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Asif Cuurrimbhoy Play Analysis

1828 Words8 Pages

A Study of Race, Class and Gender in Asif Currimbhoy’s Plays

Anshika, Barkha

Department of Applied Science and Humanities

PDM College of Engineering, Bahadurgarh, Haryana

Abstract: Asif Currimbhoy’s plays reveal the notions and aspects of colonialism. He highlights the de-humanizing aspects of colonialism by focusing on the influence of capitalism in all walks of the Post-independent Indian life in some plays. His plays were undertaken as subject of study and research and were even translated into regional language. His plays cover a wide range of themes from History and Politics. The issues of race, class & gender which are prominent in most of Currimbhoy’s plays have not been examined in detail. Currimbhoy’s constant engagement on vital issues informs and impacts his vision of life.

Introduction: Asif Currimbhoy is the most prolific playwright of the Post-Independence period who has written and published more than thirty plays. He emerged as a notable playwright and he has been called the first authentic voice of the Post-Independence era. He took Indian English drama to the new heights in the Post-Independence period. Some of his important plays are The Doldrummers (1960), Goa (1964), Inquilab (1970), The Refugee (1971), Sonar Bangla (1972) and The Dessident M.L.A (1974). He interweaves the public events with the private to create exciting drama which asks moral questions about humanity in cataclysmic period of de-colonisation. He is a distinctive playwright in whose

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