Batman, the protagonist in Christopher Nolan’s film Batman Begins ( 2005), The Dark Knight (2008), and The Dark Knight Rises (2012), is portrayed as one of the most iconic superheroes in Marvel films. Simon Locke states “Marvel is famous for having significantly reworked the super-hero genre in the early 1960s, by giving its heroes ‘problems’ making them seem more realistic to many readers” (Locke, 33). Marvel films have succeeded in surprising their audience worldwide by illustrating superheroes in a dynamic way with the superhero fiction. Nolan portrays Batman as a powerful and dynamic savior figure. Bruce Wayne, Batman’s alter-ego, is a wealthy and prominent public figure who devotes his life into the savior figure so popular in media. Unlike …show more content…
As a superhero, Batman has no special power except his own technological skills and personal fortune. He utilizes high tech deceptions to build his suits and to fight crime and save Gotham city. Thus, technologies in the films is a means of transformation for the protagonist to become a superhero. In adding advanced technology to these films, as one of the most essential elements for gaining the superpowers, the films give us a kind of magical vision of advanced technology and an image of Batman as a “savior figure.” The use of the technology in Nolan’s Batman films is associated with the parallels between the Batman figure and Christian discourse. In this way, the association between technology and the divine is present in the Batman series, in a specific moment when Batman fights criminals and saves the people of Gotham with his technological …show more content…
Batman is a Christ figure in the films because he is called upon to make a great sacrifice in order to save Gotham City. His action such as his self-sacrifice is linked with Christian themes. The way Nolan depicts Batman related to Christ figure is driven by the Christian symbolisms. The purpose of Christian symbolism taken in the films is not that Batman is faithful, but how he achieves greatness and determines to sacrifice himself for people he loves. While some argue that it is his faith that gave him greatness, others also point out the fact that it is his discipline and moral feeling, the action he takes to become
Guyer High School Archetypal Literary Criticism of Batman: Nightwalker Gavin Godfrey English 4 Coach K March 8, 2023 When reading through a novel, readers can find deeper meanings from the text, then what is written. Literary theory can be used to lead readers into understanding the texts' different meanings. In Marie Lu’s Batman: Nightwalker, the reader is shown coming of age through the struggles with loss, sense of purpose, and vulnerability during his maturing process. The hero archetype pairs well with the antagonist's temptress character archetypes as well as the tower symbolic archetype help illustrate the novel's theme of coming of age.
In white scripts and black supermen: Black Masculinities in Comic Books was about the early representation of black male superheroes and how the structural obstacles and systemic racism effect comic in the 1960 to 1976. They discussion about characters such as Black Panther, Tyroc, john Stewart, Black Lightning and Luke Cage. The spoke analysis each characters about where they come from and what they meant to children and adult who grow up with them. It also providing primarily black youth with the opportunity to see themselves in the world of superheroes.
Batman Nightwalker, by Marie Lu, follows the story of a young Bruce Wayne as he transitions from a troubled teen to a hero determined to rid Gotham City of its villains. The hero archetype is evident throughout the novel, as Bruce undergoes a transformation that embodies the coming of age theme. This essay will explore how the hero archetype is portrayed in Batman Nightwalker and how it represents the coming of age theme. The hero archetype is often characterized by an individual who faces adversity and emerges triumphant, embodying noble qualities such as bravery, selflessness, and courage.
Both of these heroes overcome the impossible and work to make the world a better place. Batman is a superhero because he fights crime and makes the world a better place. As a child, he lost his parents and then grew into the superhero he is today. Even though Batman does not
Gifted with incredible endurance and super strength, the ability of flight, and an impeccable moral compass, Superman is the quintessential superhero that Americans of all ages have admired and looked up to since his conception in 1938. In Brad Bird’s 1999 feature animation The Iron Giant, the fifty-foot metal protagonist is no exception. Hiding out in a barn, he peers at an issue of the Superman comic book like an amused child with his eyes wide and mouth agape. His closest human companion, nine-year old Hogarth, sits before the giant and explains to him, “Sure, he’s famous now, but he started off just like you! Crash landed on Earth…he only uses his powers for good, never for evil.”
