Overall, Bad Girls is a well produced and well acted short film, with several strong aspects that make it stand out in the world of student films. These aspects include, lighting, locations, and acting. However, some aspects, primarily sound, revealed it to be a less than professional endeavor. First, the lighting throughout the film was consistently, not only well done, but often beautiful. Everything and everyone that was significant was well-lit and motivated. I was never distracted by poor lighting as is often the case with student films. My favorite lighting in the film was the nightclub scene, which used a beautiful juxtaposition of blue/green and orange/red. If fit the setting of the scene as well as its tone of discord as Christine discovers her friend cheating on her husband. It not only did the story justice, it reinforced it. I also thought the lighting in Christine and Sara’s bath scene was beautiful and very flattering. The only issue that I had with the lighting was the scene in which Sara and Christine are arguing in the Lisa’s house. Sara is poorly lit, likely to represent the villainy emerging in her character, but it goes too far and we can barely see her face. This brings me to another of the film’s strong …show more content…
Some of the music selection was also weak. In particular the string music when Lisa returns home from the club felt misplaced. A few other smaller issues that I had wit the film include: Lisa’s anger, which was not at the level it should have been given the given her circumstances of exploitation ; the choice to have Lisa smoke, it looked so unnatural almost to the point of humor and it served no narrative purpose; and, finally, Lisa’s necklace looks cheap, which was particularly distracting because it is so prominent in the film. It did not appear to have the value that it should
What particularly captivated me was the cinematography and the acting, both of which are tightly linked. The protagonist, Toni, is a character who right of the bat we get the idea that she does not particularly fit in with the boys in the movie nor the girls. There is
Zadie Smith’s “The Girl with The Bangs” is a vivid account of a romantic relationship between two incompatible characters with vastly different personalities. Told from a first person perspective, it traces the narrator’s journey through an unusual relationship with the girl Charlotte, exploring what it is like “being a boy” – enthralled by a girl’s physical features and thus willing to tolerate any faults of any magnitude (188). His optimism and attraction to Charlotte eventually leads him to grief, where, blinded by their relationship, he is caught unawares and replaced by another boy. Yet, he also achieves an epiphany: that the relationship is built on irrational obsessions and motives and is thus ultimately unsustainable. Told in introspection,
The actors spoke too quickly to be picked up on recording very easily, so I strained to hear complete sentences and often couldn’t understand what was being said. This caused some of the vocal comedy and one-liners to fall flat on the audience, as the actors gave no time for themselves or the audience to react before immediately jumping into the next line. The recording equipment were a few amateur quality camcorders, as well, which further challenged my ability to understand what was being said. The lighting throughout the play felt ‘safe’, for lack of a better term. They kept consistent lighting, dimmed the lights slightly and put on blue lights when necessary for the darker scenes, but the dimming was mostly subtle and I could hardly read any blue light unless I squinted to notice, with one scene being the exception: the Mean Girls were congregated in the late night to prepare a prank, and the lighting was dramatically more blue and dim, and it appears they had also prepared a fog machine for more ambience.
The lighting crew, for the production of A Charlie Brown Christmas, set everything together so people to know what to look at on stage. Using different lighting tools to create stars, snow, and mood. Another use of lighting was making the spear that was hanging up in the sky change. When it was orange it was daytime, when it was blue it was night, and black means they were inside. The color change really helps the audiences know
To represent this low key lighting is used in Charlie’s home to show that the reality of his life is there living in poverty. This pattern continues in the cult classic Edward Scissorhands. The town that Edward is welcomed into is in high lighting to signify that it is the life that he never had. He wants to be accepted and loved and this is the place that his wish comes true. Unfortunately we know that his fantasy is unrealistic and there is no way he can live normally.
