Berkenkotter And Huckin's Theory Of Genre Structure
Berkenkotter and Huckin (1995) state in their thesis as "genres are inherently dynamic rhetorical structures that can be manipulated according to the conditions of use’’, and for this reason, that genre knowledge is therefore best conceptualized as ‘a form of situated cognition embedded in communicative disciplinary activities” (1-24). In their theory of genre, they focus on five major principles: • Dynamism – genres are dynamic rhetorical forms that develop from actors’ responses to recurring situations and that serve to stabilize experience and give it coherence and meaning. Genres change over time in response to user’s sociocognitive needs. • Situatedness – our knowledge of genres develop from and are a part of user’s participation in communicative activities of daily and professional life. • Form and Content – genre knowledge embraces both form and content, including a sense of what content is appropriate based on the particular purpose, situation and time • Duality and Structure – as users draw on genre rules they both constitute social structures and reproduce them • Community Ownership – genre conventions signal a discourse community’s norms, epistemology, ideology, and social ontology. Dynamism Regarding to the conception of genre’s dynamic there are many conditions at the same time can be noticed. In broad terms, dynamism refers to the growth, the tendency to change, to shrink, the improvement, the progress, continuous change, activity. Genres are dynamic
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Rhetorical Analysis Of Michael Dirda's 'Language Matters'
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Summary Of Re-Composing Space: Composition's Rhetorical Geography '
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Too: An Ethnographic Study Of A Football Coaching Discourse Community
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George Strait: A Genre Analysis
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Narrative Conventions In The Searchers
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Reflective Portfolio Letter
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The Hate U Give A Dynamic Character
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The World Republic Of Letters By Pierre Bourdieu
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Fairy Tales Genre
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The Murders In The Rue Morgue And The Purloined Letter
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