Stanza 3
The last two stanzas have given the poem a feeling of peacefulness and quiet because there was no sound and movement but the silence was broken by the shake of bells in stanza 3. We know that “harness bells” are man-made object, thus it represents civilization and civilization reminds the persona of his obligation. It shows us visual and auditory image with the regular movement and softness of the bells shaking. Stanza 3, line 9 shows us that the persona’s subconscious is now provided with voices. The “shakes of bells” here contrast with the word “little” in stanza 2. Although the sound is soft but it is louder than the “little” horse’s thoughts. It means that the sense of obligation and promises are getting louder and louder. It
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From the third stanza, line 3, we can discover the use of alliteration. Alliteration can be defined as the repetition of the same sound which is placed close to each other. From the aforementioned line, the gentle sound of wind can be heard from the alliteration of “sound’s the sweep.” It is nearly as silent as the falling of the snow. It is as if the nature is trying to soothe away the persona’s worries about his obligations. From line 4 in stanza 3, there is also something very lulling about the "easy wind and downy flake”. It suggests that the natural world is very compelling. As soon as his subconscious is trying to rush the persona to return to his promises, the easy wind and downy flake are trying to convince the persona to stay. We can hear the sounds of nature fighting with the sounds of promises and civilization. It can be seen from the poet state of mind that nature is very powerful in this poem but his subconscious is winning too. Tactile imagery is once again used as we can see from the line “Of easy wind and downy flake.” Easy wind slowly caresses your skins and downy flake dripping softly on your skins. The persona’s mood may be affected by the soothing and calming effects of the beauty of
The overall theme of the poem is sacrifice, more specifically, for the people that you love. Throughout the poem color and personification are used to paint a picture in the reader's head. “Fog hanging like old Coats between the trees.” (46) This description is used to create a monochromatic, gloomy, and dismal environment where the poem takes
Starting in the beginning the poet creates a mysterious mood “We tell the wakened child that all she heard was an odd question from the forest bird.” From here it creates a mysterious mood and also connects to the theme because children aren’t used to hearing odd noises and negativity thoughts usually create fear. Throughout both poems the poets are trying to emphasize that all youngs live in
(5 & 6) The poem is 46 lines, one stanza and flows like a song or is conversational. Alliteration used is the “s” and “b” sounds in phrases “I snapped beans into the silver bowl” (1), “that sat on the splintering slats” (2) and “about sex, about
What is the purpose of all the contrasting, descriptive imagery? What elements underlyingly stand for other items? The poem opens with the speaker reflecting on their past and relating to frogs asserting that they
This assonance begins the poem by setting the scene. We are able to interpret that the unnamed narrator is in a terrible mood, is fearful, and his anxiety is skyrocketing. This is set at midnight, which gives a feeling of uneasiness. These dark terms are emphasized by the assonance to give the
The imagery of the first poem greatly contrasts from the overall tone. In “A Barred Owl,” Richard Wilbur describes an owl frightening a child and waking her from her slumber. Wilbur sets the scene with dark imagery: “The warping night air brought the boom/ Of an owl’s voice into her darkened
In the first stanza’s, the narrator’s voice and perspective is more collective and unreliable, as in “they told me”, but nonetheless the references to the “sea’s edge” and “sea-wet shell” remain constant. Later on the poem, this voice matures, as the “cadence of the trees” and the “quick of autumn grasses” symbolize the continuum of life and death, highlighting to the reader the inevitable cycle of time. The relationship that Harwood has between the landscape and her memories allows for her to delve deeper into her own life and access these thoughts, describing the singular moments of human activity and our cultural values that imbue themselves into landscapes. In the poem’s final stanza, the link back to the narrator lying “secure in her father’s arms” similar to the initial memory gives the poem a similar cyclical structure, as Harwood in her moment of death finds comfort in these memories of nature. The water motif reemerges in the poem’s final lines, as “peace of this day will shine/like light on the face of the waters.”
The literary device that seems ubiquitous in this poem is alliteration. The first one found in lines 633-634, “ still brave, still strong/ And with his shield at his side, and a mail shirt on his breast.” The “S” sound is repeated. Another example of alliteration shown is on lines 717-718.
Wordsworth and Muir express their fascination with nature using imagery and mood. In “Calypso Borealis”, John Muir states that he finds himself “glorying in the fresh cool beauty and charm of the bog and meadow heathworts, grasses, carices, ferns, mosses, liverworts displayed in boundless profusion” (Muir). The words “boundless profusion” appeals to the sense of sight and helps us imagine the scene and all the bountiful natural beauty of the place. The image shows Muir’s relationship with nature because it demonstrates his overwhelming, nearly spiritual, experience with nature. In the poem “I wandered lonely as a cloud”,
The literary device, tone, is significant in this poem because in a manipulating tone, the Siren lures the men to the island pleading for help. Atwood also uses a wide variety of diction in this poem that develops a sense of humor. Humor is used to suggest that the Siren is deceptive and sarcastic. In the poem, it references “bird suit (12)”, “squatting (14)”, “feathery maniacs (16)”, and “looking picturesque and mythical (15)” and this amusement shows that the Siren is deceitful. It is stated that the Siren will give away the secret of their fatal song when really the trap is the song itself.
Imagery and tone plays a huge role for the author in this poem. It’s in every stanza and line in this poem. The tone is very passionate, joyful and tranquil.
Looking at your list of first sentences, assess whether the paper moves logically from one topic to the next. This is a hard question to answer. To be honest, I am not sure how logical should look like in this case. I think it does move logically; I feel like there is a connection between all the sentences, but I am just not
That reconnection with nature will renew the world for us. The speaker in the next stanzas reflects how he has lost this connection, as his “afflictions bow me down to the earth” (82) and his “viper thoughts” have stolen his “shaping spirit of Imagination” (86). Coleridge speaks of the wind’s inability to raise him out of his
For example in stanza five there are two rhyming triplets. The tone of the poem also changes accordingly to the action in the poem, the rhyme, rhythm and measure. At first skeptical, almost discouraging, but after it gains hope. At a point that hope shatters and the tone becomes grave and sorrow. The poem as well as the charge end quietly in a plain stanza, the last stanza which different but still inspirational.
He implies this sense of darkness as a way of “fun” as he describes acres of land and houses being reduced down to “..only dirt..wet or dry..” (line 24). The meaning is misunderstood as the “...blady carouses” contradict the importance of the land with the final line, “...you can hang or drown at last..” (line 28). The reader comes to the realization after the last line of the stanza is that the writer was trying to warn him of the things that may possibly burden him later.