The lighting in Donnie Darko movie is a key component of composition which creates our sense of illuminating for people and things. This movie uses two sources of lighting; natural light, such as daylight, when the scene is in an outdoor area for example, walking from school, at home, waiting at bus stop, or playing outside of the school on sunny days. Another source of light is artificial spotlight which is used in the movie indoors to cut and shape the light at the dining table, in the classroom or in the psychotherapist's house. Also, distinct shadows are used as an essentially smooth surface that reflects hard light in the Halloween party to feature deep shadows and scary areas in function of the plot. Three-points of lighting create ominous shadows in the horror genre for all the actors at Donnie and Elizabeth's Halloween party with lighting from below the cast to create monstrous objects in real life.
There is a different lighting for every setting.for example Benjamin Martin’s Malita has a base within a swamp and the lighting makes the scene feel dark and gloomy or when Benjamin’s oldest son, Gabriel, gets married the lighting is bright and cheery. The Patriot does a good job at making the lighting realistic and sets the mood for dramatic scenes. There is many realistically lighted scenes with light passing through trees and windows as you will see in this video. I believe that the main theme of the movie is patriotism. Patriotism is defined as an act of support and devotion in one’s country("Patriotism").
The colors and lighting are very unchanging much like the town Endora. The only exception is when there are strong emotions within the film. There is a warm glow of lighting by the sunlight or fire whenever there is a time of love, be it brotherly or in a romantic way. During the melancholy times of the story, the lighting is either dim when it relates to death, but when a character is feels lost in their emotions the director
These different lighting techniques are applied in the movie to help set the tone and mood for the film scene. The
The film Lord of the Rings: The Fellowship of the Ring makes use of low key and high key lighting. The low key lighting is seen when Gollum is first introduced in an ominous dark blue lighting that creates suspense and suggests an air of mystery. Further on the unnatural chiaroscuro is created when the Nazgul on his horse stands on a cliff with a lit up background surrounded by a dark forest. This makes the Nazgul seem more mysterious and threatening to the audience.
The use of background light was an important focus in this picture, there was less attention to lighting the actors faces but in almost every frame there is well placed background light often combined with a moving light source. Repetition was also evident within the visual composition of the frame, the actors were rarely positioned within the center of the frame but always to the left or the right with a light source covering them from behind. Ridley Scott perfectly matches colorful high key light with low key lights creating impeccable contrast, this lighting used could be described as a modern Citizen Kane style. Although this is overall a very dark and low light film, the motif of shadows and darkness allows the beauty of light to truly be
The use of contrast and the play with light and darkness is fascinating. It has a great psychological effect on the audience. The Don Corleone’s office is submerged in darkness and the characters in the scene come in and out of the light, thereby directing the focus onto them. A very large part of the film is shot in low key lighting, to emphasize on the theme of the film which is essentially, the life story of the Mob in
In the movie, Edward Scissorhands, Tim burton uses low-key lighting when Peg meets Edward for the first time in a castle. Edward was sitting in a dark corner and there was just enough light to see his face but not his clothes. This shows the amount of loneliness of Edward and that he was sad and frightened but also willing to make a friend when he approaches Peg. Also, in the movie, Charlie in the
he idea and message of the documentary ‘Girl Rising’ is very simple and yet very visionary. The aim of this documentary is to highlight the struggle of girls in the developing world by taking real life stories of nine different girls from different parts of the developing nations and reenacting their actual incidents to highlight the aspects of their plight. The aspects include sexual abuse, poverty, child labor, child marriage, bias education system and so on. These girls suffer everyday for education, voice, freedom and human rights in their own countries of India, Haiti, Cambodia, Nepal, Afghanistan, Peru, Ethiopia and Sierra Leone. Richard.
Lighting is used rather traditionally for the majority of the movie and helps to distinguish the “good” from the “bad”. For instance, the original Maria is shown in soft-key, angelic lighting that casts a halo around her to emphasize her purity and beauty. The fake Maria, on the other hand, is shot in harsh lighting that creates a dark, unsettling vignette around her. This lighting style creates a contrast between protagonists and antagonists and is used frequently in Hollywood cinema.