Bargain Basement Analysis

In the 19th century many debates raged on the correct way to showcase a women’s body in a painting. “What was the relationship between women’s moral and sexual nature?” (pg. 272), artist worked to find a balance between these two concepts. A successful combination of these two topics can be seen in the can be seen in Eclogue by artist Kenyon Cox. Cox’s painting depicts four women naked and partially clothed lounging about together in a field. In the painting the women are youthful and in classical poses to make them appear more “innocent” as opposed being overtly sexual. This painting showed how American artist “attempted to downplay the sexual implications by making the women more youthful…as well as more idealized” (pg. 285) This painting

Recently I took a tour of the James E. Lewis Museum of art located in Baltimore, MD. This museum is a part of Morgan State University fine arts building. As I walked into the museum I notice the beautiful entrance that consist of sculptures of very important people in history. In addition I was amazed by the infrastructure of the museum and the setup of the lighting in the museum. Furthermore, the transition in the height of the walls inside of the museum were very appalling. As I walked around the mesuem I notice that the paintings were not hanging up on the wall. Instead these paintings were placed on the floor leaning on the wall in a diagonal motion. Furthermore, in this museum there were a lot of African artifacts, sculptures, and mask from different parts of Africa. Also, there were brief information that went along with some of the African masks and sculptures.

I was very impressed by the paintings that Antoine Ponchin created. He had many paintings of a great variety of places that I have never been to. What essentially made The Roman Ruins so interesting to me was because of how he used a variety of colors and design methods. In addition, he was one of the few painters at the museum who also had a son who continued to make even greater artwork. Finally, I will cherish this visit to the Huntsville Museum of Art, and I will definitely consider making a return visit some day in the near

Has the collections of the former Peabody Museum of Salem and the Essex Institute. Which merged in 1992 to form the Peabody Essex Museum. We learned there are more then 200 years of art, architecture and culture from New England and the world inside of the Museum. Contains over 1,000,000 objects and was founded in 1799 as the Salem East India Society. The museum had many things, what I remember is a lot of maritime art from the U.S. ,Africa, Asia and the Pacific Islands. There is 3 levels to the Museum, the first level has Native American Art , Chinese Art , American Art. The Second level has Japanese Art ,Asian Export Art, and the East India Marine Hall which contains the original display cases and the very first objects collected. The Third level was Indian Art. I learned many things and took a lot of pictures, it was a great

The museums had very intriguing artifacts to look at, I was mesmerized by all the different cultural and religious artifacts I viewed. After viewing all the exhibitions, I liked the Greek Mythology section the most because of the different statues and pottery, most of the exhibition was mostly either of paintings or jewelries. The Greek Mythology had statutes of almost very god/goddess and what represents them. The artifact I chose is called Terracotta Bell-Krater (bowl for mixing wine and water). This artifact was located on the first floor of the museum, and there is other type of vases and Greek artifacts around it including statues of Greek Gods.

I visited the Arkansas Art Museum on October 20, 2015. The title of the exhibit was called, “Dos Mujeres,” otherwise known in English as Two Women. This artwork was created by Diego Rivera who was from Mexico. This was a piece of art that portrays cubism and was huge; 77 ¾ x 63 ½ to be exact. The painting had one women on the left, sitting down with a book in her and and the other on the right standing up. This artwork was created in 1914 and the medium was oil on canvas. The name of the gallery was called the Winthrop Rockefeller Gallery. This gallery was located towards the back of the museum. I didn’t know which exhibit to choose because there were a variety of beautiful pieces but I chose this one because it was one of my favorites. The

Literature is frequently comprehended by most people as a mass of writings. In particular, it refers to those reckoned to have the aptitude of being inventive and rational, or which deploy languages which departed from the common usage. Global literature, on the other hand, has two different definitions where the first one explains it as the summation of all literatures of the world, including personal and nationalized work. The second definition is, global literature consists of the world’s classics, or the most sought after works that are read across time, ethnic and language borders in which they were produced and become the intercontinental patrimony of civilization. (Gafrik, 2009, p. 28) Global literature penetrates deep into cultural

In Marge Piercy’s poem “Barbie Doll,” the girl-child was perceived on the effect that society has expected in women. There stood a hazardous trend that raged in her society causing self-destruction. This comes to comparing the normal to unreal to satisfy on what society begs the girl child to be. This may occur within both genders. However, in the poem “Barbie Doll” it was more likely to occur within a girl gender. Women “theoretically” should be attractive and stay that way, according to the stereotype showed in the poem “Barbie Doll”. This poem explains to the reader the dangers that exist in the society of forcing people, especially women into restrictive roles and ideals. The poet Marge Piercy uses simile, imagery, and symbol to develop the theme of how society remains disapproving people who do not represent the ideal image.

