Introduction The Arts and Crafts Movement was a movement that stemmed from peoples reaction to mechanization that came from the industrial revolution in Britain.it was identified as not a style but an attitude to design and production and had a huge influence on the simplification of designs and production today. The movement was known to be “one of the most influential, profound and far-reaching design movements of modern times” (The Arts and Crafts Movement: [sa]).The ideals of this was linked to the simplification of design and the improving of the quality of the designs whilst ensuring that the design contributed to improving society and creating a “relationship between products, their function and the consumer”. William Morris was” an …show more content…
The colours of the backgrounds include chocolate, indigo, slate, grape and the original crimson colour. The deep red colour of the background interacts well with the warm and earthy green, yellow and blue tomes in the design. Tone is created in the design by the variation of linework used around and in the forms present that contrast the flat colours used. The midtones also add to the calming atmosphere of the artwork as a whole. There’s a variation of thick and thin lines visible in the artwork, most of the lines outlining the shapes and forms visible in the design. The lines appear to be more organic and curved as it mimics the form of the organic matter portrayed in the design and becomes part of the plants, flowers, fruits and birds present in the design .The positive shapes throughout the design are very relaxed and organic in shape. The curvilinear shapes give life to an informal composition while the repetition of these shapes and forms and the symmetrically of them being mirrored from the left and right side conflicted with this effect giving off a more formal …show more content…
It was said by Linda Parry (William Morris and the Arts and Crafts Movement 1989:5) that “his designs provided a mirror to his soul, reflecting his greatest artistic interests and influences”. His interests related to the arts and crafts movement are demonstrated by the simplicity yet beauty of The Strawberry Thief design .Its purposefulness and handcrafted quality add to the idea of rejecting mechanization and the idea of making products to better society .The repetition of patterns are also common in Morris’ works as it creates a relaxed feeling and environment that he wanted to introduce in the homes of many .The stylized technique used was a way for Morris to express a feeling of class and lavishness without making the design overly decorative or
The five elements used are line, shape, colour, texture and tone. Preston uses both types of lines in this piece, both organic which are the soft, curved and flowing lines in the mountains, and inorganic, structural lines, being the tree stumps. The most significant line direction that is used is diagonal, where the lines lead your eyes over the composition from the foreground and through the mountain ranges to the clouds in the far background. Both vertical and horizontal lines are also used for the trees and the horizon line. Preston has used both naturalistic and curvilinear shapes to give the landscape a realistic appearance, however, her shapes are also a little stylised and simplified to their essential character.
These colours also makes the user feel more creative and productive and also gives a calming feeling from the light blue colour. The colours of the design makes it perfect to place in a room to create a relaxing atmosphere. The natural looking light brown colour from the oak adds a more serious look and
I chose to write about Jim Germaux’s Parallel Play because it evokes beauty in a unique way using pattern, line, and color Germaux’s Parallel Play exemplifies beauty through eye-catching pattern. Each piece of this collection uses an arrangement of circles in a manner that is organized and yet spontaneous. The location of each circle is unpredictable, but the way the Germaux arranges the circles in his painting, side-by-side in no particular order, creates a sense of movement and playfulness that is attractive to the viewer’s eye. The viewer is drawn in by the mass quantity of these circles and is then challenged to look upon the spontaneity of the arrangement, and to try to find familiar patterns within. Germaux is making the viewer move his or her eyes over the circle pattern in several directions creating a commotion that pulls the viewer into the composition in such an effective way that is beautiful.
Analyzing Barbara J. Anello’s Long Son Pagoda American photographer, Barbara J. Anello, has traveled to Southeast Asia documenting the historical aspects of traditional art and culture. Anello’s collection, “Photographs of Southeast Asia and Morocco”, focuses on the domestic architecture of rural areas and cultures. Anello’s photograph Long Son Pagoda was taken in Na Trang, Vietnam on March 3, 2008.
However, cool and dark colors are utilized in drawing the plain, which implies a depressing mood in crossing the plain. Considering about form, linear and aerial perspectives are used in the drawing in showing the ways and direction of moving and expressing the depth and width of various views, like the layers of gross and the distance between plain and mountains, respectively. Moreover, the use of light and shadow effectively showing the distance of each objects as well as making the objects, for instance the costume and the characters in a three-dimensional proportion. For texture, the artist uses different line qualities to compose each objects. For example, the repetition of thin lines are used in creating the shapes of gross and curve lines are utilized in drawing the shadow of objects, which is reflected in water.
