Jean- Leon Gerome is a French painter, sculpture, and engraver. His works were molded after the neoclassicist and romantic style, what is now referred to as academicism. Gerome used this form to create paintings of people in exotic lands, and was born and raised in Paris, France where he studied under Paul Delaroche. In Paris, he developed his skills by painting portraits and landscapes, being praised by critics for his use of depicting historical events in fine detail. Ultimately curiosity of the world would lead him to seek out other culture to gain inspiration leading him to travel to North Africa and the near east. Here is where he began to hit his mark, painting other cultures as an outsider, and providing context into how others lived. One of these paintings of the oriental was Femme en Serail.
The painting depicts a
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I think of what my family could be doing while I 'm away in college. It 's tempting while I 'm here to think that their lives were put on hold, or that nothing eventful happens when I 'm gone, but time marches on. The woman lounging on the sofa in darkness reminds me that even if you aren’t present for a situation it still occurs. The painting makes me think what was happening around the woman while she was resting that she was missing.
In short Femme en Serail is a darker work that seeks its viewer 's own interpretation. Through this painting Gerome offers a glimpse into near eastern culture that many were unfamiliar with. His depiction of the woman shows the humanistic nature of his painting, as the woman is seen as being ordinary. Gerome could have highlighted the difference between the races more in his work, by not doing so he challenges cultural differences and gaps. That maybe we aren’t so different from people even halfway across the
Las Dos Fridas, translated to The Two Fridas, is a self portrait created by Frida Kahlo in 1939 through oil paint on canvas. The piece includes two portraits of Kahlo, of which bare two separate and contrasting images. In comparison, Kahlo painted both a dark unibrow and a faint mustache in addition to bold red lips. The two are seen intermingling hands. In contrast, the Kahlo on the left side is wearing a white and lacy gown with floral designs embroidered on the bottom of the dress, mimicking european wear.
Glass Imagery The ability for a writer to construct a piece that is easily relatable to the reader is something that requires time work. Imagery, engulfs the reader and carries him or her into the mind of the writer, enabling the reader to relive or experience that which the writer is trying to convey. Jeannette Walls relies greatly on this, in order to elaborately recreate her memories so that the reader may better understand her feelings toward her past. Her memoir recalls events in her life that shaped her into the woman she is today.
This essay will talk about his unique painting style with different aspects such as his medium, subject matter and inspirations to examine how his artworks have a great impact on the growth of modern art in Canada. Milne was born in a remote area in
Viewing the painting, brightens the light in the artwork. There is a sense of reality as the light seems to move through the clouds. The faces of the characters are shown by light and there is an effect of light moving by walking in front of the scene. Emotions are evoked when one looks at this scene. There is a state of protection and safety.
Pitzer College Christine de Pizan’s Definition of a Woman Katherine Cohen Queer and Feminist Histories of Early Modern Europe Dr. Carina Johnson 17 February 2023 Christine de Pizan was a writer and poet who lived in the medieval era. Because her father was King Charles the fifth’s astrologer and secretary, she was one of the few women in early modern Europe who had access to an education (Mark, 2019). This gave her the rare opportunity to learn how to write and read when growing up, while most women at the time were learning how to be homemakers. One of her most famous books is The Book of the City of Ladies, which is a feminist piece that challenges stereotypes and misogynistic views towards women that were prevalent at this
Successful artists have the ability to invoke thought and emotions through their work. A picture possesses the ability to express a complete story without the use of a single word. These narratives may induce despondency, pleasure, hope, or several other emotions in an individual. However, this is only the case if the viewer takes note and pays attention.
He was born in 31, December 1869 in Le Cateau-Cambrésis in Northern France. He was a painter, sculptor, drafts man, and printmaker. His mother was an amateur painter and his father was a corn merchant. He studied law from 1887 to 1891 and then decided to go to Paris, to become a painter. He drew some amazing paintings and all of them had a story behind it.
While reading “The Trouble with (the Term) Art,” written by Carolyn Dean in the summer of 2006, we are taken through an array of different scenarios that lead us to questions what art really is. Dean explores the idea that the word “art” is used far too often and too habitually, and that as we study the non-Western cultures we need to use much more discretion regarding what we call the different pieces of their culture. Throughout the essay, Dean supports her thesis that we too often categorize non-Western pieces as art by using different examples of how certain non-art pieces were deemed as art throughout the course of their history. Dean does this by using four key examples of how these ancient pieces are inappropriately called art to successfully support her thesis and avoid biases.
Piet Mondrian was a Dutch painter, theorist and writer. He contributed to the De Stijl art movement. He developed Neoplasticism from non-representational forms. The main elements of his geometrical works were white rectangles, black lines and three primary colors. He loved Jazz music.
“I was hungry, Mom was at work on a painting and no one else was there to fix them for me” (15). Here Jeannette explains how her Mom was always working on a painting and did not have time to
At that time, Holland did not have a lot of painters who studied Japanese Art, so it was by going to France that he discovered this massive movement. It was at that time that he started changing his way of painting into a more Oriental Art
Famous for his work during the Impressionist movement, Edgar Degas "objected violently to the label ‘Impressionist’" imposed upon him by the public (Gordon 31). He dismissed the spontaneity and sentiment of the plien air landscape painters such as Renoir and Monet; preferring to capture the reality of his subjects through careful studies, a habit of his classical academic training, rather than impromptu oil paintings (Monneir). Considered one of the founders of Impressionism, Degas shared the desire to "capture fleeting moments in the flow of modern life," using clean colors, light, and defined strokes (Schenkel) (Monnier). However, he preferred to depict urban life and city dwellers in theaters and cafés with the detail and structure of a Realist. First and foremost, he considered himself a detached observer.
Western Literature serves as the foundation all literature. In Marie de France’s poetry, she incorporates the work of Homer, the Bible, and Ovid into her own poetry. Both Marie and Homer use detailed writing styles in order to portray their devotion to family and their Gods. Similarly, Marie borrows inspiration from the Bible in order to show her devotion to God as a savior. She also uses Ovid’s stories in order to depict morals throughout her fables.
Goya The Great Francisco Goya was one of the most influential romantic artists from the 19th and 20th century; He is often referred to as both the last of the Old Masters and the first of the moderns. Throughout his lifetime his work moved from lighthearted and happy, to deeply cynical. He attributed to Romanticism and modernism in artwork by challenging the rhetoric of the time period and creating work that evoked emotion through unique brush strokes, color choice, and challenging subject matter.
Personification allows the readers to see the world from the house’s persepctive, helping them relate to the house on a personal level. Unlike Hirsch, who directs most of his focus towards the emotional state of the house, Hopper uses indirect forms of communication(e.g. shading, color, shapes and atmosphere) to help readers draw inferences about the house. For instance, the shadow casting the house sets a depressing mood for the painting. The darkness overshadowing the brightness implies that the house attracts no one despite its desire for visitors. Hopper’s emphasis on the shadow sets the mood for the picture, allowing us to visualize the depressing aura of the house.