Comparison of Egyptian arts vs Babylonian arts
Over the ancient art history, the two periods of arts were considered as the masterpiece for the world art history. The two periods of empires were Egypt and Babylon. These two empires had been ruled almost five hundred years. They did one common thing in the name of their history was great artistic works.
Art work of Babylonian and Egyptian:
Famous delegation of Babylonian work was Zimrilim whereas Egyptian work was Queen Neferati making an offering to Isis. These were the examples of wall paintings and considered as great work of their periods. These paintings were composed of rich meaning and background but their style might be treated as different in their painting due to the time periods.
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The Babylonian work such as Investiture of Zimrilim arose from the great Babylonian empire of Mesopotamia in 1750 B.C.E. It had been built on wall of palace of Zimrilim by the current time Babylonian ruler called Hammurabi. This palace was situated in the city of Mari. This wall painting revealed the dominance of ruler. The painting was emphasized the empowerment of Zimrilim, the Babylonian goddess of war, love and the fertility. But this painting was completely abolished by the Babylonians who have been converted as Zimrilim and conquered the palace but some parts of the paintings were survived yet.
The paintings of Egyptian work like Queen Neferati making an offering to Isis reveals the meeting between the ruler and supernatural or natural being. This painting depicts in the tomb of Queen Neferati. It was situated in the valley of Queens in Egypt during 1279-1212 B.C.E. In the wall of tomb portrays the hieroglyphics of Queen Neferati were used to represent the figures. These paintings were placed after the life of Queen who buried with the offerings to Isis.
Freestanding
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They treated sculptors were the important artists in Egypt. In their art, mostly human, symbols and godlike attributes were combined together. The wall paintings of Egypt were protected by the layer of varnish.
In the period of King Nebuchadnezzar II, the Babylonian artists were flourished and Ishtar gate was considered as one of the Seven Wonders of the World. Later, it was replaced by the Lighthouse of Alexandria. This gate was the delegation of Babylonian goddess and took part in processional festivals.
Both Babylonian and Egyptian art played a significant role in the ancient art history. Still their arts and sculptures are treated as the precious thing in the prestigious museums of art and history. The comparison of both arts reveals that their styles of artistic works are distinct. But their arts are still exists in the world and observed as the masterpiece for all artists in the
2), an icon type present in and around Egypt as early as the eighth century BCE. This type portrays the mother goddess nursing her divine son Horus from her left breast. This example from the ruins of Karanis represents the type of devotional image an Isis cult worshiper would have used for private meditation, as it is a wall mural found in a person’s home. Isis was particularly popular among young women as a protector of girls and women and a role model of how they should live their lives. In this example, deviating a bit from the usual, Horus does not nurse from the breast Isis offers, but instead gestures to his mouth, referencing his role in opening the mouths of the dead for passage of the soul.
The Victory Stele of Naram-Sin is a major work of art that tells us a story. It portrays the triumph of King Naram-Sin over the Lullubi people who were ruled by King Satuni. Naram-Sin conquered the people of the Zagros Mountains in modern day Iran and this ancient artifact gives us a glimpse of what it would have looked like to see King Naram-Sin lead his troops to the top of the wooded mountains while annihilating all intransigence. (1)
This gives archaeologists who found this, an exceptional insight into a piece of history. To begin with, this ancient art is decorated with multiple figural reliefs on the front surface of the stone. There is some damage near the top point of the artifact, along with two
She is believed to have played a key role in the establishment of the 18th dynasty and the reunification of Egypt. She also held titles such as "King's Great Wife" and "God's Wife of Amun", which indicate her high status and political power. In addition to her religious and political roles, Ahmose-Nefertari was also a patron of the arts. She commissioned many building projects, including the construction of her tomb in the Valley of the Queens.
