Artistic expression is the creative manifestation of an artist’s thoughts and feelings. Wisława Szymborska’s poetry states much about what artistic expression is, and how to qualify, and value it, and the importance of breaking from restriction in terms of how critics, whether self-critics or otherwise, evaluate creative expression itself. In The Joy of Writing, she explores the act of writing itself and the power and freedom of artistic expression. Evaluation of an Unwritten Poem is a satire of a critic’s review of a poem. Szymborska demonstrates the fallacies and absurdities associated with judging the quality, cause and meaning of artistic expression, such as poetry. In the poems, Szymborska’s stance towards objective artistic judgement is that it is absurd and comical, due to the imprecise and subjective nature of poetry. …show more content…
In The Joy of Writing, Szymborska creates a “written doe” that wanders through the “written woods”. She repeatedly questions every action of this doe in the first stanza, attempting to find the purpose of her own creation, however is unable to do so, asking “Why does she lift her head[...]?”. The doe becomes a metaphor for the meaning of poetry, and how the creator herself finds it difficult to discern its cause and purpose. In the third stanza, the “hunters” attempt to hunt this doe;” in other words metaphorically trying to find the meaning in the poem, and hence represent the critics- both the external and internal critic. The hunters are described as having “squinting eyes behind their sights”, the verb “squinting” suggesting how the hunters are not only unable to see clearly, but also, they are trying too hard to see properly. It is as if the hunters or the critics are so fixated in finding the meaning of the poem that they threaten to kill the doe- thus destroying the beauty and meaning of the
Often times, when a person experiences something unusual, that experience stays with them forever. The poem “Driving with Animals” by Billy Collins is about the lasting impression that an experience with deer can create. The imagery, sound devices, and figurative language that Collins uses in the poem draw the reader into the poem and makes them feel as if they are the driver in the car. The element of imagery is important in drawing the reader into the poem.
This proves that Jack is confident about poetry because he is being inspired by other poetics and he is now starting to write his own poems. Throughout the book, Jack’s thoughts about poetry have grow from timid, then he changed to reluctant and enthusiastic, and now he is confident about poetry because he is now starting to enjoy poetry more and write his own
Although a poet rooted in the folk tradition of the African American South, Finney’s work relies upon the spiritual and aesthetic influence of West African tradition, the womanist wisdom of her maternal grandmother, Beulah Lenorah Davenport, and her family’s political commitment to equality and social justice (Beaulieu 333). She mingles the personal with the public in order to share the experience with her readers and therefore truly express their feelings. “I think that my putting myself in my poetry is me saying to my readers and my listeners “I’m willing to stand here and be as vulnerable as perhaps I am making others and situations vulnerable in my work. I have to be willing to do that” (Finney, “Interview with: Nikky Finney.”).
In “The Trouble with Poetry” the speaker touches on the same idea of how poetry is so forced, and how it has lost its meaning as an expression and has become more of an addiction among
Each stanza also makes the readers question their opinions and their understanding of the poem and the street. While analyzing Kenneth’s poem we see his use of imagery , personification, metaphorical language and repetition. With the end of each stanza repeating the words “you find this ugly, I find this lovely” the use of repetition gives the audience the sense of how the poet is displaying his message with this literary technique. The repetition also gives insight in how he see’s something that everyone calls ugly as something beautiful. The readers are also always drawn back to processing their opinions with his use
The poem “ Feliks Skrzynecki” communicates to the responders that as a result of the Skrzynecki family migrating to Australia, Peter had lost a significant aspect of his life which was his relationship with his father due to the barriers that had arisen restricting them from proper communication. This is reinforced in the poem, in the quote “ Loved his garden like an only child,”. Through the application of this technique in the first stanza, it establishes the connection made amongst the father and his beloved garden. This suggests that the garden is the only mean in which he could recreate his lifestyle from Poland, therefore, loving the garden like an only child he felt comfort and a sense of belonging whilst in it. Another technique Skrzynecki
I have interpreted these lines in one way, yet there are a million different possibilities. The author puts the words onto the paper, but the reader’s job is to interpret their own emotion, memory or belief and actually apply it to the poet’s words in order to create an
Craftsmanship has been made for individuals to express their emotions in a more conceptual manner through drawings, works of art, photography, and composing. Yusef Komunyakaa communicates his feelings through verse. Be that as it may, he doesn 't determine precisely what he implies by his words leaving his poems open to translation. The poem that he wrote, "Naked Interrogation ', Komunyakaa talks about a lady stripping down in preparation for sex with her war veteran partner in the wake of cross examining him with numerous different questions about his war time experience.
“What is going on in these pictures in my mind?” (Didion 2). Joan Didion’s “Why I Write” provides an explanation to her perspective om writing and why she writes. Later on, she states that she writes as a way to discover the meaning behind what she is seeing. During this past semester as we wrote about dance, a heavy focus was on description and interpretation rather than contextualization and evaluation.
In the poem “For Poets”, by Al Young, the theme is the challenge of stepping out of your comfort zone and seizing moments in life. Young expands and argues his theme through the literary devices used in the poem. These literary devices include symbolism, hyperbole, and metaphor. Al Young portrays life’s obstacles, our society’s attitude towards self expression, and experiencing nature. In conclusion, life is a big obstacle and in order to live it, you must go out of your comfort zone and try your best to give it all you’ve
In “Out, Out” the saw is personified into a live animal. The poem echoes snarled and rattled to give life to the saw and foreshadows the tragedy which happens later. The poems explain that although we have evolved quite a lot we still have a savage nature remaining inside us
This line is intended to demonstrate that although the poet
Since these creators are the source of the idolization of nature, she writes to them in order to reverse their misconception. Oates realizes that their subject is not the authentic force, but rather one that was handed endless meaning by artisans. She addresses them mockingly, utilizing rhetorical questions as a way to aggravate their thought process. Including herself in the audience of authors, she toys with the image of authors and jokes that the reason they write so profusely on nature is that “...we must, we’re writers, poets, mystics (of a sort) aren’t we, precisely what else are we to do but glamorize and romanticize and generally exaggerate the significance of anything we focus the white heat of our “creativity” upon?” (Oates 226).
The agony the writer is feeling about his son 's death, as well as the hint of optimism through planting the tree is powerfully depicted through the devices of diction and imagery throughout the poem. In the first stanza the speaker describes the setting when planting the Sequoia; “Rain blacked the horizon, but cold winds kept it over the Pacific, / And the sky above us stayed the dull gray.” The speaker uses a lexicon of words such as “blackened”, “cold” and “dull gray” which all introduce a harsh and sorrowful tone to the poem. Pathetic fallacy is also used through the imagery of nature;
James Shokoff wrote a literary criticism over my poem Ode on a Grecian Urn. Shokoff is a journalist, and strongly discusses his opinion on the poem in Soul-Making in ‘Ode on a Grecian Urn. Shokoff believes that the question he does not have answered in the poem remains an unsolved mystery. Shokoff agrees with my thesis that symbolism and identification is not a weakness of the poem, but shows great significance. In this criticism the main question is, is the “beauty-truth identification a consistent, meaningful conclusion to the poem” (Shokoff)?