Auteurism In Film Making

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Introduction Considering the collaborative process of filmmaking, especially nowadays in most film production, the concept of there being a singular creative supervisor is debatable. Nonetheless one cannot deny the existence of directional motifs and instances of thematic and stylistic elements within the work of filmmakers like Tim Burton and Alfred Hitchcock. These directors indicate that within traditions and genres lies the overall definition of an auteur: a director whose inventive traits are listed throughout his or her work like a signature. Auteurism rose to the surface in the 1950s French New Wave criticism as an appraisal of Hollywood directors who were ready to deny the rules of the studio system and create films that were distinctively their own. Before this markable period, film authors were generally self-directing with open…show more content…
This French magazine claimed that in order to create art there must be an artist, hence the need for an auteur, which the word means an author in French. This encouraged directors to strive for their ideal vision on the work by extending the weight of their role as a supervisor. Throughout the years, the auteur theory slowly ensconced itself as an essential key to film analysis, providing a specific guideline to evaluate a director’s film. Whether the approach based on this tradition may center on cinematic techniques or ideological themes, or the two, the analysis always takes place within the context of the auteur’s other films; hence, allowing critics to scrutinize the rudiments of the work based on the director’s stylistic traits. One of the most successful filmmakers in the 21st century that has been brought up as a rising auteur is British-American director Christopher Nolan, who has developed his artistic idiosyncrasies in his canon. Heavily inspired by acclaimed auteurs such as Stanley Kubrick and Ridley Scott, Nolan follows the grand tradition of film noir, and tells the tale of men that struggle with

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