What would you do if your little sister suddenly became possessed? I finished the book Bad Girls Don’t Die by Katie Alender. The main character, Alexis (or Lexi), has recently seen changes in her little sister, Kasey. She has become weirdly obsessed with creepy dolls, she’s been talking in an old-fashioned language, and her eyes change from blue to green. When Lexi’s father gets in a car accident, Lexi has no doubt that Kasey’s other personality had something to do with it. Because of Kasey, Lexi oddly finds herself becoming friends with the school’s star cheerleader, Megan. Little do they both know that their pasts will haunt them until Kasey becomes herself again. I will be writing about these three amazing concepts in the book: The first pages of the book, Kasey’s “friend,” and Lexi and Megan’s friendship. …show more content…
The author really grabs your attention by describing a very vivid scene. The way she describes the setting is exhilarating. She starts off by describing Lexi taking pictures of the family house. This house is a major part of the story, but the reader doesn’t know it yet. She then describes that it’s the middle of the night, but she doesn’t say anything about the time. Instead she talks about the color of the sky, and the mood of the scene. The author continues to make the scene more interesting by introducing another main character in a strange way. Kasey is introduced through darkness. She ends up scaring her sister by emerging from the woods. They then talk for a while when suddenly; there is a mysterious light by the sisters’ house. “It was a soft glow, pale gold, and Kasey was right- it wasn’t coming from either of our rooms. It didn’t actually seem to be originating from inside the house at all.” (Alender 6). That soft glowing orb of light would play a huge role in this entire
Quiroga’s literary pieces have been undoubtedly influenced by tragedy and death encountered in his life. His devotion for Edgar Allan Poe’s caliginous style enforced him to delve into gothic themes in his works; such as death. The element of the ‘fantastic plot’ also persists in his literature, as explored in ‘"El almohadón de plumas" – In this passage, Quiroga conforms to illustrate the characterization and setting of the short story.
Ryan’s attitude and actions help Kelsey overcome her greatest fears. In the book, Ryan has a ceremony that he invites Kelsey to, but Kelsey can’t come because her mother won't allow it since her mother likes keeping her and Kelsey’s identities top secret and disguised. Kelsey still managed to sneak out of the house while her mother was asleep and go to Ryan’s ceremony. This shows that Ryan inviting Kelsey to go to his award ceremony has a big impact on Kelsey’s choices and decisions. This also shows Kelsey being brave enough to overcome her fear of not obeying her mother.
Nishka Maheshwary Jackie Reitzes Writing the Essay Section 50 28 April 2015 Exercise 5 Dear Adya, Recently, I have been reading a collection of essays by Ellen Willis that I have found to be quite intriguing. No More Nice Girls explores sex, gender, and feminism over a variety of essays, and displays a strong tension between how most feminists/activists believe action should be taken and what the author herself believes should be done regarding the issue. In each essay Willis confronts liberal and cultural feminism, and critiques the progress that has been made over time through her diction and witty questions, thus allowing the reader to see her true intentions of the argument. Willis strongly opposes the idea of cultural feminism,
Girl, Interrupted by Susanna Kaysen The book Girl interrupted is a humorous nonfiction Autobiographical book about the author Susanna Kaysen experience in side a mental intuition with others in which she encountered. The story takes place in 1967 Massachusetts inside McLean Hospital. Kaysen, who voluntarily enters a mental institution after visiting her psychiatrist and discovers she is having a problem and offers her a place to “rest”. She plans on staying just a few weeks but ends up stay a total of 18 months were she meets many of other mental ill patients and is later diagnosis with Borderline Personality Disorder.
The market is saturated with memoirs written in prose. Alison Bechdel, however, puts a spin on the dysfunctional family memoir in her graphic novel Fun Home: A Family Tragicomic. By using the graphic novel narrative form, Bechdel tells the tale of her family tragedy through words and graphic images. Fun Home tells the story of young Alison’s life of dysfunction with a father who is a closeted gay man, a family that lives in isolation and her own struggle with anxiety and OCD. The chapter “The Canary-Colored Caravan of Death” focuses on her father’s death by suicide, and her own isolation and mental struggles.
