Bass Harbor Landscape Analysis

The vertical and horizontal lines on the cliff face create a series of quadrilaterals that give the painting rhythm and repetition. This repetition is almost soothing, offsetting the assertion of the vertical lines and complimenting the placidity of the horizontal ones.

Throughout this semester as a class we have gone over many different terminology, seen many artists from all different countries and time periods. We have also learned about different kinds of art and media that the Artist work with. Over the entire semester I have gained a greater appreciation and understanding for art. Taking all of the new information that I learned this semester I choose three pieces of artwork from the St. Louis Art Museum. Two are similar to each other and the other is very different. The three pieces that I choose to critique are called Keith, Betty and Loch Lomond.

The Chesapeake Bay Oyster Restoration Project aims to help locate a healthy habitat for oysters. The Chesapeake Bay has been affected by the long-lasting drought in Maryland, which influenced the water quality. The drought increased the salinity of the water which has a negative impact on the oysters. According to the National Oceanic and Atmospheric Administration, “the native oyster is an extremely resilient species, able to tolerate wide variations in salinity and temperature—but it has not been immune to the pressures of disease, overharvesting, and pollution in the Chesapeake Bay. As a result, native oyster populations in Chesapeake Bay are at less than 1% of historic levels” (A,& Blue Water Media). Oysters can live in water with a salinity

The gradations of violet in the painting are separated by rays of light. How the light intersects with the objects in the painting is reminiscent of Cubism, the light rays don’t alter the perspective of the overall piece. The flat figures and objects in Noah’s Ark are a salute to Egyptian wall painting, however, they differ since Douglas overlaps them create spatial

The main color scheme of this painting is very muted and includes mainly earth tones such as grey and tan. Even his use of blue is very minimal and muted. The main building is illuminated by the sun coming from the left, outside of the scene. It shines on the central façade and the portion of the building in the background, as well as beneath the bridge. It shines the brightest where it comes through beneath the bridge and illuminates the bank of the river along with the people on it. The bottom of the arched bridge is partially lit and includes coffers, which include more aspects of shadow. The illuminated area below the bridge is balanced in size with the portion of the façade above, fitting in with the plan of the “W.” The light also shines onto the water of the canal where the color of the water reflects that of the sky, providing unity between the bottom and the top of the

The jack pine is a beautiful piece of artwork painted by the famous Canadian artist Tom Thomson. Throughout all of his artwork in history this is the most known art piece and personally I think it is the most interesting one, from the brush strokes to the brilliant choice of colors. The jack pine is a masterpiece that all Canadians should know.

The Fourteenth Amendment to the United States Constitution was ratified on July 28, 1868. The amendment granted citizenship to everyone who was born or naturalized in the United States, which included former slaves and African Americans who were freed after the Civil War. Also, the amendment allowed African Americans to be treated equally as all other citizens. However, the Black Codes, Jim Crow Laws, and the result of the Plessy v. Ferguson case took away these rights that were guaranteed to African Americans.

The colors that Mr. West used in the painting are dimmed and dull with the exception of a white gown worn by a woman in the center of the painting (I will elaborate on that later). The color palette that he choose I believe was to show that atmosphere of doom and gloom for the passing apocalyptic flood that just cleansed the land of sin. The brush strokes that make up the human figures are thin and almost invisible to the naked eye. The painting has a light and smooth finish to finish to it, and at the same time the bold outlines of the male figures appear like a sketching. Little detail compared to the woman in the center of the canvas. The clouds are dark and made with

Before we look at the different Social/Psychological Determinants of Health it is important firstly to define what a social determinant of health is. According to the World Health Organization (2017) “The social determinants of health are the conditions in which people are born, grow, live, work and age.” These conditions are as a result of a wide range of factors that are ultimately governed by the way in which money, power and specific resources are shared at different levels including those at global, national and local levels. We have all been a part of and will experience different social determinants of health throughout our lives but it is the standard at which we experience these determinants that will ultimately lead onto them affecting our health or ultimately leaving us unaffected.

The Breakaway was painted by Thomas William Roberts, an Australian artist known for his national narratives. This is demonstrated through, The Breakaway, as it tells the story of a drover trying to prevent a mob of sheep from running away from the pack. During the 1890’s there was a drought which is depicted in the painting, with dust being kicked up and dry, arid landscape. In 1891 a shearers strike began leading to the formation of the Australian Labor Party which suggests the lack of assistance that the drover is in need of.

The Into the Light exhibit, located in the Thomas Center, displays a wide array of Virginia Louise Leak’s artwork. Although Leak was diagnosed with a mental illness, she was still able to produce a lifetime of art. I believe her illness is what makes her art so extraordinary and relays a deeper message than what it appears to be on the surface. To me, if you truly desire to understand a work of art you first have to learn about the artist; therefore, before I even began observing the paintings and etchings I carefully read all of the plaques that gave detailed information about Leak’s life, history, and her works of art. Not all of Leak’s painting and etchings are on display for the public, but the artwork that is available to the public is truly astonishing. After observing her art in the exhibit, I carefully picked out three images to describe and interpret.

The drawing depicts a setting which takes place at night. The rays of light emitted by the sun barely scrapes the sky. A river flows down, slightly to the right of the painting. A few bushes and shrubs grow around the arid desert, while large strands of grass flow with the wind around the river. A few mountains tower over the land in the background. The moon, symbolic of

The painting I chose was Scene on the Catskill Creek painted by Frederic Edwin Church in 1847. Church was born in Hartford, Connecticut to a wealthy family. Also a student of Thomas Cole. Church settled in Hudson, New York with his family, which is what inspired him to paint many of the landscape paintings. Church took wilderness itself as his subject. The painting is quite fascinating because it pulls the viewer into the painting from my perspective. When I walked around in the museum, I almost gave up looking at all the paintings, sculptures and found Church’s painting at the last minute. Church dramatizes the beauty of the American landscape.

In the foreground, the head of a cow can be seen looking directly into a man’s eyes, most likely Chagall himself. Inside of the cow, a woman can be seen milking a smaller cow. In between the cow and the man, a town can be seen with a man walking on the street with a scythe. Below the town is a small sapling that is being held by a hand. The leaves are many different shapes including triangular, elliptical, and spherical. There is no source of natural light in the picture, and the direction of the artificial light is indiscernible. When a viewer first looks at the painting, they see the cow and man observing each other. Then, a viewer will notice the finer details of the smaller cow being milked, the man with a scythe in the town, and the sapling being held by gentle hands. The colors in the foreground are whites and greens, while in the background there are darker tones of green and black. The lines are curved and overlapping, suggesting wrinkles and folds in the cow and the

He uses the dark tone of painting, so that characters from the shadow highlighted, breaking through the traditional paintings reveal the characteristics of the clear, indicating the arrival of the