As described by a politic, Christian Lous Lange, “Technology is a useful servant but a dangerous master.” This idea is explored in a science fiction story called “The Veldt”. An author of the story, Ray Bradbury, is also known for writing several other books. Some of the most popular books that he wrote are “The Martian Chronicles”, “Fahrenheit 451”, and “Something Wicked This Way Comes”. “The Veldt” is a short story that describes the world in which machines do everything for humans. Ray Bradbury uses conflict and personification in the story to demonstrate the dangers of technology.
In order to be successful as an author and engage readers effectively, one must incorporate certain elements. Ernest J. Gaines included multiple stylistic elements in his novel, “A Lesson Before Dying”, therefore, he is quite effective as a storyteller. One rhetorical device included in the novel was metaphor. Another device Gaines used in “A Lesson Before Dying” was personification. Furthermore, Ernest used allusions throughout the novel.
Gallien starts to notice the settings around him while he is on his way to drop Alex off. “For the first few miles the stampede trail was well graded and led past cabins scattered among weedy stands of spruce and aspen. Beyond the last of the log shacks, however, the road rapidly deteriorated” (Kraukaur 2). This quote creates of visual of the quick change from rural civilization to deep and dense forest. It also exemplifies the jurastic difference between the peaceful areas of the forest and the extreme woods in Alaska. One moment there can be a nice little open field and the next you cannot see ten feet without a tree getting in your way. From that the reader can easily foreshadow the events to come in Alex’s
Throughout Irving Singer acclaimed trilogy, The Nature of Love, the viewer can observe how he unveils rich insight into fundamental aspects of human relationships through literature, the complexities of our being, and the history of ideas. In his sequel, The Pursuit of Love, Singer approaches love from a distinct standpoint; he reveals his collection of extended essays where he presents psychological and philosophical theories of his own. The audience can examine how he displays love as he systematically maps the facets of religion, sexual desire, love from a parent, family member, child or friend. Irving explores the distinction between wanting to be loved and wanting to love another, which ultimately originates from the moment an individual is born. Irving understands that love is more than a desire to be loved; it explains how love
In¨The Veldt¨ Ray Bradbury uses Personifications to bring his story to life. In ¨The Veldt¨ they rely on machines to do everything from doing dishes to tying shoe laces. They call it a happylife home but is that “happylife home” really a “happy life home” ? They soon have to rely on the machines to do everything for them, they cannot think on their own. When Ray Bradbury uses personifications it gives the story so much meaning and adds depth to the story.
Love is something important. It’s the cause of life, death, and everything in between. It’s the reason that urges some people to get out of bed in the morning. Whether it’s head over heels, or just a short-lived crush, love is beautiful. However, a multitude of people corrupt the view of love with lust, a feeling based wholly on appearance. Although maintaining a commendable appearance is important, and having beauty isn’t necessarily unacceptable, true love is heavier in internal attributes. In “Cyrano de Bergerac”, Edmond Rostand uses conflict, tone, and diction to express the theme that true love is beyond beauty and instead about what’s on the inside.
