• Paragraph 1 - 6: The author asserts that women gained rights and freedom after long silence but contemporary women are not free as they want to. She explains that “we are in the midst of a violent backlash against feminism,” (Wolf 185) which the notion of beauty is poisoning women’s liberty and rights. The images of “beautiful” women are used against women’s advancement.
• Paragraph 7 – 8: Wolf describes that “beauty” became very essential in women’s life. For instance, women must have beauty knowledge, pornography invaded the mainstream, eating disorder rose exponentially and cosmetic surgery controls women medically.
• Paragraph 9 – 11: According to the story of “beauty myth”, beautiful women are more likely to be successful and be wanted by men.
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Before industrial revolution and development of technology, “beauty” as what we not understand was not for the ordinary women.
• Paragraph 16 – 17: First image of beautiful women that describes how women should look, appeared in mid century. Western women have been controlled by stereotypes, ideals, and material constraints since industrial revolution.
• Paragraph 18 – 21: Wolf asserts that as women gained freedoms, society colonized women’s consciousness by utilizing notion of “beauty” and reconstructing female world. She explains that “the modern arsenal of the myth is a dissemination of millions of images of the current ideal” (Wolf, 193).
• Paragraph 22: The hallucination of beauty grows more influential because of market manipulation. The diet, cosmetic surgery and pornography industries are controlling billions of economies.
• Paragraph 23 – 24: Wolf highlights that “contemporary culture directs attention to imagery of the iron maiden [- a body shaped medieval instrument of torture that was in feature of a lovely, smiling young woman -],” (196) by trapping women into the beauty
Essentially, industries decrease people self-esteem in order to make money and sell their advertised products. Companies advertise the “perfect” body that even the models do not have because of edited images, all the while contradicting themselves saying “be yourself”, then promoting unrealistic standards. Roberts inductive thesis fell at the end of the film, stating that the promise of being beautiful leading to a better life, is propaganda and that women’s health is not as important as corporate profit. The primary appeal in this documentary is the appeal to authority.
“I was never a beautiful women, and for that reason I’ve spent most of my life suffering from the shame of falling short of an unattainable standard” (87). Mairs starts off by telling us she was never a beautiful woman. By describing herself as this, it acts as an attention getter so the readers can become more interested in the reading. By putting emphasis on the topic of society 's standards for woman allows Mairs to go into greater depth with the topic, allowing readers to gain more knowledge and understanding of what the standards are like for a woman. A sullen tone is maintained throughout this chapter as Mairs describes the society 's standards for women leaving the readers a choice on how they feel about these standards.
This quote is connected to the simplification of women in the 1960s because her main purpose in life is considered being a housewife. During this period, women were often viewed primarily as objects for male pleasure, rather than individuals with desires, wants, and ambitions. This demonstrates how society has placed significant emphasis on a woman's physical appearance and often tied her worth to her ability to serve or support men. Overall, this is a reflection of how women were objectified and reduced to their physical attributes during the 1960s, and how these harmful beauty standards perpetuate a culture of objectification and devaluation of women. Furthermore, this connects to the idea presented by Friedan, an author of many magazines during the 1960s, “The feminine mystique held that women could find fulfillment only in sexual passivity, male domination, and nurturing maternal love.
A girl can be seen as beautiful and attractive, but continued to be shunned - all because they don’t wear the latest trends in fashion (but what if they like wearing solid colors or nerdy shirts from Walmart?). They may have a great personality that would attract many suitors in the nineteenth century, but if it is not up to the status of some people, they’re deemed unworthy. It is honestly one of the saddest things I have witnessed and experienced. Through The Body Project, Brumberg explains how American girls have shifted from judging a girl through her personality and internal character to judging through her appearance.
Scott Russell Sanders’ essay, “Looking at Women”, contains his views about women that originate from his experience living among a given group of people. In fact, it is apparent that his opinion results from his childhood memories. The quotes he chooses as well as language depict his opinion about how men view women and illustrate that his thoughts were acquired during his early years of life. As stated, his thoughts originate from the personal views of other people about women. Thus, this paper seeks to examine his perspectives about women.