Through the use of literary devices such as figurative language, personification, and use of details, the author of The Street displays Lutie Johnson's relationship with the urban setting as overwhelming. Within paragraphs one and two there is a large amount of detail through word choice and imagery. Lutie’s overwhelming relationship is shown through the opening scene which is overflowing with imagery. The first thing the reader will imagine is an empty street with trash blowing around everywhere and a huge scary mess that is giving the urban scenery a very intimidating feel.
He creates a playful tone towards the harsh environment described in the short story. He describes the lifelike house as if it were a simple minded living being. For example he gave the house features of repetition and used phrases like, “it repeated the date three times for memory 's sake!”. His choice of words are charming and lighthearted rather than unpleasant to the ear. He continues to use these such words throughout even when he begins to talk of the sick scene.
In “The Yellow Wallpaper” by Charlotte Perkins Gilman, the female narrator is greatly troubled by the suppression of her imagination by her husband and her ultimate isolation due to this subordination. These feelings are reflected through the author’s use of setting as the narrator’s dreary and malicious descriptions of the house and the wallpaper mirrors her emotional position. Throughout the reading, the reader is exposed to the narrator’s in-depth loss of touch with reality as she sinks further and further into her own reality. As she becomes more isolated, her descriptions of the house become more abstract as she begins to focus on the wallpaper and starts to see herself as being hidden behind it.
In literature, the setting poses itself as a vital element in literature. When characters interact with the world encompassing them and respond to its atmosphere, we unearth various underlining traits and secrets that ensconce betwixt the pages. Ann Petry's 1946 novel The Street accentuates the relation between Lutie Johnson and the urban setting by employing figurative language, such as imagery and personification conjointly with selection of detail. Petry promptly exploits imagery and figurative language to navigate us to a bustling town where an astringent wind is "rattl[ing] the tops of garbage cans, suck[ing] window shades out through the tops of opened windows and [sending] them flapping back against the windows.
In detailing the events that led up to her change in perspective, she made note of the honeysuckle that covered the walls of the well-house, the warm sunshine that accompanied going outdoors, and the cool stream of water that she felt as she placed her hand under the spout. These details kept the reader with her in the moment as she felt something less simple, but still universal; the returning of a, “ misty consciousness as of something forgotten.” In using rich diction, she maintained a sense of intimacy with the reader which allowed her to call on personal details from her own life and theirs. Later in the passage, she described how, once the reality of language was opened to her, and she returned to the house, “every object which I touched seemed to quiver with life.” She had gone through a complete shift of perspective, one that, to her, was felt entirely through senses other than sight or sound.
Prose Analysis Essay In Ann Petry’s The Street, the urban setting is portrayed as harsh and unforgiving to most. Lutie Johnson, however, finds the setting agreeable and rises to challenges posed by the city in order to achieve her goals. Petry portrays this relationship through personification, extended metaphor, and imagery.
Like a rat placed inside a maze to be examined by a scientist, the cast members of the reality T.V show “Bad Girls Club” are placed in a house to be examined as a psychological experiment. The popular reality T.V show “Bad Girls Club” is a show that follows the lives of seven self-proclaimed “bad girls” as they live in a house together. The supposed purpose of this show is to not only watch these bad-mannered women fight, bicker, and argue, but it is also to watch these women mature and step away from their “bad girl” personifications. In order to frame the show of its experimental ways, the show even includes a life coach that is supposed to “help” the women grow out of their “bad girl” ways. But what really is the true objective behind the
The setting in the story depicts what is happing to Elisa not only in the physical world, but what is happening in her emotional world. This connection of the physical setting on the character develops Elisa as a character throughout the story and builds
She tries to navigate through her first year of high school, and it seems like the entire student body despises her; she feels more alone than ever. I will be analyzing and making connections to three specific elements in this novel: the search for one’s identity, Melinda’s inner conflict,
On of the greatest examples of imagery that Alice Walker uses is the one that compares light and darkness. At the beguining of the story the author mentions delicate and calm setting of a farm. In creating this imagery the reader is able to understand that all the positive and upbeat words are associated with the farm setting. Myop’s light-hearted innocence is also shown when “watching the tiny white bubbles disrupt the thin black scale”. The effective description provides credibility to the environment, and makes the later events all the more shocking,