The God Of Small Things Spivak Analysis

Arundhathi Roy’s fictional and non-fictional writings reflect Spivak’s Theory of Subalternity. In The God of Small Things, Roy has taken freedom to break all events in the novel are not in an arranged form. The novel is a non-linear representation of events, where it begins from the end and ends in the middle. Roy has been highly innovative in the novel, The God of Small Things. Roy used the innovative things such as English language. Art and Activism meet in the right ratio. Both Art and Activism combine to form a whole one. It expressed Roy’s particular talent. Now, Roy was also a part of active member of the Narmada Project. The struggle is against the false concept of development and undemocratic planning. It is the concept of the project.

Roy’s smiles mostly are used to narrate the inner workings of a character’s mind. She narrates her own personal feeling in the novel. Instead of making it general, universal or philosophical. Roy has recently taken to social activism and is working tirelessly for several causes, including those of the Dalits, the displaced population due to Narmada dam, victims of religious fundamentalism, and environmental protection. Expectedly, she has created a great deal of controversy about herself as well as immense admiration for her grit in grappling with formidable social problems single handed.

Jhumpa Lahiri was born on Nilanjana Svadeshna on July 11, 1967. She is an Indian American author. Lahiri’s debut short story collection, Interpreter of Maladies was published in1999. She created history to becoming the first Indian to win the Pulitzer Prize in London in the year 2000 for her short story collection, Interpreter of Maladies. Lahiri’s first novel The Namesake was published in 2003. She won worldwide praise enthusiastically for her first novel The Namesake. The Namesake was adapted in to the film of the same name. Lahiri’s second short story collection, Unaccustomed Earth was released on April 1,