Artists Questing the World.
Artists often serve as observers and questioners of the world in which they live, using their creative expressions to explore and challenge the familiar. Howard Arkley and Robyn Sweaney are two Australian artists who embody this spirit, each with their distinctive styles and approaches.
Howard Arkley was an Australian artist known for his distinctive style. While living in Melbourne for most of his life, Arkley attended Prahran College of Advanced Education and Melbourne State College between 1969 and 1973. Arkley developed his spontaneous and obsessive working style during residencies and fellowships in Paris and New York in 1977. During his residencies in Paris and New York, Arkley was able to expand his artistic
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This move gave Sweaney a new appreciation for the land around her. Since 1992, Robyn Sweaney has participated in over 90 group exhibitions and twelve solo exhibitions. Among her achievements, she has been named a finalist for esteemed awards such as the Wynne Prize, Sulman Prize, Portia Geach Award, and Memorial Award. In a Biography done by OCULA She states, “Though outwardly many houses are generic, I am intrigued by the way people, in creative and resourceful ways, express themselves within the boundaries of their own environments.”
Both artist Howard Arkley and Robyn Sweaney often question the world in which they live and they use this question as an inspiration for their art. Howard Arkley's artworks, 'A Splendid Superior Home' (1989) and 'Family Home' (1988), illustrate his exploration and questioning of the world around him. In these paintings, Arkley breathes vibrant life into ordinary Australian houses by infusing them with captivating colors. By showcasing the transformative power of color, these artworks suggest that houses become intriguing and captivating when imbued with a vivid
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Howard Arkley's artworks have received a wide range of responses from both the art world and the general audience. His distinct visual style and exploration of suburban themes have garnered attention and appreciation. Denise M Taylor highlights Arkley's ability to infuse wit and vibrancy into his subject matter through his masterful use of color, line, pattern, and shape. His distinctive style, blending elements of pop art, postmodernism, and suburban surrealism, distinguishes him from other artists. His contributions to contemporary art have been recognized through major retrospectives and participation in significant exhibitions. Arkley's artworks have become iconic representations of Australian suburban landscapes, firmly establishing his presence and impact in the art
These three things are combined in Preston’s artwork to create an overall message to convey to her audience. The main and significant message that this artwork represents is the possibilities of the fusion between various Aboriginal art forms and the possibilities of an indigenous revolution to come. This artwork expresses the importance of aboriginal art, culture and their way of life as this was a time in which Preston’s beliefs of the importance of Aboriginal art deepened. It was also at this time of significance to her where she developed a series of landscape paintings influenced by this idea. This artwork is also representative of her time living in Berowra where she was enthused by the seasonal display of native plants, in which she wanted to capture the essence of the Australian bush and its
The Nelson-Atkins Museum of Art, which is located in Kansas City, possess a rich collection of art coming from the entire world. Even more, when it comes to American artists the museum maintains magnificent works from different ages and styles. Two of the paintings, from American authors, that call visitors’ attention whenever they visit the museum are “Goodnight Irene” and “Lynch family”. Both paintings are works from different American authors, yet same style and similar date of creation. This two paintings are capable to evoke diverse feelings and emotions in the spectators, for that reason the purpose of this essay is to compare and contrast both works in terms of perspective, technique and compositional features.
Following her mother’s death in 1903, Preston travelled with student Bessie Davidson to Europe where they stayed until 1907, studying in Munich and Paris, and travelling in Italy, Spain and Holland. Because she felt much better than those in Germany, she moved to Paris. While becoming in contact with the works of French Post Impressionists, Cezanne, the most architectural of all artists, such as Gauguin, Matisse, Picasso, and Roualt, she became quickly aware how to be the best. By learning off these artists, Preston’s style became very reserved, structured, and closely linked to the elements and principles or art. This experience in Paris, also lead her to become aware of the Japanese style of art which featured asymmetry, pattern as the dominant element of design, close up observations of natural patterns, the celebration of particular flora, and a daring engagement with deliberate primitivism.
Jeffrey Smart’s Cahill Expressway (1962) and Russell Drysdale’s Man Feeding His Dogs (1941) artworks are concerned with isolation and the desolate nature of Australia however differ in style and convey the contrast between urban and rural settings yet display the similarities in the way in which these environments evoke feelings among their residents. Image One, Cahill Expressway expresses isolation through the desolate urban setting depicted. The fabricated environment is clinical and impassive through the absence of natural elements such as plants and animals. The lifeless sterile setting, constructed entirely of concrete, buildings and infrastructure developing the way in which humans dominate a landscape creating a melancholy urban emptiness.
Every photograph accommodates a piece of the photographer’s identity within the picture. Photographers explore the Australian identity throughout their photos by using themselves and their own identity as a basis. Ideas of this are outlined in the work of Max Dupain, Rosemary Laing and Trent Parke. They have represented Australian individuality by using various techniques to create their photographs. The artists above and how their work resembles Australia, will be explored within this essay.
