adolescence followed by late adolescence, the stages in a girl’s development because, even during these initial years when a woman’s body is being prepared for motherhood, through a variety of changes, she is affected biologically, psychologically, socially, culturally and in a number of other ways. The biological aspect of motherhood deals with the changes that develop purely as an outcome of biological determinism. As defined by Wikipedia, “Biological determinism is a term used in some literatures to describe the belief that human behaviour is controlled solely by an individual's genes or some component of physiology.” ( reference?) Therefore the genetic prototype that a body contains prompts it to function in a pre-determined way and this …show more content…
The role of the female body as a biological essential came in for sharp criticism. Beauvoir recognizes that “to be present in the world implies strictly that there exists a body which is at once a material thing in the world and a point of view towards the world” (Beauvoir 39). What is centrally implied here is the intertwining of the physical and cultural self that is, one may naturally exist as a male or a female but this mere fact that one is born a woman does not physically impose her to the type of limitations that have been culturally imposed on women. Therefore Beauvoir says, that “woman is a social construct”. Nevertheless her account provides the starting point for contemporary work on the relation between bodies and selves, where bodies represents the biological aspect and self represents the psychological, socio-cultural, economic and various other …show more content…
The woman during the period of gestation faces multiple issues –physically she undergoes bodily changes like weight gain, loss of shape and becomes inactive and restricted. She might in some situations suffer on account of her profession as well, she might have to forego it on account of her pregnancy, which leads her to financial and other insecurities, and makes her totally dependent on her husband. These accounts even though they cannot be rejected out rightly; have been a source of criticism, particularly when later feminists sought to celebrate the female body as a source of pleasure, fertility, and empowerment. However it is important to recognise that what Beauvoir was offering was a descriptive phenomenology of female bodies as lived in specific situations. As she explicitly says “if the biological condition of women does constitute a handicap, it is because of her general situation … It is in a total situation which leaves her few outlets that her peculiarities take on their importance” (356–7). It is this situation which Beauvoir’s writings hoped to highlight and change. Here Beauvoir could be referring to the institutional perspective of
In the Article “From Fly-Girls to Bitches and Hoes” by Joan Morgan analyses the standpoint of an African American feminist woman under pressure in the world of sexism and hip-hop. This passage Witten in 1999 as part of the collection of essays “When Chicken heads come Home to Roost… My Life as Hip-Hop feminist. Morgan explains the origin of the sexism and the meaning of the words of hip-hop. Morgan suggests that we need to appear dipper to understand why Misogyny happens.
Julie Maroh is the talented author of Body Music. This graphic novel aims to express the realities of relationships. Maroh discusses in the introduction how stereotypes remind us how political the body and love is, also how she wants to write other realities and her own story (4). Throughout the novel there are numerous examples which could illustrate how she challenges physical, intellectual, and social stereotypes. Focusing on chapter six, “Fantasies of the Hypothetical”, will provide support that Maroh challenges the stereotypes that DeMello outlines in her chapter on “Racialized and Colonized Bodies”.
The human body has always been idealized in society. From cultural expectations to body image stereotypes, women of all centuries have struggled with the need to fit the idealized mold of the prefect wife, adoring mother, and even the ideal woman. Renée Cox, a photo and mixed media artist, is one of the most controversial women to incorporate the body into her work today. In Cox’s work Hott-En-Tot (Robertson 107), Cox shows the relationship between her own culture and the stereotypes that it projects onto the body.
Society explicitly molds a façade of conformity which aids in the direct manipulation and social castration of the individual, those with free spirits defiantly choosing not to fall victim to societal convention. Consequently, history is tainted with the continuous oppression of particular groups, a prominent one being women. The role of women in society has been purposefully dictated in order to maintain this false sense of societal uniformity. Furthermore, women have been subjugated to submissive roles in which any deviation from these predetermined standards labels an individual as an outlier. Specifically, in Kate Chopin’s
Beauty and the tears from her body are both capable of being commandeered by societal pressures, exemplified in the priest’s ridicule. In her article "Disturbances In The Social Body: Differences in Body Image and Eating Problems among African American and White Women." Meg Lovejoy comments that “the body is a form or surface on which the central rules, hierarchies, and commitments of a culture are inscribed” (Lovejoy 239). By removing and covering aspects of her body out of sight of societal hierarchies, Marie is protecting her body and rewriting a bodily text that conforms to the patriarchy’s structuralist
Is this what media finally comes to? To profit and acquire fame, while throwing into the back the importance of wellness and confidence of women young and old alike? In this age many women around the world are heavily influenced by the prevarication of the modern culture's "perfect female body". Evidence of this ubiquitous illusion is prevalent in the texts "My Body Is My Own Business" an essay by Sultana Yusufali and the short comic "My Body" by Vicky Rabinowitz. The example of the crushing influence of beauty by the media are explicated by both texts.
In these two scenes and in many other scenes and quotes throughout the book beauty is portrayed in a way that does not solely depend on outward appearance and is not defined by normative standards of class, sex, gender, sexuality, and femininity. Simone de Beauvoir’s thoughts in “The Second Sex” also agree with these statements by reiterating the fact that the “feminine woman” is a social construct and that society has controlled how people are supposed to think about normative beauty and women. Beauty cannot be defined. A woman cannot be defined. Beauty is an intersectional concept that includes all identities and all people regardless of outward appearance or what society says is beautiful.