The Egyptian sculpture, Isis and the Infant Horus, is a bronze sculpture portraying a woman holding a child. This sculpture depicts an image of perfection by using an idealistic style. Isis’s body appears to be very symmetric, apart from her hand placement. She is also
Constructors of the temple not only made a practical choice that the ceremonial behavior could be illustrated through architectural choices on a general picture of the whole temple, but also used a detailed art piece at the temple to clarify a particular story of human sacrifice to god. On the bottom of the Huizilopotchli’s side of the temple lies a volcanic stone monolith named the Coyolxauhqui Stone that demonstrates the story how the death of Huizilopotchli’s sister, Coyolxauhqui offered peace the god himself. The scalloping shaped details at the joint of her neck, shoulders and hips, along with the bones and skull that filled up the whole composition showed that she has been decapitated to death. The artists used high-relief carving to portray the dismantled body of
Assurbanipal and His Queen in the Garden is an example of Assyrian art from the Ancient Near East. This panel depicts many people eagerly serving and surrounding an apparent affluent couple in a garden. The impression gained from Assurbanipal and His Queen in the Garden is that of a majestic, relaxing hero. This really shows how powerful people during that time had for their king. What really jumps out to me is the detail and structure of how it was made.
The Ancient Near East and Ancient Egypt were tremendously cultural and religious in different aspects, but still shared some similarities in organized societies and religion. Through works of art that were left behind such as the Code of Hammurabi and Palette of Narmer, historians could understand and interpret civilization and society of the Ancient Near East and Egypt. Both cultures were polytheistic and depicted their kings and gods through means of art that included symbolism, weapons, and the use of a hierarchal scale. Art in both cultures was highly regarded as they represented much of interlaced religion and government along with royalty. As the Ancient Near East used cuneiform writing, Ancient Egypt used hieroglyphic writing which was
The modern American culture is fascinated by the Ancient Egyptians and their style of art. It is displayed in music videos, architecture, fashion, and so on. People love it. Part of what makes Egyptian culture so enticing is the works of art that archeologists have found over the years. Two examples of those works of art include Menkaure and His Wife and Akhenaten.
In many art from the eighteenth dynasty Nefertiti was shown with her husband Akhenaton; where she is made equal to Akhenaton and sometimes wearing pharaonic headgear. Nefertiti was an influential women. Thutmose’s Nefertiti is wearing her blue crown, which has some damage, along with her ears and there is more damage throughout the sculpture. Her eyes are lined with the traditional Egyptian black kohl look.
Thutmose III had one of the most sophisticated tombs in the Valley of the Kings. The tomb however was robbed and badly damaged, but even then Thutmose III not only wanted to be remembered for his ferocious army but also for his architecture and art, this is why he added model boats, pottery, tools, wooden statues and plaques. Thutmose III took advantage of the generated wealth from the conquests and decorated Egypt with massive structures that would keep his legacy
I chose these works of art because they had many similarities when I began to do my research. These two work of art should be compared because they have the same building structure and although they were
Ashurnasirpal II and the Winged Deity Stone Panel in Bas-relief, Ashurnasirpal II and a Winged Deity (9th century B.C.E.) once lined the inner walls of the Northwest Palace of King Ashurnasirpal II at Nimrud. Located, on the Tigris River in northern Iraq, Nimrud was the capital of Assyria during Ashurnasirpal II’s reign. The bas-relief, consisting of five panels, conveys the power of kingship by portraying Ashurnasirpal II’s importance and visually communicates the message of Ashurnasirpal II’s and Assyria’s dedication to the deities. The relief demonstrates the king’s supreme power and dedication to gods through its stylistic features and by depicting him in the company of supernatural figures and showing offerings made to the gods. To begin with, the bas-relief represents king’s power through its visual characteristics.
The Egyptian Middle Kingdom and Babylonia had many similarities related in geography. Despite this they also had numerous distinct differences. Fundamental similarities manifested as care for the people by the rulers which had recently developed in both societies. As the rulers were no longer concerned with only themselves, but the citizens as well. Both societies had military protection although Babylon organized and conquered the Fertile Crescent and later Egypt.
Art is the mirror of any culture and its worldly views. The art of Muslim world mirrors its social values and uncovers the way Muslims see the spiritual domain and the universe. Muslims all over the world embrace the identical system of belief and each one of them is well familiar with the spiritual connection regardless of nationwide, racial differences or conflicts. They consider themselves to be Muslim as a matter of paramount importance. This strong sense of identity and stability inclined en route for a high level of societal and richest artistic traditionalism.