How do the authors of the texts Atonement and Big Fish connect with their audiences’ personal lives and experiences through the themes and techniques presented in their texts?
Throughout Ian McEwan’s 2001 novel Atonement and Tim Burton’s 2003 film Big Fish, the central characters search for and explore the themes of atonement, doing anything for love, family relationships, and use techniques such as the art of storytelling. Both share common themes throughout their stories, and the authors connect with their audiences through these themes and techniques present in their respective texts. Atonement was later adapted into a movie by the same name in 2007, and Big Fish was based on the 1998 Big Fish: A Novel of Mythic Proportions, and was later
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In Atonement, Robbie is sent away to prison and later the war shortly after expressing his love for Cecilia, after being falsely accused of raping her cousin Lola. After Robbie is separated from his battalion, he and two other corporals make their way across France on their way to Dunkirk, where the British Army is evacuating. The letters between Cecilia and Robbie, the memory of their one meeting since he was taken form the Tallis house, and his longing for their future together are sustaining Robbie through his journey to Dunkirk. This kind of love story is one featured in many texts throughout time, and from interest by readers, appears to be timeless. This theme acts as an escape and allows the readers to put aside from their own life, as any good book should do, and to focus on understanding the love Robbie and Cecilia share. Big Fish firstly tells the story of Edward’s quest to find and convince the love of his life Sandra to leave his childhood competitor, Don Price, and marry him instead. Don is represented as a tall, large man who isn’t afraid to fight anyone who tries to take what’s his. After he beats up Edward, Sandra is disgusted by his violence and calls off their engagement, for the much smaller built Edward. This follows the story line of the classic David and …show more content…
Atonement featured many examples of imagery, which keeps the reader thinking and allows them to recreate the story and imagine it as if it is happening in real life. Having a third person narrator allowed McEwan to switch between characters, their situations, and their thoughts seamlessly. One chapter may focus on Emily Tallis, whilst the next could be from Robbie’s point of view. This allows for an ever-changing storyline that keeps the story interesting. Big Fish used vivid colour throughout the story, which viewers are attracted to. The magical nature of the film and the use of colour in the stories and flashbacks keeps the audience interested and draws them into the story. Colourful scenes were generally joyful, whilst bland-looking and dark scenes presented a more somber mood. This allows for a greater understanding of the mood being presented by Burton and can evoke these feelings in viewers. Another of the techniques used throughout both texts is the use of the art of story telling, and this is explored in a very deep and intricate way throughout the texts. The reader does not find out until the end of the book that the whole book has been written by one of the main characters, Briony. She chooses to write the book in order to give her sister Cecilia the happy ending she deserved with the man whom Briony doomed to prison and later war. Knowing that she could not bring the two back
In “Nightwatch”, a chapter of the novel Pilgrim at Tinker Creek, Annie Dillard guides the reader through an experience with migrating eels, creates vibrant mental images, and involves the readers with her own thoughts. This is all accomplished through the use of rhetorical strategies, namely diction, figurative language, syntax, and imagery; these elements culminate in Dillard’s intense, guiding tone that involves the readers with the eel experience. Diction is vital to creating Dillard’s fervent and guiding tone throughout “Nightwatch.” The use of gruesome and detailed words like “milling… mingling” and “seething… squirming, jostling,” causes the reader to erupt in silent shivers.
It was used to radically alter the mood, and to complement the characters. Likewise, the characters of the story were an important part in showing each story's underlying message. Both Harrison Bergeron and There
He expresses imagery to create sensory details for a better understanding of the setting and feeling of the characters. He uses Figurative Language to relate details to one the reader would find easier to picture. Golding finally, uses Syntax to allow reader to better understand how the text should be interpreted and read. With his brilliant use of detail, Golding creates a lasting impact on his readers from his cheerless, cynical
He uses plot and setting to help depict the situation the characters are in, and how that tests their relationship with God. He also uses
The title, “The Truth About Sharks”, makes a connection between little fish and sharks with Beth and Madge. Beth, just a teenager, is faced against Madge, who is the “stocky, stern” security guard at Mitchell Gail’s. This symbolism shows Beth as the little fish who usually doesn’t stand up for herself and Madge as the shark, who is intimidating and strong. Bauer creates this connection with the title, which the reader begins to realize when Madge accuses Beth of stealing. Another connection Bauer makes with symbolism in this short story is the symbol of the black pants that Beth is looking for.