Art is a form of expressing the inner feelings, emotions, and imaginations. Artists such as James McDougal Hart and Mattie Luo O’Kelley delivered strong messages and relived memories of the past through their artworks. Mattie O’Kelley is an American, folk artist who painted the Yardsale in 1979. Much like her other works, it portrays a busy country scene from her early life in rural Georgia. James McDougal Hart is another landscape artist and a Scottish-born American cattle painter.
Task 1 Xun Chen ID: GEC00000AH 1: I will choose Sidney Nolan 2: This is a surrealism of hype 3: he use a angle point he has also cheated sculpture 4: this in 1971¬¬-1992 5:they Sidney Nolan is the most internationally famous of atrial an painters he grow up in Melbourne turned from add jobs to AM after attending night classes in Melbourne 6: the surrealism is a cultural move mend that began in the early 1920 and is best known for ardors and writing artists painted unnerving illogical scenes with photographic precision creates st range creatures from everyday abject and developed painting teaches that allowed the unconscious to express itself 7:the beats of Lon stable sconce the painting was cheated in 1946 and is done in an enamel paint on composition board the story behind the planting is a Ture story about end constable sconce
During his college years, Andy became familiar with other British artist and following similar environmental doctrines, including Richard Long and Hamish Fulton. Andy described is worked as a collaboration with nature to produced uniquely personal and intense artworks. Because most of Andy works are temporary, he would
By placing a strong value on the moment of encounter or interaction with art, the author argues that art is not merely a static object but rather, an interaction between the viewer and the art. This language deepens the reader's understanding of Asher as a character and his deep connection to art but also the nature of art itself as a transformative experience rather than a stationary one. 17 Ladover Ideological quote “ One’s duty in life is to keep one’s miseries
In the world of art, many artists are known for being vocal about their cultural identity and heritage and things they strongly believe in. They use their work as a means of expressing their views on society,politics,emotion and more. Curator Brenda Croft argues that some artists are "cultural warriors" who defend their territory through their art. In this essay, I will explore the works of two artists, Gordon Bennett and Emily Kame Kngwarreye, and analyze how their roles as artists can be interpreted to reflect Croft's view. Gordon Bennett was an Australian artist of a Aboriginal and Anglo-Celtic background.
The city that gradually welcomed young artists eventually created a close-knit environment where everyone was seeking to get their work out of the door and into the hands of success. However, these ventures artists took were set when the landscape of New York City was deteriorating out of the social division. The “postwar optimism” the country continued to pursue impacted New York City through the deindustrialization of downtown neighborhoods, rise in crime, and poverty (Rohlwing 2018). With this backdrop behind many young artists seeking to move to New York City, it further enhanced the escapism towards their craft. The diverse and accepting art community of New York City eventually inspired a new and upcoming artist by the name of Patti
Stu Oxley is a Canadian Artist with a Masters of fine Art. Oxley has been painting and teaching for thirty years within Ontario. Oxley’s painting consist of an atmospheric washes or rich colours that possess markings that emphases his hands and interrupting the works subtle tonal shifts. Oxley thought that paintings were a way to express a sense of moment. Oxley wanted people to look at his paintings and be moved by emotions and get different aspect of
As can be seen in the image, humanity and human individuals attempts to search for comfort and fulfillment in different landscapes. In Gwen Harwood’s At Mornington, the author represents the place that nature and landscapes have within humanity’s search for satisfaction and the perpetual nature of the environment around us. Harwood employs form, structure, the perspective shifts and her choice of language within her representation to augment this relationship, with the consistent interweaving of past and present creating juxtapositions between the constant of the environment and the ever-changing nature of human life, Humanity seeks to find meaning in the transience of life, and Harwood illustrates this concept through examining the persistence
Quilty, who used bright warm colours, stated that he used them because “you only had to walk into her (Margaret Olley) home, which is also her studio, to see that you couldn’t use anything else but striking colour” (“Home:Art Gallery NSW”,2016). The brown, red, and orange colours help generate a warm, loving mood and also frame the face so that the work is balanced. These colours contrast with the light blues in the bottom left corner of the artwork creating unity. In comparison, Beards does not incorporate the use of colour that Quilty does, creating a refined mood and unity in a different way. Beard uses a black and white colour scheme to highlight the subject and create a more distinctive tone.
Created Through the Eye Why do we all have different interpretations of art? Because we all are different in some way, our identity defines us and how we look at the world while our actions shape us and world around us. The works of Wenda Gu and Gordon Bennett both reflect aspects of their identity, whether that be personal, spiritual, cultural or psychological. Both artist are similar in many ways, notably for their reflection on personal experiences as cultural minorities. Gordon Bennett successfully portrays his personal experiences as well as the cultural influences in his artworks.