Patriarchy and Race within the Masculinity of the Black Male
In Chapter 4 of the book, We Real Cool, bell hooks discusses how books and articles always convey the message that Black men are out of control, wild, uncivilized, and violent. She continues on to express the notion that due to being labeled as beasts that lack emotions by Whites, Black men internalize and claim it as a mark of distinction, as the edge that they have over White males. After reading this chapter, I noticed that she is exactly right and in today’s society all those traits of how Black men are violent, emotionless, and controlling are combined into one word: “hypermasculine”. Hypermasculine has no concrete definition; it is an idea that connotes an individual as
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The distinction between the two is a subtle and complicated one. What I mean by this, is that there is hardly any room to critically think and examine masculinity in the language outside of a patriarchy. A lot of Black individuals view hypermasculine as a code word to attack Black men’s masculinity. This term has been used so much by the White community, that the Black community adopted this term and also uses it to describe Black men. As stated before, this term has no set definition. For instance, this term is often applied to black male rappers. When applied to them, I think of their demeanor and their lyrics as promoting violence, being domineering, and being sexually explicit. However, hypermasculine in this context cannot describe a Black male who has some other profession such as a teacher or construction worker, yet these Black men are still labeled as hypermasculine as well. With that in mind, it’s safe to assume that the standard for masculinity is based off middle-class, White men. Nonetheless, even when White men display exaggerated forms of male characteristics, they are seldom referred to as hypermasculine, but if a Black male display the exact same behavior, it is as if the country clutches its pearls and is in fear of the “hypermasculine” Black …show more content…
It is engrained in every male through patriarchal socialization that men are responsible if you are able to obtain a job, bring money home, and make sure your family remains comfortable. This is easier said than done for Black males. White males are more readily available to obtain these goals because they are granted with the opportunities. Conversely, due to poverty and a lack of job opportunities have presented Black males are prevented from gaining this sense of responsibility. Owing to the fact that, they cannot fulfill this role, they spend their lives feeling inadequate, and their manhood has yet to be affirmed. So yes, White America, is not forcing the Black male to act a certain way explicitly, but it has shaped what one must have in order to be a man. It also has disable the limited number of Black men who want to rebel against the systematic structure and reinvent the criteria in which one much have in be a man, to be responsible, and what it takes to invent one’s life. It has disabled them because Black males are unable to think creatively due to White America only providing narrow life scripts shaped my patriarchal thinking. Therefore, Black men are ingrained with this notion that they have to portray themselves as hypermasculine in order to be respected by everyone despite the
Though Brent Staples writes “Black Men in Public Space” in essay form, and Toni Morrison’s “Recitatif” is a short story, both authors explore similar ideas about race, the power of racial stereotypes, and the harmful effect of them. Staples use of irony, and Morrison’s symbolic use of metaphor shows that every situation has multiple perspectives and to not look outside of one individual experience can often induce one to accept stereotypes as full truths. As Staples discusses the stereotypes attached to black males, he writes about “the alienation that comes of being ever the suspect”(2). The word suspect literally means a person thought to be guilty of a crime or offense, but here it is used in an ironic perspective. Staples really wasn’t
“I refuse to accept the view that mankind is so tragically bound to the starless midnight of racism and war that the bright daybreak of peace and brotherhood can never become reality… I believe that the unarmed truth and unconditional love will have the final word.” - Martin Luther King Jr. Grace Hsiang in “FOBs” vs. “Twinkies” demonstrates the interracial issues happening in the Asian culture. Hsiang displays the interracial matter with the Asian culture and its complexity to embrace all sides of the community. She chooses diction in her writing such as discriminated, marginalized, pressure, and dichotomy to project the tone of her writing. While the article Black Men in Public Places illustrates the stereotypes and intraracial issues within the black men community.
Over the existence of the United States, blacks have had to face oppression due to the prejudices views held against this. America views every black person as the same and judges them based on the actions of others. It is for this reason that all blacks are judged based on the book of a cover without being able to show the world who they really are. As Norman Podhoretz stated in his Essay “My Negro Problem - and Ours,” “growing up in terror of black males; they were tougher than we were, more ruthless...”
