Although there may be negative controversy on certain monuments, many throughout the world have changed individual’s lives tremendously in a beneficial way. One monument in particular has stood tall through it all and has had so much positive effect on millions of people from the beginning of time. One hundred and thirty years later this monument continues to impact people’s lives from all over the world.
On the morning of August 3rd, 2010, the city’s Landmark Preservation Commission (LPC) had voted unanimously to denounce the landmark status of a building located on Park Place based on the lack of architectural significance that the building would have. This site, which had yet to be completed, was going to be a mosque (a Muslim place of worship) and a community center. Michael Bloomberg, the mayor of New York, had quickly come as the defender for the Muslim community. He had given his speech to inform his fellow New Yorker community of this preposterous denouncement that the Landmark Preservation Commission had made, and suggested the decision was based on something bigger than the architectural significance of a building.
1). While the statute is not placed at the center of the building’s facade, it is still the focus of the exterior of the building. This is due to statue’s relatively large size, which covers around nine of the windows that lie behind it. Additionally, since it is displayed on the face of the upper level windows, and distends out of the building, and towards the street, it is in the line of vision of most passerbys. The focus is not the entrance of the building, as the ceiling of the entrance is pushed under the floor of the upper
When you stay close to Washington D.C and you get an assignment on Sculpture, the only thing that might put you in dilemma would be the wide variety and several options. Every sculpture in DC carries great significance in American history. Each monument throws light to a particular period or a person that played a remarkable role in the history. The sculpture that I choose was of Franklin D. Roosevelt and Fala, one of the nine sculptures built as a part of Franklin Delano Roosevelt Memorial.
One must keep in mind that, monuments may never make everyone happy. As long as a monument was not made with the intention of attacking a group of people it deserves to be
This piece is important because it is exceptional compared to well-known artists. It has an philosophical interpretation that can relate to viewers’ lives. It is visually unusual compared to other art because it does not have a specific subject, and the crypticness is fascinating because it has viewers thinking deeply about its meaning as they begin to understand the visuals. It is a substantial piece of art because if one is having a difficult time in life, one can glance at The Deep and feel a sense of comfort of not feeling
This research was carried out not to only show awareness toward the society but also why people should take art seriously. Often times, we can see lots of people debating whether art is important or not. This happened because the lack of exposure and knowledge that has been taught to them. Art can help to shape the society and affect the society to broaden their view of perspective in life by referring on the artworks because each work of art can give different meanings to life.