Humans encompass great achievements and inspire change to the status quo at an alarming rate, however we drop the ball on a multitude of areas when it comes to social equality. One of those areas being the Beauty Myth that confine women to a man’s institution, which creates a variety of social problems. Today I would like to compare the ideals of the Beauty Myth and compare them to Delaney’s writing in the chapter titled Food for Thought, and specifically focus in on the section, Of Meat and Men, showing the similarities between the food we eat and our gender. In Naomi Wolf’s, The Beauty Myth, I was introduced to a perspective that I never really had before reading this piece.
Not Just a Bowl Beauty is one of the main foci in society today where selfies, beauty enhancement or plastic surgery, celebrities, and the media reign over society—constantly defining what people should aim for in terms of appearance. Appearances are everything to many people rather than inner beauty such as character and values. In turn, this beauty-obsessed world has led to people becoming more shallow, superficial, and unaccepting towards anything besides the “norm.” It is quite ironic to have a “norm” considering how each individual is different and live in different cultures and such. People are not meant to be or look the same neither should they adhere to a certain standard in which someone else has established.
Beauty is tormenting, it is a poison that runs extensively than just physical discomfort , it corrupts the mind, the heart, and the soul. Not everything that is appealing to the eye is good. Currently, the women of this time are judged so much about their appearance, but people do not realize what women have to do to meet other people’s standards. The women of the Elizabethan era were only considered prettier if they had the whitest skin and the reddest cheeks. Not only did the women do this, but also the men.
Figure 2 and 3 exemplify women presented in a submissive and docile image. In figure 2, there is a direct eye contact to the camera which conveys a personal address to the reader. It allows the audience to be captivated in the seductive qualities of her body. However, the use of black around her eye helps to accentuate salacious look upon her face. Furthermore, white fur and jewelry in her costuming portrays this ideal of wealth and affluence that women should be aspiring for to attract the ‘right man’.
Atwood criticizes the societal expectation of beauty that makes everyone vulnerable to pressure and
INTRO - "An Act of Vengeance" by Isabel Allende is a latin-american piece of literature. - According to feminists critics, literature adapted to this patriarchal society we have, and the feminist author, Isabel Allende, has exposed how men and women are in the society through her characters Dulce Rosa Orellano and Tadeo Cespedes. - The feminism theory is the outgrowth of the general movement to empower women worldwide. It recognizes and critiques male supremacy combined with the efforts to change this patriarchic view.
Your decisions to comply with society’s view of “beauty” are no longer subconscious, but rather are more conscious-driven decisions. Barbie’s slender figure remains idolized; however, it has evolved from a plastic doll to a self-starving model that is photo-shopped on the pages of glossy magazines. You spend hours in front of a mirror adjusting and perfecting your robotic look while demanding your parents to spend an endless amount of money on cosmetics and harmful skin products to acquire a temporary version of beauty. Consider companies such as Maybelline, which have throughout the ages created problematic and infantilizing campaigns and products for women. More specifically consider the “Baby Lips” product as well as the company slogan, “maybe she’s born with it, maybe it’s Maybelline,” that reiterates the male notions of beauty to which women are subjected.
As stated that “the substitution of a fetish object or turning the represented figure itself into a fetish so that it becomes reassuring rather than dangerous” (Mulvey 490), she relates to the fetishistic looking, in which women can be seen as curiously and admirationaly look on; or it is considered as a bust to look fetish/ desired. But Mulvey proved impotent how women can get out of this suffering. She wonders “how to fight the unconscious/ structured like a language, [...] while still caught within the language of patriarchy?” (Mulvey 484).
When one first meet her, one has to admit, first thing they notice is her looks. Right? “wow she have it all” or maybe the opposite. Beauty for women may be easier for them, like getting out of an officer giving them a ticket or walking into a restaurant without a reservation. Beautiful women could get more smiles, more handsome men, and better treatment sometimes.
The narrator claims, that beauty is essential to give us a purpose of life. It has the ability to transform our surroundings, and get us to a higher spiritual level. He explores