Black Masculinity Analysis

Gender rules the world in mainstream America whether we like it or not. As we look through our gender glasses we see gender on an individual level that we also categorize. In the movie “Tough Guise 2- Violence, Manhood & American culture” we see some of the oldest perspectives know in gender; femininity and masculinity. When we talk about masculinity in America today we theorize that violence that happens more often than we like, from mass shootings or crime in general, including rape and murders in the real world and in the virtual thrill world of videogames and movies we find a parallel connection of masculinity as violent. Even though an overwhelming majority of violence is committed by men and boys we as americans rarely connect gender as a major key in violence. But when we lay out the plane lines about culture of violence were almost always hinting that it is a masculine trait that is a taught behavior. The modern society has conjured up the idea of the ideal man, that showing emotions is wrong but one must be charming, seeming smartish but more of an attitude of control showing that manhood has a hierarchy. Weakening the not so tough guy, society giving them labels to show they are outside of the gender binary. Giving american men the natural behavior to want to produce a manhood that is harsh but welcomed We see this want cultivated in today's pop culture from movies to tv shows that have hypermasculinized the idea of the ideal man being a womanizer on sexual conquest leading men in the real world to feel lonely because they can't meet the ideals men's quota.

In white scripts and black supermen: Black Masculinities in Comic Books was about the early representation of black male superheroes and how the structural obstacles and systemic racism effect comic in the 1960 to 1976. They discussion about characters such as Black Panther, Tyroc, john Stewart, Black Lightning and Luke Cage. The spoke analysis each characters about where they come from and what they meant to children and adult who grow up with them. It also providing primarily black youth with the opportunity to see themselves in the world of superheroes.

In my opinion the false masculinity concepts from 2003 stated in Season of Life are still alive and even worse. From a very young age, children have the wrong idea what it means to be a man and chances are they never will. There is so much pressure on young kids to compete and be better than others. Often, you are only compared to someone else and because of this, young men come to false conclusions about manhood. Over time, they believe that masculinity is about athletic ability, sexual conquest, and economic success. Now with the evolution of technology the false masculinity has gotten even worse.

Authors always have a message they wish to instill upon readers. That is, of course, the purpose of writing: to eloquently devise a message that can be easily interpreted by the public so that they can develop a better understanding of something that an author represents. The success of an author, then, in creating a powerful message, manifests itself in whether or not those who read the message decide to take action on the issue presented by the author. The success of Brent Staples in “Black Men and Public Space,” and Andrew Sullivan in “What is a Homosexual?” in conveying their messages come from the ways that the authors utilize various rhetorical devices and tone, elements which help to solidify the purpose of their essays. Overall, “Black Men in Public Space” proved to be more successful in conveying its message clearly and concisely, stemming from Staples’ manipulation of rhetorical devices and tone.

Rather than a single standard of masculinity to which all men and boys are taught to aspire to, studies have documented a variety of masculinity that define manhood differently across racial , ethnic, class, sexual , and regional boundaries.(Kathleen Blee) In this quote the author states that due to intersectional differences, different racial groups of men might have different definitions on what it means to be masculine and what it means to perform masculinity. Gender roles are also modified by life experiences over time across racial groups. In the next images I presented are all images of my guy friends and cousins. More specifically they are all images of African American males in my life choosing to participate in gender and masculinity. I noticed that all of these boys and men tend to pose in pictures the way that they view is the most masculine.They often hold up the middle finger, or throw up gang signs, or make belief signs in pictures to appear manly and more like thugs despite the fact that none of these boys are in any type of affiliation with local gangs. I also noticed when showing affection these men do not hug often instead to show friendship they do them in funny elaborate handshakes or daps which only happen in the black community. I know all of them very well and not any one of these male figures can be called actual “thugs”, in disregard to the pictures they are all extremely normal, kind, and good hearted people. And I found it very interesting that their ideas of masculinity differ far more greatly than that of a white male around their age. It all comes down to how what type of ideas they have of being masculine.The male figures represented by African Americans in the media are usually negative. Movies and music tell African American males that masculinity is in drugs, sex, violence, and gangs. The poses they

Since the beginning of American culture, it has been tradition for rich white men to oppress and dominate in order to gain and maintain power and control. This oppression began with the conquering of the United States and continued on for centuries. In the modern world, these men, many generations ahead, seem to be similarly programmed, and are still hungry for the things that fuel their ego: A healthy appearance, powerful social status, superior educational background, and a high-powered profession. These things are key ingredients for modern social superiority, a kind of superiority that seems to be the key for success in American society. And a kind superiority is something that the most power-driven men would kill for. In the film American Psycho, the director uses satire to illustrate the life of Patrick Bateman, a typical Yuppie in the 1980’s who is a monster because of his psychotic tendencies, which are influenced by his destructive male ego.

