The Germanic style of art called Animal art is a characterized by the distorted animals that it depicts, and it's seemingly random shaped objects that at closer inspection are made up of small symmetric shapes. The distorted animals are described at twisted and stretched, and sometimes made up of significant parts of other animals. The griffin is a an example of this style, which is a beast made up of an eagle head, and a lion body. Many examples of this art are made of gold and enamel with different highly valuable gems to emphasize features. There exists three styles categorized as Style I, II, and III which preceded one another over 200 years in particular. This art form is in contrast to what people think of the dark ages, which were …show more content…
Bernard Salin was an expert in his field of typologien, a German word that describes styles of art and discerning their differences over time. He was often writing geological research in contrast to archaeology, which took into account the oldest settlements in a landscape. Salin's work in archaeology influenced him to categorize Animal art in a scientific approach. During a time known as the Migration Period, he noticed that there were three distinct types of Animal art that could be described definitively. Style I was dated between the late 400's to the year 600, style II from late 500's to 700's and style III onward until the 800's. The main countries involved were Crimea, southern Russian, Europe, Denmark, northern Germany, and Italy. The affect of trade relations were the key to the changes that brought each style to the next, as explained by Salin. Today, there is evidence that Salin misunderstood the history of certain events, and has generally been left …show more content…
As we saw with Animal art, there was periods of enlightenment and this was not the reason for the name. The medieval arts were during a period of time when it was appreciated as much as architecture and science, and every part was scrutinized for a specific look. The colors of objects were not simply chosen based on availability or preference, but an interest in creating a certain illusion. For example, the color black would be used minimally, as it ment mourning and death. Blue was a representation of heaven and the truth, green the color of fertility and springtime. Every color had an emotional connection, as did the size and design of architecture. Buildings were reaching out of Romanesque and into Gothic style, going from compartmentalized and dark, to letting in light and being open. The first example of this is the Rayonnet style, which emphasized the letting of light, and means, “to shine.” The open corridor was a sense of harmony, and the invention of the flying buttress allowed the Chartres Cathedral to have the open flowing and harmonious design it has today. The flying buttress was a support piece that kept the architecture from falling inward due to lateral thrust from the wall. The flying buttresses are extremely ugly looking on the outside, but you really get a chance to appreciate it's usefulness when you look at the inside and don't see regular buttresses killing
One of the defining characteristic that can be seen in the Trinity Church is that it has ogival arches. The church has a flying buttress to resist the lateral forces that may push the wall outwards. The ceiling of the church are stone vaulted. It therefore, means that the roof of the church is heavily loaded and hence the walls may be affected by the force that is created by the heavy weight at the roof. To prevent the walls from been pushed outward by the force that is created by the weighty roof, the Gothic architecture requires that the structure be built with a flying buttress.
“Dark Ages “was period in which was a time where there was lack of social understanding but had a strong oralism. Oralism is the use of speech and lip-reading as a form of speech for the people of the deaf community to use rather than sign language. The Deaf clubs was what kept their culture alive despite what others thought of how they would communicate with each other. 6.
The first reason the Dark Ages were not as dark as the name claims for them to be, is because during the Dark Ages there were tons of advances in education. The information in Doc A that claims “Europe suffered a decline in commerce and manufacturing, in education, in literature and the arts and in almost all that makes possible a high civilization.” is completely biased. And that the Dark Ages “Did not support learning” (Background Information) which is completely untrue. During the Dark Ages, there were still people learning and teaching. One of them being a monk named Richer, who “went to the town of Chartres, in what is today France, to study.”
In the 1300's, an Italian scholar named Petrach used the term "dark ages" to describe the medieval period (Movie Talk: The Dark Ages). Petrach applied the "dark" and "light" terms to learning. Petrach believed that the Romans and Ancient Greeks were in the "light" of learning. The following period, the middle ages, was in the "dark''. Ever since he used the term, historians have been debating whether the time period between the 500's and the 1500's were really a "dark age.
The Medieval Ages were a time where many things like romance, art, music, poetry, disease and death all thrived. Everyone in this time period had a different point of view on it. Some thought it was a golden age, some thought it was an age of feudalism, and some also thought it was a dark age. Yes, this time may have had its ups, but it also had many, many downs. Its darkest times consisted of Barbarian invasions, death, and wars.