In the short story “A Bolt of White Cloth,” Leon Rooke develops on the idea that love is a weakness that clouds and blinds the thoughts. The woman is intrigued by the travellers cloth and does not notice that she is being blinded by it. She does not notice her husband and is so in love with her new cloth that everything else fades away. “You could have knocked me over with a feather when she up and kissed him full on the mouth, with a nice hug to boot.” (Page 60). She speaks a lot about wanting to make new curtains with some of that nice new cloth and the curtains can mean a lot of things. Curtains can shut out things we want to hide from, they can protect us from harm, and they can help us conceal ourselves. The woman could have been putting
Leon Rooke shares the quality of love in his short story, “A Bolt of White Cloth”. Rooke shows that love has the ability to produce the greatest happiness in the lives of people, but hardships must follow in order to achieve this love. Love comes in many forms as it is an emotion that can be expressed differently varying from person to person. Rooke uses magical realism by introducing an Eastern stranger that sells white cloth with magical qualities. The price, however, is love. This stranger is the bearer of happiness as he travels determining whether a person has expressed a great deal of love and hardship in exchange for his cloth. The characters discuss the types of love that exists in the world. The reader can easily submerse themselves
Poetry is an effective means used to convey a variety of emotions, from grief, to love, to empathy. This form of text relies heavily on imagery and comparison to inflict the reader with the associated feelings. As such, is displayed within Stephen Dunn 's, aptly named poem, Empathy. Quite ironically, Dunn implores strong diction to string along his cohesive plot of a man seeing the world in an emphatic light. The text starts off by establishing the military background of the main protagonist, as he awaits a call from his lover in a hotel room. After his significant other finally calls him, presumably to end the relationship, he then aimlessly goes to the zoo. Empathy, by Stephen Dunn exponentially displays the interplay of empathy and self interests, as the main protagonist seeks out his individualistic desires by searching for an empathetic connection through other living vessels.`
In order to be accepted in the current social society, you must follow a certain set of norms throughout life. Social norms are the unwritten rules on behavior that are expected and established opinions on what is appropriate and what is not. People who do not follow these instilled norms may be casted aside, judged, or suffer a consequence. Society’s expectations have dictated what normal human behavior is that people conform to as a way of life. These norms, however, are not set in stone, so they may be challenged. This act of defying social norms can be seen in the poem “Bedecked” by Victoria Redel, as she depicts her son breaking stereotypical gender norms in various ways. Similarly, in the poem “In Praise of My Young Husband” by Cathleen
There are many things that factor into reasons for loving someone. Often times when people think of reasons for loving someone, they only think about the immediate motives. People do not consider reasons outside the obvious. However, there are many hidden motives that cause people t love one another. Flannery O’Connor’s “Good Country People” and William Shakespeare’s “My Mistress’ Eyes Are Nothing Like the Sun”, show that love can be influenced by an ulterior motive, through the use of specific word choice and storyline twists.
The short story “What We Talk about When We Talk about Love” by Raymond Carver is about four friends- Laura, Mel, Nick, and Terri, gathering on a table and having a conversation. As they start to drink, the subject abruptly comes to “love.” Then, the main topic of their conversation becomes to find the definition of love, in other word to define what exactly love means. However, at the end, they cannot find out the definition of love even though they talk on the subject for a day long. Raymond Carver in “What We Talk about When We Talk about Love” illustrates the difficulty of defining love by using symbols such as heart, gin, and the sunlight.
In the avid pursuit of happiness, an individual can feel compelled to fabricate the truth about themselves in order to achieve the joy that they believe they deserve. The harsh truth of reality can force us to turn to the warmth of a fantasy to ease us in our search of contentment. Such is the case in Tennessee William’s play “A Streetcar Named Desire”, where sisters, Blanche and Stella both lie to themselves and others in order to become satisfied with their lives. Through the eyes of the beholder, happiness is measured differently; to Blanche, happiness is measured in wealth, particularly a wealthy man, whereas to Stella, happiness is in the comfort of a husband whom she refuses to call abusive.
The “cloud”—amorphous and obstructing—cuts into the scene, as well as the poem, with a sudden violence, in order to block the image of “Love’s moon”. The cloud itself cannot have definite dimensions, as it exists to only hide the moon, casting the speaker of the poem, his love and the cloud itself in a continuous darkness. It is in this darkness that the speaker of the poem finds his own perception and experiences clouded, indicating his blind submission to erotic love in lieu of a more illuminating, comprehensive “Love”.
Love can exist as affection, infatuation, obsession, pleasure and in many other ways, as love is abstract. Hence, there is no one single interpretation of love. Love is a theme that has been embedded into language and literature over the centuries, yet due to the ever changing perception of love people continue to search for a universal definition of love. Poems are able to showcase the inner feelings and desires of a poet as well as their own unique views on love. Nevertheless, through poems “La Belle Dame sans Merci” by John Keats, “My Last Duchess” by Robert Browning, “Mother in a Refugee Camp” by Chinua Achebe, “The day is gone, and all its sweets are gone!” by John Keats, “Remember” by Christina Rossetti and “Piano” by D. H. Lawrence, this essay will explore how and why different poets present the theme of love in a variety of ways.