In Brent Staple “Black Men in Public Space” This story tells of a Black Man walking down the street late at night suffering from insomnia/ walking behind a white woman, who glanced back at him. Staples deal with the perceived aggression of black men, through the cultural misconceptions of white women. Staple’s article illuminated the ugly truths of human nature that resonated toward members of the African American community, In Staple’s excerpt he states “there seemed to be a discreet un-inflammatory distance between us”. The Caucasian woman looked back at him, no words were exchanged. The familiarity of this situation is uncanny. The majority of African Americans have experienced racism in one form or another.

Brent Staples in “Black Men and Public Spaces,” illustrates the inescapable prejudices and stereotyping that African-American men face in America. He does this by relating to his audience through his personal experiences with stereotyping, and sharing his malcontent on how these events have made him alter his way of living. From “victimizing” woman, watching people lock themselves away, and having to whistle classical music to calm the nerves of people around him; Staples builds a picture to help people better sympathize and understand his frustration.

Each day, millions of individuals around the world are exposed to media messages. Whether these messages are broadcasted through television, print media, or the Internet, the dominant culture has an undeniable influence on the minds of the general public. With the tactical use of both apparent and subliminal messages, the thought patterns of many individuals have been moulded to believe only one perception of what is morally acceptable. The ideology of masculinity, and the guidelines surrounding its validity, is one of the many societal norms constructed by the media. Over the past fifty years, men’s physiques, weapons, and vehicles, among other things, have undergone a massive transformation in published works.

One of the biggest things the human race has created is society. How humans live, how they interact, what customs they follow, all of it becomes a part of society. But many negatives have arisen from society as well such as: hate crimes, racism, discrimination, and much more have all taken root in society. The roots run so deep that most modern day citizens are not even aware of their own preferences. One of the worse roots being stereotypes. Stereotypes have the power to label someone and rob them of all their hard work or strike fear into others. One such stereotype is that of black men being more dangerous;yet, one black writer voices his opinion on such a stereotype. In the essay “Just Walk On By” by Brent Staples, Staples describes his experience of being a large black man and how it affects the people around him. From people locking their doors to pedestrians crossing the street to avoid a confrontation, people seem to be afraid of Staples just from a glance. Yet Staples does nothing to cause this fear, rather his stereotype is to blame. The message Staples wants to convey in his essay is that almost all people have to carry the burden of the stereotype they have, and he pushes this message through his use of ethos and pathos.

Though Brent Staples writes “Black Men in Public Space” in essay form, and Toni Morrison’s “Recitatif” is a short story, both authors explore similar ideas about race, the power of racial stereotypes, and the harmful effect of them. Staples use of irony, and Morrison’s symbolic use of metaphor shows that every situation has multiple perspectives and to not look outside of one individual experience can often induce one to accept stereotypes as full truths. As Staples discusses the stereotypes attached to black males, he writes about “the alienation that comes of being ever the suspect”(2). The word suspect literally means a person thought to be guilty of a crime or offense, but here it is used in an ironic perspective. Staples really wasn’t

“I refuse to accept the view that mankind is so tragically bound to the starless midnight of racism and war that the bright daybreak of peace and brotherhood can never become reality… I believe that the unarmed truth and unconditional love will have the final word.” - Martin Luther King Jr. Grace Hsiang in “FOBs” vs. “Twinkies” demonstrates the interracial issues happening in the Asian culture. Hsiang displays the interracial matter with the Asian culture and its complexity to embrace all sides of the community. She chooses diction in her writing such as discriminated, marginalized, pressure, and dichotomy to project the tone of her writing. While the article Black Men in Public Places illustrates the stereotypes and intraracial issues within the black men community. In both of these articles, the authors show similarities of discrimination however the articles highlight differences using diction, anecdotes, and tone throughout their writing with the soul purpose to account for racism. The authors write and project towards a certain audience to acknowledged the racial issues the people are still facing.

Will society ever view African-Americans as people and not as less than? In “Chokehold” Paul Butler will discuss this very idea depth. Butler provides history on why and how society sees African-American men as violent thugs. Butler goes on to explain in detail how the chokehold plays a part in oppressing African-American men and how to avoid the ramifications of the Chokehold, if possible. In the last chapter, Butler provides various ideals in effort to rid the Chokehold in its entirety.

This is the case that is made by Danielle McGuire in At the Dark End of the Street: Black Women’s, Rape, and Resistance-A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power. In this text, the author expands the discussion of the challenges that African American women contended with prior to and during the civil rights movement during the mid-twentieth century. The author argues that the rape and sexual violence that was prevalent during this era and its impact on Black women received minimal attention. The organization and activism that was fueled by women was similarly minimized (McGuire, 2010. Historians have documented how men have been affected by the topic of rape and violence in relation to white society

¨If Hip Hop has the ability to corrupt minds, it also has the ability to uplift them.¨ Hip hop music, also called rap music, is a music genre developed in the United States by African Americans consisting of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. Mainstream hip hop culture is also filled with misogyny and negative images of women. These artists are unaware that sexism has been forced onto them through the brainwashing from the media, which is controlled by a patriarchal society. Conversely, feminism is the belief that both genders should have equal power. Mainstream hip hop culture contradicts feminism because it degrades women, promotes male dominance and hypermasculinity. On the other hand, feminism focuses on equity for both genders.