A tangerine is not only a citrus fruit, but also a county in Florida that is home to Paul Fisher and his older brother Erik. In the novel titled Tangerine by Edward Bloor, Paul Fisher, the protagonist, is not only bullied at school, but also at home by his brother, while having to live in the house where his dad lives in the illusion of the “Erik Fisher Football Dream.” In this new county that Paul moves to, he constantly has to put up with natural disasters like muck fires and sinkholes. The move from Houston, Texas to Tangerine County, Florida is the start of a new chapter for the Fisher family, especially Paul.
The monster then later acts upon these violent thoughts when he happily “lighted the dry branch of a tree and danced with fury around the devoted cottage” (Shelley 126). Character’s internal conflict is reflected in their actions because their internal conflict acts as motivation for their reaction. The internal conflict that the characters are going through interests the reader because now they are able to enjoy the story more since they now understand the character’s
Alexie's repetition also evokes emotion from the reader. The reader immediately becomes interested in Alexie's life. When he uses the same phrase he used to relate to his life and talk about the Native American children, the reader feels
This is shown when the characters in this novel speak out against a concept they know nothing about. Therefore, the literary terms an author uses can make an immense impact to the connections the reader makes to a novel, and help to shape a theme that is found throughout
Literature is a medium that enables people to effectively express their opinions and perspectives. Being the vast genre that it is, fiction presents writers with the opportunity to utilize literary devices in their pieces. These devices help in communicating the message of the author’s work. Several fictional texts use common literary devices such as metaphors, similes, symbols, and imagery. These devices allow for writers to personally involve readers with the author’s message.
Maria Boyd’s novel “Will” clearly demonstrates and showcases multiple existing values, beliefs and ideologies. One such theme which we constantly see is that of depression. Throughout the novel, this theme is challenged and developed on. One such example Will, the protagonist, and his one sided conversations with his deceased father. This constant reminiscence of his father are only present in the latter half of the book when the theme of depression is much more prevalent.
Panic, anxiety, and most importantly, fear, are all components that form the adventurous tale, The Most Dangerous Game. Rainsford, the protagonist of the story, is widely recognized as an experienced hunter who ventures off in a ship to travel to Rio in order to hunt jaguars. However, the story turns when Rainsford falls off his ship, encounters a hunter who hunts men, and becomes the prey himself. Although Connell sets up an intense plot by using irony, characterization, word choice, and other literary devices, imagery is one of the main aspects that releases an uneasy feeling within the audience. Imagery is a common literary device that authors use to engage a reader into the story, by painting the scene in the audience’s mind.
By not saying anything, Melinda drifts further away from others and more so isolates herself. Everyone looked at Melinda like she was a monster. Melinda received looks from people she did not even know. This got in Melinda’s head and resulted in her feeling worse and she too, feared who she was. Melinda could not bear to see herself as she only saw an ugly person with many flaws.
Rita Felski’s view of tragedy being the failure “to master the self and the world” is at the heart of Nella Larsen’s Quicksand and Mary Shelley’s Frankenstein. Both texts are concerned with the incapacity of defining and accepting one’s identity and the characters’ attempts to resolve this identity crisis by isolating themselves. This essay will argue that the fundamental cause for this tragedy is the lack of emotional connection from one’s family, which in turn prohibits one to sympathize with anyone, including oneself. In Quicksand, Helga Crane’s inability to become truly happy stems from her feelings of being an outsider.
One of the most important qualities within a story is whether or not the narrator is reliable. In most cases, the reader never takes this “narrator” into question as it is some omniscient being who is easily forgotten. The cases, in which the narrator comes into play in the reader’s mind, are typically when the narrator is of homodiegetic narration. This is a common device in more narrative texts and can even be used as a tool to make the reader feel a more personal touch to the story. If this trust between the narrator and the reader is breached the whole story it can take a different look towards the reader.