Europe in Dark Age Before you say “Europe was never in a dark age.” think of the middle ages right after the fall of Rome, in The Crusades or The Black Death. These are just examples of why Europe was in a dark age. The phrase dark age means unsightly and dreadful, the term comes from Francesco Petrarch, he was an Italian scholar who compared Europe to Asia. The dark ages lasted 500 AD to 1500 AD.
The Dark Ages consisted of invasion, and loss of trade and government. “The barbarians have broken through the ramparts. The Saracen [Moors] invasions have spread in successive waves over the South. There is no longer any trade, only unceasing terror...society has no longer any government,” (Doc. 1). These problems led to the decline and therefore this period of time was named the Dark Ages.
Art was and still is a big thing in Italy. During the Italian Renaissance (14th to 16th century), art was considered to be an important role in society and paintings from the Italian Renaissance still exists today. Some artworks are Mona Lisa by Leonardo Da Vinci and The Peasants Wedding by Pieter Bruegel the Elder. These 2 artworks shows that they are from the Italian Renaissance through art characteristics such as S shapes/curves, Chiaroscuro, and how it is Realistic. With these art characteristics, it shows how they are inspired by humanism, individualism, and secularism (HIS).
The Meeting of Joachim and Anna vs. The Annunciation While studying Renaissance art, particularly Italian art spanning from the 14th century through the 16th century, many similarities can be noted throughout paintings by various artists, yet major differences and variances can also be detected when it comes to the style that each artist chose to pursue. Each painting holds its own importance and displays its own outstanding aspects that make it great regardless of style. In Giotto di Bondone’s painting of The Meeting of Joachim and Anna from the Arena Chapel in Padua, Italy, the technique known as fresco was used. This type of painting technique uses colors that are applied to fresh plaster. Once these colors set and dry, the painting then becomes a
How is Animal Imagery used in Chronicle of a Death Foretold? Chronicle of a Death Foretold is a novel based on true events that had occurred in 1951 in Colombia. As the title indicates, the author, Gabriel Garcia Marquez creates a timeline of how one citizen, Santiago Nazar was murdered. Unlike the norms of a detective themed novel, the audience is aware from the start of the victim, the killers and the reasons.
The Lamentation vs The Deposition Art is a practice that is constantly evolving around the world. Art practices during the Renaissance in Italy and in Northern Europe depict similar themes, but artists express their understanding of narratives differently. Giotto di Bondone, an artist during the Renaissance in Italy, and Rogier van der Weyden, an artist during the Renaissance in Northern Europe, depict the crucifixion of Christ in two similar, yet distinct manners. Giotto created The Lamentation in 1305 and van der Weyden created The Deposition in 1435. The strategies each artist uses in their work highlight the important factors that influenced artists in each region.
Gothic and gothic revival styles of architecture began as revolutionary movements from their respective predecessors. Gothic is a style of architecture which gained popularity for its tall structure with pointed arches which points into the sky above. It emerged somewhere between 12th and 16th century, as an after effect or better says an evolution of the Romanesque style (Figure.01). Gothic revival style emerged as an antidote for the fever of machine age, which later became the most influential style during the 19th century.
The Church and The Renaissance The end of the Dark Ages came with the Renaissance, the word meaning 'rebirth' in French. The renaissance was the rebirth of the church and people started to think more freely and with open minds. There was a rapid movement of ideas which led to many new inventions, it was in this period that the sun was discovered to be the centre of the solar system and not the earth as people had previously believed. Drawing, fine art painting, sculpture and architecture developed dramatically during the Renaissance period. There are many suspected reasons to why the Renaissance began.
Immersing a killed shark in a glass tank filled with formaldehyde, Damien Hirst created the most famous contemporary artwork The Physical Impossibility of Death in the Mind of Someone Living in 1991 (Brisman, 2011). In contemporary art, animals no longer presented as images in paintings, sculptures, and photographs. In recent years, animals, both dead and alive ones are used in art exhibitions. The use of animal in art ignited heated debates about the moral dilemma between artistic freedom and animal rights. This essay will first examine the underlying principle of using real animals in contemporary art, and will then discuss the opposing view from the society, and eventually clarify the line between art and crime.
The French Revolution began to abolish privileged, high class society as people rose up against the authority and monarchy in France. As a result of this political upheaval almost all of Europe was shaken by social changes, revolutions, and wars (“French Revolution”). Artists and artwork began to reflect this new sense of change and nationalism with a movement called Neoclassicism. Neoclassicism is characterized by strong drawing, rationality, and better moral ideology. Artists began to no longer show their brush strokes and paint more about nationalism and patriotism in society.