Bitzer's Literary Analysis

For whole creative activity Bitzer experimentings with different combinations of sculpture, drawing, pictures, photos, shapes, and painting to increase variousness of mediums, styles, shapes, genres and other. Always he uses a range of different elements that consist of personal, historical, fictional references, that in tandem create a sort of sprawling installations. There is always strong physical and perceptual relationship between objects, expression, and their surrounding space. His works have become multi -layered over the years while maintaining their focus on the construction and the reconstruction of reality (Artsy, 2015).

Continuing to expand upon his formal and conceptual strategies of engagement, Bitzer looks to Sigizmund Krzhizhanovsky's modernist short story, Quadraturin, as a loose framework for a new series of works that circulate around the author's allegory of radical alienation. Bitzer further mines the possibilities of temporal and spatial dissolution explored in recent works through using the narrative's interlocking motifs of increasing psychological and physical

While Dickinson was a prolific private poet, fewer than a dozen of her nearly 1,800 poems were published during her lifetime.The work that was published during her lifetime was usually altered significantly by the publishers to fit the conventional poetic rules of the time. Dickinson's poems are unique for the era in which she wrote; they contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality, two recurring topics in letters to her friends.Unfortunately, much of the power of Dickinson's unusual use of syntax and form was lost in the alteration (Emily Dickinson