“Le Rire de la Meduse”, which was written in French in 1975 and published in English the following summer as “The Laugh of the Medusa” became the most influential text by Helen Cixous, a feminist theorist. It became well known in light of Cixous persuading women to use their bodies to communicate instead of staying trapped in their own forms by using language and gestures that does not allow them to express themselves. In this essay, we would see the importance of women’s body in Imtiaz Dharkers’ and Kyla Pashas’ poetry and how it connects with what Cixous puts forth. She essentially insists that there is a feminine way of writing which can be accessed through a rekindling of the female body that can lead to abolishment of pervasive phallogocentrism and thus lead to new ways of thinking and living. From the first paragraph onwards, women’s writing is sited as both redemptive and dominant.
Melissa Febos' essay "The Wild, Sublime Body" demonstrates the complexity of the human body and the societal norms that attempt to control it. Her argument centers around the idea that the human body is a powerful and untamed force that should be embraced, rather than repressed, and throughout the essay, she uses personal anecdotes and vivid language to persuade her readers to reconsider their relationship with their bodies. In a world that often seems obsessed with body perfection and control, Febos' essay offers a refreshing and powerful perspective on the importance of embracing our bodies as they are and not caring about the societal norms that surround them. This essay will analyze the persuasiveness of Febos' argument and explain her
In a way it is like a cyclic recurrence where she finds that she must transform the image of herself yet again for she is not fulfilled by her own role as a woman. By becoming a biological mother for five children and a mother substitute to numerous others not her own, Marie Lazarre begins to encompass this maternal ideal, a person that has adopted the “mystique of feminine fulfillment [...], the cherished and self-perpetuating core of contemporary American culture. ” We witness Marie’s capacity, resilience, and strength to fulfill the role of Nokomis and the stereotypical woman during the birth of her first born son, Gordie. Marie movingly depicts the pain that she suffered during labor, describing the contractions as if she was allowing her “body to be driven by waves, like a boat to shore, like someone swimming toward a very small light.” And it is after the birth of her son that we observe this connection between her mother in that they “shared the same boat, where [Marie] had labored.”
Imagine being told as a female in today’s world you must look or act a ¬¬certain way in order to be accepted. Being what you want to be is not allowed and changes have to be made in order to be included. They say “pain is beauty, and beauty is pain” as they way a woman looks today are completely different from ten or even fifty years ago. In this paper, the reader will understand the mind of a woman in today’s society and the difficulties to be not only accepted but being her own person as well. Not only has the appearance of a woman changed but also role titles and job descriptions as well.
Never having a boyfriend, she wants to be desired by men and worries that she is a lesbian since she does not look like a typical female. She tries to find a boyfriend since “[his] acceptance of [her] would guide [her] into...femininity,” but her plan to be accepted seems to backfire when she becomes pregnant by a guy she does not love (280). Marguerite hides her pregnancy until the baby is born because she is scared that others will not accept her since she is becoming a mother, something different that she has never been. Marguerite goes through her pregnancy alone, just like she feels like she has gone through most of her life (McPherson, 33). Once the baby is born, she is scared of hurting him but soon realizes that her motherly instincts will guide her.
During the 1840’s, the roles of men and women to their communities became defined by the social and economic changes around the world. The role of women averted from assisting their husband in their jobs to attending primarily to their domestic duties at home. The crucial fact of what Victorians thought of as the “separate spheres” define the natural characteristics of men and women in society. Women were considered to be physically weaker than men however they were morally superior to them due to connections to the domestic sphere in society. Needless to say it has always been the duty of women to balance the duties of obliging to commands made by men and being a mother.
Introduction “The Body and the Reproduction of Femininity” from Unbearable Weight: Feminism, Western Culture and the Body by Susan Bordo (1993) introduces the discourses around the female body, and the different perspectives that influence this body. She goes on to explain that the body is a medium for culture, from which contemporary societies can replicate itself. In addition, Bordo (1993) provides continuous insight on how women have changed throughout the years to be more within societies norms, and how they have transformed so much to manage their bodies to becoming desirable within the culture. Throughout this essay, I will be explaining how women have for centuries, used there bodies as a means to rebel against these norms that have been placed upon them, such as being a typical housewife. For years, women have been discriminated against and unable to speak their opinion.
Social forces are common in cultures all around the world. Whether it is the compulsion of women to get married and have children or the thrust upon men to be adequate in supporting such families, there is clearly a boundary line that has been created between genders and what is expected of them. Judith Lorber’s “Believing is Seeing: Biology as Ideology” claims that gender is socially constructed. This theory illuminates a study on recreational steroid usage by Matthew Petrocelli, Trish Oberweis, and Joseph Petrocelli, titled “Getting Huge Getting Ripped: A Qualitative Exploration of Recreational Steroid Use.” By using Lorber as a frame to analyze Petrocelli’s work, I have concluded that expectations embedded in bodybuilding result from