Who is Beyoncé really? Is Beyoncé a menace to society, or a creative individual who possesses great influence on others to get her message across? Noah Berlatsky made this question evident to readers as they move through the article. The article Beyoncé, Sex Terrorist: A Menace for Conservatives and Liberals Alike begins by introducing how two people both of political power and say react to the way Beyoncé conveys herself. They use words like “disastrous”, and “anti-feminist” to make their point clear to the person. Although they have a supported claim and give context many times, there is another point that they haven’t focused on yet, and that is what Beyoncé is trying to make be seen by acting this way in her photos and videos. Berlatsky responds to these claims made by these two politicians (Hooks, and O’Reilly) by thinking ahead and questioning whether they really made their claims with such confidence when they …show more content…
What I mean by this is that Hooks only focused on certain aspects of the photo, like the way Beyoncé makes herself to be, and this creates only a one-sided claim. Berlatsky responds to Hooks saying “Or is it bell hooks—for whose pleasure Beyoncé, quite aware of the dynamics of slavery and black women's representations, thank you, elegantly drops a napkin, summoning a white servant to come scurrying and pick it up?” Did Hooks purposely ignore this? , and make herself have only the evidence she wants as to persuade easier? Another reason that allows me to lean towards his statement is how he says that the politicians are bad mouthing the way Beyoncé shows herself in a sexual way, when that is one of the most important parts they focus on. If these people wanted to show others how morally wrong Beyoncé is, then maybe they could briefly mention how she shows her body and then
Steele Verses Bell hooks: Predicament of Life or Predicament of College Life Does our social identities constitute only how we feel about a different situations or could it be possible that the contingencies of our social identities have the power to even attract the stereotype threat that disrupts our confidence in our personal self and performance? With all these facets being affected is it fair to say stereotype threat also has the power to dictate how we treat others? Claude Steele’s fundamental notion to Whistling Vivaldi is that “Stereotype threat is a standard predicament of life” (5 Steele). Chapters 4-8, Steele begins to broaden this conception with introducing his work of stereotype threat and how it shapes our social identities.
The speech addressed Baumfree’s views on women’s rights, specifically African American women. She used rhetorical devices such as pathos, ethos, logos, allusion to make her argument more impactful, and it worked. Interpreting this speech is a little different then interpreting a article or an educational essay. Many times I find myself automatically responding to the text with either negative or positive feelings without taking into consideration the rest of the essay. In this case I was forced to read the speech multiple times through in order to fully come to terms with it and identify my feelings in response to it.
She starts all eight of the statements with: “It is a violation of human rights when…” These statements are very graphic and visual and she does a great job of painting a picture for the audience. The statements are talking about the abuses women have dealt with for a long time. She talks about how many different types of abuses have continued for way to long and the “history of women has been a history of silence.” Even today there are many people out there that are trying to silence women’s words.
The message is dark and directly says that sexual harassment is not a new idea and that women have been suffering for years. The SNL cast approached the video with the intention of calling out men for not being supporters and yet also being surprised when the women complain. The women bring up a common question that men ask while discussing sexual harassment: “why didn’t you say something, babygirl?” and follow the question with examples of times in history that women spoke up about inequality and were still silenced. Their examples include “witches” from the Salem Witch Trials, and marchers for the women’s right to vote. While discussing these heavy topics, the women are smiling and singing to an upbeat tune.
Many women still don 't understand the hidden power that they have. “As we learn more and more to cherish our feelings, and to respect those hidden sources of power, true knowledge and lasting action follow” (Lorde, 1982, pg. 281). Beyoncé is a great example of how she was able to use her voice and really promote feminism.
I see some of my favorite female celebrities post pictures of themselves in their bikini, excited to share with their followers the fun they are having. Instead of people complimenting her on the picture, her comments are filled with body shaming, sexism, and misogynist remarks. There is no difference in Hispanic culture or American culture because it happens straight across the board. These women are ridiculed and sometimes forced to take down a picture because of all the negative comments they are receiving. In my experience, I think twice before posting a shot of myself at the beach or in a bikini because I am afraid of the comments that will accompany it.
In the introduction “Come Closer to Feminism” Hooks describes the conversations she tends to have with people who are interested in what she does. The misconception that feminism is hatred towards men by women is one that is constant according to her. As she explains most men and even women have the idea that feminist hate men, that they are all lesbians and they take jobs away from white men to make their lives harder, but when asked what they have read or know of feminism most will answer saying that they have never read a book. Their ideas of theories have arrived from that of what others say or mention. Before reading Bell Hooks “Feminism is for Everybody” I did not understand what feminism truly meant, I had the definition that I had seen online of feminist women being what they called "feminazi".
I 'm very happy to be able to do that to women around the world." (6). This is one of the several lessons Beyonce provides to society in order to empower women and have them join Beyonce in bringing awareness to this issue. Sexism and stereotypes are not just a problem people today have been dealing with in society, but it has been a major, ongoing controversy forever.
Furthermore, strategically framing her essay created
She wants her audience to see how much this means to women in society and how it is a dream for women. She wants them to see it is bigger than many things and not something to ignore. She is effective also in the sense that she is referring to MLK’s speech and thus showing the importance of her words she is stating. She also uses power in her tone to almost attack the values of the members on the International Olympic Committee. She does this by saying that the “IOC’s vote will be a fundamental test of its commitment to women and its own core Olympic values, particularly equality” (Finch).
At the beginning of Hooks’ “Understanding Patriarchy”, she immediately states her stance on
In reading Bell Hooks “Talking Back: Thinking Feminist, Thinking Black” outlining her own discovery of herself and the place in society where she stands as a woman or even as a black woman. Hooks distinguishes the importance of “taking back” for the oppressed and the dominated to recover oneself. I felt the writing of Bell Hook in “Talking Back: Thinking Feminist, Thinking Black” is an audacious act by underlining the problem of woman and reveal Hooks path of rediscovery. Hooks writing “Talking Back: Thinking Feminist, Thinking Black” is an audacious act that underlines the problem of woman.
Thus, forcing people to reflect on her sexuality more so than her
Thus only selected issues are identified with in mass media. V. Profits in Feminism Yet there is always a fine line that artists tread between actual activism and self-serving opportunism. Feminism as a commodity Taylor Swift rides the wave of ‘feel-good’ feminism in order to brand herself and gain the attention of
Although critics claim that Beyonce’s album portrays the black woman as the ‘victim,’ Lemonade instead empowers black women to freely express themselves and their ‘anger’ because there is no greater oppression than suffering in silence. Truly, Bell Hooks’ claim that “much of the album stays within a conventional stereotypical framework, where the black woman is always a victim,” is false and insensitive. As an artist, Beyonce crafts music that resonates with women, especially black women, who have suffered pain due to patriarchal ideals that infiltrate the household as well. The