Using several examples, my intention is to first bring attention to the fact that black men are feared in public spaces and then demonstrate how the United States government uses fear as a form of social control of black males. Through the use of unjust laws and policies – namely the government’s role in the creation of poor black neighborhoods and their targeting black men during the war on drugs – the U.S. has been implementing racial inequality and creating stereotypes. As stereotypes about black men are created and perpetuated, innocent men are viewed as a threat and treated as
Stereotypes have the power to label someone and rob them of all their hard work or strike fear into others. One such stereotype is that of black men being more dangerous;yet, one black writer voices his opinion on such a stereotype. In the essay “Just Walk On By” by Brent Staples, Staples describes his experience of being a large black man and how it affects the people around him. From people locking their doors to pedestrians crossing the street to avoid a confrontation, people seem to be afraid of Staples just from a glance. Yet Staples does nothing to cause this fear, rather his stereotype is to blame.
This has led to the belief that African American women hold character traits that are more masculine in nature and are viewed as being stronger, reliable and independent; while African American men display feminine traits and are seen as the weaker sex with negative characteristics such as undependable and unemotional. It is understood that there is a greater sense of egalitarian gender roles amongst the African American community in comparison to whites in the United States. With African American men having a more liberal view towards the gender roles of women more so than white Americans (Kane,
It all comes down to how what type of ideas they have of being masculine. The male figures represented by African Americans in the media are usually negative. Movies and music tell African American males that masculinity is in drugs, sex, violence, and gangs. The poses they
“Black Men and Public Spaces” Diagnostic Essay Brent Staples in “Black Men and Public Spaces,” illustrates the inescapable prejudices and stereotyping that African-American men face in America. He does this by relating to his audience through his personal experiences with stereotyping, and sharing his malcontent on how these events have made him alter his way of living. From “victimizing” woman, watching people lock themselves away, and having to whistle classical music to calm the nerves of people around him; Staples builds a picture to help people better sympathize and understand his frustration. Although Staples describes himself as a college graduate, a journalist, and a softy in the face of violence, he details that the overall public deems him a dangerous criminal.
Will society ever view African-Americans as people and not as less than? In “Chokehold” Paul Butler will discuss this very idea depth. Butler provides history on why and how society sees African-American men as violent thugs. Butler goes on to explain in detail how the chokehold plays a part in oppressing African-American men and how to avoid the ramifications of the Chokehold, if possible.
Frederick Douglass’s “What the Black Man Wants” captures the need for change in post Civil War America. The document presses the importance for change, with the mindset of the black man being, ‘if not now then never’. Parallel to this document is the letter of Jourdon Anderson, writing to his old master. Similar to Douglas, Mr. Anderson speaks of the same change and establishes his worth as freed man to his previous slave owner. These writings both teach and remind us about the evils of slavery and the continued need for equality, change, and reform.
Since the beginning of American culture, it has been tradition for rich white men to oppress and dominate in order to gain and maintain power and control. This oppression began with the conquering of the United States and continued on for centuries. In the modern world, these men, many generations ahead, seem to be similarly programmed, and are still hungry for the things that fuel their ego: A healthy appearance, powerful social status, superior educational background, and a high-powered profession. These things are key ingredients for modern social superiority, a kind of superiority that seems to be the key for success in American society. And a kind superiority is something that the most power-driven men would kill for.
But, while early childhood is undoubtedly a crucial period in the formation of gender identities, masculinities and femininities are being created and recreated throughout the lifecycle: confirmed, negotiated and modified on a daily basis” (Jackson 201). Therefore, masculinity is a theory like feminism deals with the status of men in a particular society. It questions the power relation of masculinity in a given context. The study of masculinity theory is always relational with women, gay, tough guy etc. Masculinity study is a new field of study which emerged in 1970.
It 's being portrayed that being a man equals violence, poorness, being from the hood, can not be a sucker or you 're going to be tested, have your game face all the time, showing no emotion, and when they pick up a microphone they are a totally different person than who they really are. It was once said, ¨We teach boys to be afraid of fear, of weakness, of vulnerability. We teach them to mask their true selves, because they have to be a hard man. ¨Men want to have so much power, but they don 't have any power at all. The hip hop artist just has physical power over their body and how they display themselves, so they dress certain ways to get respect to feel powerful which also is hypermasculinity.
According to the Oxford English Dictionary, masculinity is “the assemblage of qualities regarded as characteristic of men.” Yet when people think of the word, a more abstract concept comes to mind. Masculinity has come to be defined as an impassive, strong, brave man, often described as a “real man.” Although masculinity is, by definition, the qualities associated with being male, in the popular imagination, it has come to signify bravery, toughness, and an impassive demeanor. Popular culture has contributed greatly to the perceptions of masculinity in our society.
Although this social norm has taken on different meanings throughout the evolution of mankind, its dire consequences arising from its pervasive influence remain largely the same. The strict dichotomy between male and feminine traits that characterise hypermasculinity then lead to extreme actions that are undertaken in order to live up to perceived societal