To what extent has your study of texts from one literary period demonstrated that context and values are essentially interconnected.
Contextual events have a profound influence on values and issues embodied by productions of an era. The 1990s was a period of extreme transition and confrontation, as Andreas Huyssen argues “Our culture as a whole is haunted by the implosion of temporality in the expanding synchronicity of our media world”. Jonathan Larson 's musical Rent (1996) explores the effects of two contextual events, the neoliberal economic boom and the culture wars, on developing values. Bruce Sterling’s short story Bicycle Repairman (1996) similarly examines the impact of widespread capitalism and the extensive use of technology on an
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Rent reflects the need to earn an income while maintaining artistic expression of a Bohemian artist. The need to earn an income is expressed in the song “Christmas Bells” where anaphora “No Sleigh Bells/No Santa Claus/No Yule Log…” emphasises the overwhelming nature of meeting daily needs. The song “What you own” rejects the idea of prioritising work over creation, as Mark exclaims “I need to finish my film/I quit!” which indicates he prefers the life of an artist over the stifling nature of earning an income. Larson also addresses the expanding economic gap between the upper and lower classes, highlighting the dismissive attitude towards the poor. In the song “La Vie Boheme”, where staging of the large table of garishly costumed neo-Bohemians in contrast to Benny and Mr Grey accentuates the wealth disparity between the two classes. In response to the uniformity of the upper class, the neo-Bohemians rebel through artistic expression “dearly beloved, we are gathered here to say our goodbyes”, where connotations of death parallel conformity to emptiness. Through appraisal of individuality in the face of conformity, Larson demonstrates how emerging values of nonconformity were influenced by the neoliberal economic
Altschuler discusses media commentator Jeff Greenfield’s opinion about the influences of Rock and Roll on American youth. Greenfield states, “Nothing we see in the counterculture [of the 1960’s], not the clothes, the hair, the sexuality, the drugs, the rejection of the reason, the resort to symbols and magic – none of it is separable from the coming to power in the 1950s of rock and roll music.” He continues with “Brewed in the hidden corners of black American cities, its [Rock-n-Roll] rhythms infected white Americans, seducing them out of the kind of temperate bobby-sox passions out of which Andy Hardy films are spun. Rock and Roll was elemental, savage, dripping with sex; it was just as our parents feared.” (Altschuler, 8) Rock and Roll stood as a powerful alternative to the conformist ideals Americans had valued.
Bernice’s dull life and outlook on it is changed when Marjorie informs her, “‘What a blow it must be when a man with imagination marries the beautiful bundle clothes that he 's been building ideals round, and finds that she 's just a weak, whining, cowardly mass of affectations!’” (Fitzgerald, “Bernice Bobs Her Hair” 5). Marjorie wants Bernice to become an interesting person who does not live for the chance to please a man. When Bernice asks her cousin, “‘Don 't I dance all right?’ Marjorie responds, ‘No you don 't-- you lean on a man; yes you do-- ever so slightly” (Fitzgerald, “Bernice Bobs Her Hair” 6).
In Baldwin’s recording speech, he argued that artist need to put themselves out there more and continue to make fearless and strong acts. They need to start ignoring those who are telling them to “get a real job”, and continue to put their all into their work. Baldwin is arguing that our collective integrity- our humanity as a whole- has failed since we lack equality for one another. He states, “an artist can tell and only an artist have told…what it is like for anyone that gets this planet, to survive it…” and that “the price that [the artist] has to pay…is a willingness to give up everything...” (Baldwin).
“Living like kings” is about the 2011 Christchurch earthquakes effect on the homeless. These people tell the audience how their lives changed and how they went from having nothing (nowhere to sleep) to having everything (deserted buildings to live in). I believe that a theme in “ Living like kings” is rags to riches, as the homeless went from having nothing to having everything. I also think that the idea of misrepresentation is very important in this short film.
Many people believe that machineries and other advance technologies make the works more easier than the past. But, this is not true in most situations. Workers still have to work hard even more than in the past. Curry writes, “Fully one third of American workers—who work longer hours than their counterparts in any industrialized country—felt overwhelmed by the amount of work they had to do”(400). Ehrenreich’s waitress job is so difficult that when its busy she had to run around taking orders and work long hours without any breaks.