Set against the backdrop of Naples, the characters in Ferrante’s My Brilliant Friend are immersed in a world of violence, ignorance, and poverty. Under this shadow, Elena and Lila struggle to define the past of their parents from their own future. In fact, it is the weight of despair that allows small moments of joy to become vibrant within the story; as James Wood describes, “deprivation gives details a snatched richness” (Wood 10). The luminosity of moments like when Elena travels to Ischia, when the two girls purchase Little Women, and lighting fireworks on New Years Eve, are integral to the depiction of brilliant friendship between them. Therefore, it is not coincidental that when the girls experience fleeting moments of childhood bliss,

The painting I chose was Scene on the Catskill Creek painted by Frederic Edwin Church in 1847. Church was born in Hartford, Connecticut to a wealthy family. Also a student of Thomas Cole. Church settled in Hudson, New York with his family, which is what inspired him to paint many of the landscape paintings. Church took wilderness itself as his subject. The painting is quite fascinating because it pulls the viewer into the painting from my perspective. When I walked around in the museum, I almost gave up looking at all the paintings, sculptures and found Church’s painting at the last minute. Church dramatizes the beauty of the American landscape.

“wow!” I thought as I stood amazed trying to analyze the significance through each piece of art. Art has always been a form of expression. Although art has been seen as a way of freedom of speech; it did not begin to show up until the 1960’s when their art made by minorities started to be appreciated. MOLAA museum shows an important aspect of U.S. history. These exhibits exclusively made by chicano artists from Southern California, show freedom of speech and social problems such as immigration that the artists believe are present in the United States. These art pieces are aided by its use of objects, how it curates those objects, and use of space to create a relationship between viewer create many historical arguments about the significance

The image of this milkmaid is an intricate symbol of her sexual availability1,2 (13) perceptible by several elements throughout the image. Milkmaid is an oil on canvas, Dutch painting done by Johannes Vermeer in 1657 and finished in 1658. It is a realism modeling painting of a woman, who is a milkmaid, standing around a still life image of a table of food in a kitchen pouring milk out of a pitcher into a bowl around the food. In this essay, I will explain my analysis and interpretation of this painting through describing elements and defining my own meaning from thoughts on research.

Isn’t it fun to explore? Me and Sadaf Dabiri visited the California State Railroad Museum on October 11th. The mission of the California State Railroad Museum is to collect, preserve,study,exhibit, and interpret selected aspects of railroads and railroading, with an emphasis on California and the West, for the education, enjoyment and entertainment of the widest possible audience. This museum has been one of the most superlative railroad museums I have visited.

My trip to the Metropolitan Museum of Art was something I had never experienced before. Being assigned the task to attend this museum, by none other than my music professor, ended up to be a win-win situation for me. I expected my trip to the Metropolitan Museum to be a tedious experience to complete a tiresome task of finding pieces of art, but to my amazement things took an unexpected turn. I ended up going with my beautiful girlfriend who happily tagged along on my adventure.

Through the grotesque imagery of the creation of the doll’s face, Ferré emphasizes the labels and objectivity placed on women through society. While explaining the aunt’s process in making a doll, Ferré emphasizes the creation of the face, saying that the wax face covered with plaster on both sides was “like a living face inside two dead ones”. By personifying the doll’s face, Ferré articulates the similarities of the nieces and the dolls brought upon them by societal labels. In addition, Ferré describes the doll’s face, a literal inanimate object, as “living” yet “dead”, to give personification to the doll, supporting her argument in that society depicts the nieces as nothing but a pretty face to show off. Overall, through dark imagery, Ferré