In the 19th century many debates raged on the correct way to showcase a women’s body in a painting. “What was the relationship between women’s moral and sexual nature?” (pg. 272), artist worked to find a balance between these two concepts. A successful combination of these two topics can be seen in the can be seen in Eclogue by artist Kenyon Cox. Cox’s painting depicts four women naked and partially clothed lounging about together in a field. In the painting the women are youthful and in classical poses to make them appear more “innocent” as opposed being overtly sexual. This painting showed how American artist “attempted to downplay the sexual implications by making the women more youthful…as well as more idealized” (pg. 285) This painting
In her article, “Three Inventories, Three Households”, Laurel Thatcher Ulrich argues that women’s work was crucial not simply for subsistence but that “women were essentials in the seventeenth century for the very same reasons they are essentials today-for the perpetuation of the race” (Ulrich 51). She believes, women were expected to do everything. They were not only to take care of the children, but they were also cook, clean, raise the greens and ranches. Mainly, women plays important role for the survival and continuation of life.
For my research paper, I am going to two about two types of art throughout certain time periods in history. What I am going to compare and differentiate are types of art within the Prehistoric time period, and the Roman time period. Within time periods in general, there are artworks that are relevant throughout their existing time period, and picked up later in future generations, where people can learn about their past cultures and various types of art. For the first time period, the Prehistoric period, it includes the Paleolithic culture and its art. It is divided into three parts. The lower Paleolithic, the middle Paleolithic, and the upper Paleolithic. During this time period, tools were a very essential
Murdered! He was murdered. Who? The 5,300 year old human time capsule, and his name is.... Ötzi. There is many a theory on this topic. One that seems to make sense is that he was assassinated by a clanmate who was jealous of his position. This is likely because of his copper axe, the arrowhead’s type and its location in his back and a large stone inside the cave which depicted the assassination.
While reading “The Trouble with (the Term) Art,” written by Carolyn Dean in the summer of 2006, we are taken through an array of different scenarios that lead us to questions what art really is. Dean explores the idea that the word “art” is used far too often and too habitually, and that as we study the non-Western cultures we need to use much more discretion regarding what we call the different pieces of their culture. Throughout the essay, Dean supports her thesis that we too often categorize non-Western pieces as art by using different examples of how certain non-art pieces were deemed as art throughout the course of their history. Dean does this by using four key examples of how these ancient pieces are inappropriately called art to successfully support her thesis and avoid biases.
In 1492 Christopher Columbus sailed the ocean blue. We all know this catchy tune right? But what we don’t know, is what Columbus thought when he arrived in the North America or what he though of the Native Americans he met. In fact, we don’t know much about all the explorers after Columbus and what they thought. Each explore had their own view of the Native Americans, and three great examples are Columbus, Juan Ginés de Sepúlveda and Bartolomé de Las Casas
(SP 1 The Haitian People feel very strongly about greetings, Men shake hands on meeting and departing, men and women kiss on the cheek when greeting, women kiss each other on the cheek. An older person might be called “aunt” or “uncle” as sign of respect even if they not related.
First Generations: Women of Colonial America, written by Carol Berkin, is a novel that took ten years to make. Carol Berkin received her B.A. from Barnard College and her M.A. and Ph.D. from Columbia University. She has worked as a consultant on PBS and History Channel documentaries. Berkin has written several books on the topic of women in America. Some of her publications include: Revolutionary Mothers: Women in the Struggle for America's Independence (2004) and Civil War Wives: The Life and Times of Angelina Grimke Weld, Varina Howell Davis, and Julia Dent Grant (2009). The prejudice that the author brings forward strongly is the notion of feminism.
Beowulf and “The Wife of Bath’s Tale” are both narratives in which gender acts as an important theme within their individual communities; both have underlying meanings when it comes to defining what the role men and women in a good community should be. Or in other words, both stories paint a vivid picture of the role of women during the medieval time period, by suggesting that one gender had more power over another. However, these two narratives take alternative paths when expressing their views; Beowulf conveys its message through what is missing, while “The Wife of Bath’s Tale” incorporates satire and uses explicit narrative when telling the experience of a woman that is highly different from other women in her time. Furthermore, another difference that is appealing to the reader’s eyes, besides the way the two narratives reflect to women’s role in medieval times, is that men become the hero in Beowulf, while “the wife”, so a woman, becomes the authority figure in the story of “The Wife of Bath’s Tale.” I want to first introduce the two main differences between the two narratives and then I will explain how regardless of the differences, both of these narratives’ main goal is to show that women had less power and a good community back that time was male dominated.
ideas, from God. In this period the ancient Latin expression infirmitas consilii, that means weak judgment, was used to label women.
In Dr. Philip Zimbardo’s psychology experiment called the Stanford prison experiment, he came to realization without rules and structure of the guards, they can take matters into their own hands and do whatever they want. The prisoners were deindividualized and were just called by their number on their uniform. The cruel and unusual punishments that the guards inflicted got too out of hand would cause the prisoners to have a mental breakdown and wouldn 't be able to finish the experiment. Zimbardo called this the lucifer effect. In William Golding’s novel “Lord of the Flies” and Sheryl St. Germain’s poem “In the Garden of Eden,” Lucifer and evil are also temptations, which eventually creates the fall of man.
In a time where social strictures denied most women a future in the field of visual arts, Harriet Hosmer defied all social convention with her large scale success in neoclassical sculpting. At a young age, Hosmer had already developed a striking reputation, one that qualified her to study abroad in Rome under the tutelage of renowned sculptor John Gibson. As if this opportunity wasn’t rare enough for women artists in her day, Hosmer’s outstanding potential earned her the luxury of studying from live models.6 The respect she gained from taking this unconventional route to her success is one that entirely transformed society’s perception of women. Not only did her unique story serve as a catalyst in the progression of gender equality, but she also hid symbolic messages within each of her sculptures to find a way to penetrate her beliefs of equality through to any soul.3 As the National Museum of Women in the Arts perfectly captures, “[s]he preferred Neoclassical idealism to more naturalistic trends and rendered mythological and historical figures, such as Oenone, Beatrice Cenci, and Zenobia, Queen of Palmyra, with nobility and grandeur.”6 In contrast to the typical artists of her day, Hosmer’s sculptures depicted female characters whose stories were an emblem of her compelling feminist beliefs.
The Chauvet Cave is one of the most famous prehistoric rock art sites in the world which located in the Ardeche region of southern France.
William R. Estep was a family man as well as a highly regarded professor of church history at Southwestern Baptist Theological Seminary for 40 years. He was a prominent church historian in the Southern Baptist circle and authored many works on church, Baptist, and Anabaptist history such as Anabaptist Beginnings, Renaissance and Reformation, and Whole Gospel Whole World. He has also served as a pastor in several churches in Texas, Kentucky, and Oklahoma as well as taught at Baptist seminaries across the world including nations such as Canada and Columbia. The number of years he has researched, taught, and lived serve as the authority that he has to write about the early Anabaptist history.
Females are an integral part of human civilization. No society or country can ever progress without an active participation of female in its general development. The status of female in society is directly linked with social and cultural traditions, stages of economic development achieved, educational levels, attitude of the society towards women, social and religious taboos, women's own awareness and political attainments.