In Living for the City, Donna Murch argues that the Black Panther Party started with a study group in Oakland, California. She explains how a small city with a recent history of African American settlement produced such compelling and influential forms of Black Power politics. During the time of historical and political struggle in California 's system of public college, black southern traveling workers formed the BPP. In “Jim Crow’s Counterculture”, Lawson argues that the Great Migration and World War II changed the blues music from the thinking and behavior of younger people who want to be different from the rest of society to one that celebrated the work attitude and the war effort as ways to claim “American citizenship”.
I was on the wrong rung of the socioeconomic ladder, if you know what I mean. My father was a commercial fisherman on the Hudson, till the PCBs got to him, my mother did typing and filing down at the lumberyard, and my grandmother crocheted doilies and comforters for sale to rich people. Me, took over my father’s trade. I inherited the shack at the end of the pier, the leaky fourteen-foot runabout with the thirty-five-horse Evinrude motor and the seine that’s been in the family for three generations. Also, I got to move into the old man’s house when when he passed on, and he left me his stamp collection and the keys to his ’62 Rambler,
They reproach the machine with degrading man by transforming him into a machine . . . [and] with diminishing the number of skilled workers, permitting . . . the substitution of unskilled workers and lowering the average level of wages” (Document G). Through all of these different factors of corrupt industries in America, capitalists could easily be seen as “Robber
First, the approach is used to determine the values being presented; Secondly, the approach is presented when researching the social environments within a literary work; Finally, The approach gives insight to a relationship between the society, its values, conflicts, and the literary characters. Determining the values being presented within a literary work is important. The sociological approach helps to determine the values being presented in the novel,The Road. Values in a society include culture, religion, meaning, etc. “ He said: If he is not the word of god god never spoke” (5.4) With regards to religion within the
It is officially credited with bridging the gap between musical theatre and pop culture. Rent is a contemporary musical revolving around a group of poor, struggling, young artists, or “Bohemians.” It is set in East Side New York City in the height of the 1990s HIV/AIDS epidemic. Despite obstacles of sickness, financial difficulties, and death, the characters locate the ability to remain optimistic and positive. Rent has proceeded to become extremely successful and iconic in modern day musical theatre.
This sensibility not only combats the accusations that disco is not a legitimate form of music, but also provides minorities and oppressed groups a safe space that differs from those that rock and punk may provide. These differences in how disco allows people to be fabulous come through in the aspects
, A a dramatic story about a houseful of young people with no apparent purpose in life. “The main setting is a rundown house in an impoverished district near Melbourne, Australia, where conversations
In Dorini chapter three I learned that context means different things for everyone. There are historical and literary contexts to help understand interpreting better while we read a passage. When we look at literary context we must look at sentence and phrase structure. I also must read the whole passage or book before I go and interpret one part of the book. Many times when we study literary an historical context will overlap but they can also be separate from each other.
The years leading up to Judy Chicago’s first series The Rejection Quintet in 1974 saw a great amount of effort in finding her true identity as a female artist during a time which men made up the majority of the art scene. During the 1971 Rap Weekend in Fresno, Chicago, together with Miriam Schapiro, showcased works that used the central format of abstracted flowers or folds of the vagina. Chicago later reflected on the showcase stating that she could not express her own feelings as she met other women who were just as oppressed as she was through the struggles of being a female artist. The first piece of The Rejection Quintet, How Does It Feel to Be Rejected?, marks the acceptance of the struggles Chicago went through and her symbolic transition into what became her most iconic installation The Dinner Party. This paper will discuss the significance of Chicago’s, How Does It Feel to Be Rejected?, as it proved to be the first small step for her towards revealing the “central-core” for which she labels as her feminine imagery.
The poem “Jazz Band in a Parisian Cabaret” by Langston Hughes talks to the audience about how jazz can be found in many different ways, or “languages”, and that everyone can listen to jazz and enjoy it no matter how high of a class or type of person they are. This is shown through many parts of the play including the imagery and word choice. The images that the poem produce helps to show a scene in which many people have gathered in an area around the jazz band, listening to the various ways the music is played. The word choice also helps to show that everyone from “American millionaires” and “dukes” to “school teachers” and “gigolos” can all listen to jazz music and understand what is trying to be portrayed through the rhythms and