In his painting, Lake Superior Landscape, George Morrison uses a combination of the visual elements line, texture, and color with the principles of design of repetition and visual unity to create an intriguing, abstract take on the traditional landscape painting. Morrison depicts the horizon at the top of the painting in purple, with the lake directly underneath it in blue. The bottom half of the painting is a representation of the cliffs that border much of Lake Superior.
The colors used in this piece are also very well thought out, there isn’t any color to show aggression or maybe fear if you want to go that far with it. All colors are easy to look at, and can be easily referenced to peaceful things such as love, innocence, curiosity, and freedom, even life ultimately. All the colors used have very light bases besides two colors, blue and purple. Purple was used for thousands of years as the color for royalty. If you look close to the shades on the skin you can see light purple for parts of the men laying down, the right man has a much darker purple shade painted as part of his head which also has a heavy amount of gold in it also.
The shade of blue he uses is very dominant as it ties her apron and sleeves to the table cloth and to the cupids on the baseboards. The redness of the pitcher matches her skirt, the floor, her facial skin tones, and the footwarmer, and blends in with the yellows used to paint the bread. The colors in bread also causes the viewer to flow to the yellow and gold color in her shirt and to the gold decoration on the wall behind her and to the left. This image has rustic colors consuming the background. The walls are light gray, dark and gloomy with a few spots of what appears to be brown
Kahlo used very thin lines to define both the Fridas and aortic valve. This paing had a strong use of implied lines, Frida used implied lines to define the movement and blood flow between the two hearts. She also used them to put influence on the clothing to give them a realistic feel. I didn't see as many shapes as I did line composition. The few shapes I came across throughout the image was an oval and rectangle.
They lead your eyes to the large boat, onward to the bottom, where there are animals boarding it. The lines are also very sharp. They outline the shapes in the painting, giving the shapes a clear border. The next element is shape. The shapes are at very sharp angles.
In the first decade of the 20th century the ongoing experiments with pure form continued. A group of designers in Glasgow, Scotland became well known for their use of form and their inspired designers from all over the world. “Although the Glasgow group received a cool reception in the British Isles, designers in Austria and Germany were inspired by the move toward geometric structure and simplicity of form.” (britannica) The quote shows that this group’s work had become well known and it inspired others from all over the world.
Arts and crafts are often thought of today as something that only children partake in. They can easily be done with your hands and are small hobbies. To people in the late 19th century, arts and crafts were about connecting to your surroundings rather than just filling the time. The arts and crafts movement began a revolution of people who sought to use their hands rather than big machinery to create something. Through meaningful interactions with their materials, people who partook in these activities gained meaningful insights.
The colors show his depression and agony and reveal how truly broken down the subject
The Bauhaus is an Art and Architecture school founded in Germany in 1919. It is considered as the most influential art school in design history and the leading ideology in modernism that was a philosophical movement arose as result of rapid urbanization and industrialization in the early 20th century (Lewis, 2000, p.38). The name Bauhaus derived from the German word ‘bauen’ – to build and ‘haus’ which means the house (Mack, 1963, p.1). As the industrialization has been a dominating factor to the society, understanding about Bahaus’ ideas are still encouraged comprehended. This essay will discuss the aesthetic approach that rejected decorative details in the Bauhaus in which, the manipulation of art form and the use of design principles are
The start of modernism being the Pioneer Phase took place between the middle of the First World War and the crucial movements from 1929 to 1933, early 1930s being know as the International Style. Pioneer Phase is a chain of variations and individuals who took charge to the problems faced when dealing with the appropriate design that would symbolise the twentieth century. They did so by focusing on three core elements of design, architecture, graphics and furniture.(P.Greenhalgh,1990, p. 91) The Pioneer Phase could simply be classified as a collaboration of ideas in which designers envisioned how the world could create a way in which improves the “material conditions” and mould the consciousness of humankind.(P.Greenhalgh,1990, p. 3). Modernism