O’Brien describes certain objects or events in his novels that can come only from memory not imagination. Tim O’Brien uses the rhetoric device of imagery to add a deeper truth to his novel and immerse the reader in the horrors of the
Burtons use of sound supplies an effective tool to allow the audience to understand the mood of the setting. This technique can also be found a while earlier in the movie, when the grandmother sits with the granddaughter to tell a bedtime story. There are bits of audio between the two, describing Edward Scissorhands and produces an idea of the movie topic. The grandma is almost set up as the narrator for the first part of the movie so that the audience can understand (or get an idea of the movie) the plot of the film. This also connects the opening credits to transition through scenes and carry on with the
The utilization of symbolism, diction and syntax all foreshadow the ending of the story and help the reader understand the meaning of
Many times in history humans have come into conflict with each other trying to get their needs. The novel written by Ray Bradbury tries to argue that conflict is not the best way to resolve competition. He uses various messages throughout the story to prove his point. In the novel Something Wicked This Way Comes, Ray Bradbury shows how friendship through the use of teamwork are important by causing the two friends to assist each other in perilous situations, stay loyal to each other against self-judgement, and work together against greater evil.
The film continues to use several different approaches to invoke an emotional response from the audience. Even the choice to name the documentary “blackfish” is not immediately clear to the audience until Dave Duffus, an OSHA Expert Witness and whale researcher, explains that “the First Nations People and fisherman on the coast…called them blackfish. They’re animals that possess great spiritual powers and are not to be meddled with” (Blackfish). By titling the documentary “blackfish”, the audience begins to ponder that, perhaps, the Indians, in their experience with nature, understood something about these magnificent creatures that we do not truly grasp. These large mammals seem to be more complex than the common person may, initially, realize.
In Burton’s films, lighting is used to show happiness or sadness. For instance, in the movie “Charlie and the Chocolate Factory”, it is shown how dark and gloomy the town is while the factory is disconnected from society compared to when Charlie's grandfather was younger, working in an upbeat and colorful environment. Nevertheless, the lighting in his movies are manufactured for you to think a certain way of something when it could actually mean something else. With the accompany of lighting, Burton’s films
Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.
Every literary work has its own purpose of existence and no literary is the same. There is always literary work for someone to be interested in. the authors use different techniques in order to attract the readers, such as rhythm, rhyme, characters, settings, characters, theme, and conflict and other techniques. One of the elements that literature allow the readers to use is the imagination in order to visualize what the author message is in his story or poem. Some stories, poems or drama are based from the writer’s personal experience, such as the conflict with they have with society because of their race, gender or ethnicity.
Robbie and Cecilia’s relationship is central to the novel Atonement. It is at first a slow burning one but it essentially becomes what the novel is centred around. Their interlude in the library is the moment they revisit consistently, Robbie whilst at war and Cecilia during her nursing. In the library the ‘words spoken aloud were like signatures on an unseen contract’.
In The Great Gatsby, Baz Luhrman has reinvigorated the 1925 classic novel by introducing many modern filming technology such as lighting and colour; sound and music and editing. While Joe Wright has attempted to do the complete opposite by taking the modern novel, Atonement ,and attempting to recreate the harsh reality of the past by using the same filmic techniques as Baz Luhrman. However Joe Wright is more successful in recreating the past and showing the harsh realities of the era in Atonement. The lighting in The Great Gatsby tends to be theatrical and illuminates the characters by bringing the focus on them and not on the background.