Black Cultural Appropriation

Both racism and classism contribute to the cultural appropriation of black culture because culture is not always portrayed in the right context, often viewed as a negative or stereotype for the group in which the cultural component belongs to and white groups tend to capitalize on the appropriation of other cultures. The appropriation of black culture is nothing new, nor is black culture a trend or recent fad. The usage of elements of black culture through appropriation contributes to the marginalization of the people and some of the major forms of oppression, in particular racism and classism. Racism being a primary factor; it is a form of discrimination towards an individual or group of people based on their race. Classism playing less of

Where do we draw the lines between adoration and mockery, influence and appropriation, and individuality and stereotyping? Accordingly, the racial subject has always been a touchy topic to discuss, but with the lasting effects that the black minstrelsy has left in the society, we most definitely need to deal with the racial subject. Only this way can the American society move forward both as a nation and as a species, and through such efforts, only then can we ensure that such history can never repeat

In America, many people have their identity from their ethnicity, their religion, and family and culture from other countries. Sometimes this identity can conflict with living in America. Many people treat people with a different identity negatively. This is especially common for African Americans in our society. …………………………………………………..

This article focuses on the color-blind ideology that allows white people to participate in and appropriate hip-hop culture. Rodriquez notes that they do so by using the guise of inclusivity of all races to justify their participation in hip hop and to adapt characteristics of the culture without respecting Black identity. He uses his own interviews of several white audience members of hip hop concerts who identified as participants of hip hop culture. Rodriquez identifies two groups resulting from social collectivity to reinforce his argument: consciously collective white groups, who actively reinforce racial segregation and passively collective white groups, who unknowingly unite and reinforce systematic racism through their adherence to color-blind ideology. The participants of his research are part of the latter, who unconsciously reinforce systematic racism through treating cultural objects, namely aspects of hip hop culture, as shareable products and experiences.

There is a clear through-line in our nation’s history of blackface. As a detrimental tradition, the practice reflects a collectively low opinion of African-Americans, so much so that it became feasible to reduce an entire group of people to caricatures. When Rondrich describes minstrelsy as the “first truly American band” based on its origin within and its reflection of our past beliefs, I found it a sickeningly accurate statement. It is rather astonishing how music has been used to disseminate racially charged imagery—in this situation, Adorno’s fears of music perpetuating group-thought was startlingly supported.

The Impact of Hip-Hop Ever since its birth in the 1970s in West Bronx, Hip Hop has been known as “Gangsta” music and most commonly associated with black culture. Since its creation it has become a fast growing genre of music and has growing fame all over the world. The popularity of it has increased to all races, age and gender. However the growing popularity of hip hop has come with several controversies among scholars. Some scholars argue that the growing popularity of the genre is very helpful to low income families who can use this as their outlet into going to Universities, on the other side some believe associating the genre to black culture is bad for the culture as a whole and they should not be associated together.

Being black was "cool," unless you were actually black. We see this cultural appropriation heavily in modern trends. For example, black women have been chastised by white people for their bodies for the longest

Many people forget to realize that hip hop began as an outlet for African American and Puerto Ricans living in the South Bronx, so it was never meant to be something everyone should fear.

The ongoing problem of discrimination due to appearance has affected many, specifically black people. One of the most unusual things with no point or definition. This prejudice against black people has caused much unification within the United States. The lives of these black people have been severely affected, as it has affected their acts, appearances, and ways of life. As Brent Staples explains in his essay “Black Men and Public Space,” black people deal with many problems, from discrimination, and he explains these points in an orderly manner and each very thoroughly.

Hip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.

I think that hip-hop has had a huge effect on pop culture today and it has become very hard for young people to stray away from it because it can be found everywhere in society. These artists are being looked at as icons now and that does not seem to be changing for a long time to come. The types of images that are accepted in hip-hop are the ones that make you look as tough as you possibly can be. If you display a soft side at all you are frowned upon by society so it is very important for these artists to keep their tough guy image on them at all

In Nicole Fleetwood’s Troubling Vision Chapter 4 – “Iam King”: Hip-Hop Culture, Fashion Advertising, and the Black Male Body, Fleetwood examines the rise of the hip-hop fashion and its relationship to the black male body in the 1990’s. Fleetwood views the advertising strategies of Russell Simmons’s Phat Farm brand, and the public presentation of P. Diddy’s Sean John as sites of a “visual resignification” of the symbols, meanings and social conditions of post-industrial black life. For decades, racialized embodiment and self-presentation has operated as material limit and the prospect of black self-definition.

The Hip hop industry consists of mostly African American musicians. Since blacks are often alienated in society, their music seems to be too. People often give rappers negative labels such as “gangster” or “thug”, which are discriminatory words that people have often used to describe African Americans in the media. There is an everlasting double standard in music. as people bash rap music for being sexist and violent, other genres of music such as country or alternative have the same themes, but they’re vulgar lyrics go

It 's being portrayed that being a man equals violence, poorness, being from the hood, can not be a sucker or you 're going to be tested, have your game face all the time, showing no emotion, and when they pick up a microphone they are a totally different person than who they really are. It was once said, ¨We teach boys to be afraid of fear, of weakness, of vulnerability. We teach them to mask their true selves, because they have to be a hard man. ¨Men want to have so much power, but they don 't have any power at all. The hip hop artist just has physical power over their body and how they display themselves, so they dress certain ways to get respect to feel powerful which also is hypermasculinity.

What seems to us now as excessive violence and misogyny in hip hop stems from a culture that has been consumed in a continuous battle against social and economic oppression since its early days. In the beginnings of hip hop, there was an explosion of defiance against the subjugation these artists had to experience on a daily basis. For many artists, rapping about guns and gang life was a reflection of daily life in the ghettos and inner-city housing projects. Not only did rap provide an outlet to voice the struggles of black youth, it also gave them a sense of pride. Before major hip hop groups such as NWA arrived on the scene, people would refuse to admit they were even from Compton.