However, the most intriguing topic concerning Batman’s mental stability was the evaluation of Batman’s love life. Batman has fallen in love but he lives a life of mystery and interacts with a false identity. To keep Gotham citizens unaware that Batman is Bruce Wayne, Bruce wears a bat-suit which is a dark outfit that includes a night bat-like mask while fighting crime. To further conceal his identity from the world, Bruce gave his real name an alter-ego that has the personality of a wealthy playboy while he acts out his true identity as Batman. Thus, Batman is unable to maintain a romantic relationship with anyone due to intimacy and his alter-ego, regardless if Batman wants a love life or not.
Throughout the novel, he puts himself in danger to protect innocent people and stop the Nightwalker's plans. He willingly endures physical and emotional pain, understanding that his own well-being is secondary to the greater good. This selflessness is a defining characteristic of a hero, and it reinforces Batman's sense of purpose as a protector of Gotham's citizens. Another hero archetype seen in Batman: Nightwalker is the "mentor." In the novel, we see a young Bruce Wayne seeking guidance from his trusted butler, Alfred, as well as the city's chief of police, Captain Gordon.
The passage is from the very first panel of the book. Bruce Wayne is no longer Batman. Bruce grew a mustache and is wearing a racing helmet with the upper face being covered. The mustache indicates the amount of time that has passed since Bruce’s retirement as Batman. However, the resemblance of the helmet as his Batman costume foreshadows the inevitable return of Bruce Wayne as Batman.
Batman vs Superman For my compare and contrast paragraph I chose Batman vs Superman. Batman and Superman are alike in a lot of ways but there some differences. There are both alike because they are both super heroes, both from DC, and both are good at what they do. Batman in different from Superman is that Batman can’t fly and Superman can fly because his powers. Another thing is that Batman fights in Gotham the most crime ridden city.
He owns Gotham City with his trademark bat symbol laid out through buildings and skyscrapers. To add on, Bruce Wayne true identity is being the Batman and it’s an obsession that he cannot run away from. The ever movement of batman does enable him to adapt to any situation no matter the barrier set upon
In the novel, Jasper Jones, Craig Silvey used a vast range of language and textual features including Symbolism, Allusion, Connotation, Similes and word choice. This is done to construct the character of Charlie as someone that opposes the social norms in the town and supports his close friend, Jasper who is judged and victimised by his race and family history. The town’s people of Corrigan all follow the same path or social norms, that were apparent in the 1960’s and what teenagers should learn, is that you should not let your peers dictate your beliefs and values, making your own choices, like Charlie. When Jasper comes knocking at Charlies window, the audience is lead to believe that Charlie has been given a chance to be reborn and portray
Christopher Nolan’s Dark Knight Trilogy constitutes a rather contemporary manifestation of an extensive body of artifacts in media culture. Media culture, Henry Giroux holds, “has become a substantial, if not the primary educational force in regulating the meanings, values, and tastes that set the norms, that offer up and legitimate particular subject positions – what it means to claim an identity as male, female, white, black, citizen, noncitizen” (2-3). Being the most popular remediation of the Batman over the past two decades, the Dark Knight Trilogy reveals contemporary attitudes of mainstream Hollywood film to issues revolving around sexuality and gender as two of the core facets of identity. In particular, the representation of masculinity,
and she died at the end of the movie. Jim Gordan, the commissioner, worked together with Harvey Dent and Batman in controlling the crime cases that happens in the city until The Joker shows up. Alfred is the guardian of Bruce Wayne (Batman) after his parents died. Lucius Fox is one of the employees in Wayne Enterprises who is supporting Batman by providing Batman the equipment. 2.
From Batman fighting crime in Gotham city to Superman keeping the peace in Metropolis, we find ourselves drawn to the idea of heroes overcoming the odds and prevailing in the end in their story. The theme of having a
“As a man, I 'm flesh and blood, I can be ignored, I can be destroyed; but as a symbol ... as a symbol I can be incorruptible, I can be everlasting” (Batman Begins). Batman is one of the most popular superheroes of all time. Although he has no superpowers, his willpower and intelligence combined with his physical prowess, and ingenuity make him an incredibly dangerous opponent. In his secret identity he puts on the mask of Bruce Wayne, billionaire, playboy. In Christopher Nolan’s trilogy, Batman combats crime and faces several villains and their plots to wreak havoc and cause chaos.