The film, Moonlight, demonstrates the complexity of black masculinity by characters, Chiron and Kevin, conforming to the norms of what it means to be a “man” or “masculine” by society’s standards; more specifically black man and their sexuality. Black men are stereotyped to be violent and hypersexual. Kevin promotes hegemonic masculinity (a practice that justifies men's dominant position in society) throughout the film, one in particular when he asked Chiron, “Why you always let people pick on you, man?” accusing him of acting “soft.” Chiron replies, “But I ain’t soft” and in response Kevin says, “I know, I know. But it don’t mean nothing if they don’t know it.” Kevin then wrestles Chiron so he doesn't come off as "soft" in front of the other …show more content…
However, after Juan teaches Chiron how to swim, he explains the story behind his nickname ‘Blue,’ which was given by an old lady who said, “In moonlight black boys look blue. You blue.” After Juan tells the story, Chiron asks if he still identities with the nickname ‘Blue,’ in response Juan told him, “At some point, you gotta decide for yourself who you're going to be. Can't let nobody make that decision for you.” Chiron takes this under-consideration and then rejects the nickname ‘Little’ and take Juan’s advice, the audience knows this because the next chapter called “Chiron.” He took control of his own identity in this part of his life. Although, at some points during the second part, Kevin calls Choron “Black.” Somehow promoting the concept of the tough-guy image, which Kevin frequently enforces Chiron to do so. Naturally, Chiron questioned Kevin when they were on the beach together, “what kind of dude goes around giving other dudes nicknames?” The final chapter of the film, titled “Black,” after the nickname that Kevin gave him, Chiron chooses to keep the nickname, despite what Kevin did. During this part of the movie it is clear that Chiron likes the hardness and harshness that the nickname “Black” leds on. This is him complying with hegemonic masculinity our society continues to promote. It’s hard to tell whether or not Chiron is ever in control of his own identity, it seems as though his identity is shaped by other and how they perceive
Though Brent Staples writes “Black Men in Public Space” in essay form, and Toni Morrison’s “Recitatif” is a short story, both authors explore similar ideas about race, the power of racial stereotypes, and the harmful effect of them. Staples use of irony, and Morrison’s symbolic use of metaphor shows that every situation has multiple perspectives and to not look outside of one individual experience can often induce one to accept stereotypes as full truths. As Staples discusses the stereotypes attached to black males, he writes about “the alienation that comes of being ever the suspect”(2). The word suspect literally means a person thought to be guilty of a crime or offense, but here it is used in an ironic perspective. Staples really wasn’t
By taking ownership of a word that is used to negatively depict, debase, and demean African Americans, Gregory empowers himself and shapes a different
Society should not base masculinity with these traits since it is learned by observation and demonstration, and this leads men to disconnect their emotions. The author is trying to take away the blindfold on society's eyes because there is an injustice towards men and woman. These aspects of masculinity are how men are taught to be, but if we remove, eliminate, or ignore those aspects and misconceptions men will express their emotions openly without having to restrict themselves and be able to fit in society or at least feel like they are a part of the society. As you can see these views make men disconnect with their emotional side Jensen mentions this when he gives the example of his friend that worked on Wall Street and his friend described it as “coming to work as like walking into a knife fight when all the good spots along the wall were taken” (131). If we stop identifying masculinity as conquest, men would stop trying to be competitive, dominant, and even violent men might not need to always be on their guard to keep this appearance all the
In “To Be a Man,” Julie Burrell claims that there are two types of masculinity present in Lorraine Hansberry’s A Raisin in the Sun: Mama’s version of masculinity that’s rooted from “a life-affirming Black tradition” and Walter’s version of masculinity that’s dependent on earning money for the family. (3). Initially, in Hansberry’s play, Walter was solely focused on acquiring power through wealth; however, with the decision he made to move into the white neighborhood in the end, he had grew out of his mindset of having a “capitalist masculinity.” Burrell stated that “Walter's newfound manhood...allows him to support the dreams of the women in the household against the obstacles of racist and sexist oppression"
By the color of your skin people, others make good or bad accusations about you. For Staples, he was walking in an affluent neighborhood, behind a women. She quickly glanced at him, then picked up her pace of speed to get away from him. Soon the women was out of his sight. He noticed that she ran away from him just because he was an African American man.
Robert Wood traveled to Uganda in search of how the AIDS crisis had effected the men and women in the town of Bwaise. In his book AIDS and Masculinity in the African City: Privilege, Inequality, and Modern Manhood, he found that this crisis along with growing women’s economic opportunities have posed a threat on men’s sense of masculinity. These men are experiencing an identity crisis within their life because ideals in their work, authority, and sexuality are beginning to shift. This threat to a man’s masculinity is not only in Bwaise, but also in America. Gender equality and feminism have been on the rise and some men have felt threated by it for the same reason the Bwaise men feel threatened; it takes away their power and masculinity.
Similar to Sapolsky, Katz argues that the media teaches men from a young age to be tough, aggressive, and not to show emotional vulnerability. This is what he calls the “tough guise” or the artificial definition of manhood that forces men to conform to society’s expectations by being “tough” and powerful and hiding their emotions. In the beginning of the film Katz shows interviews with various young males where he asks what it means to be a man, and all of them provide an answer referring to strength, such as “powerful,” “intimidating,” “strong,” and of course, “tough.” When asked what a male is called when they fail to live up to these expectations, the young men replied, “wuss,” “fag,” or “sissy.” Katz points out that this just one of numerous methods that society uses to contain young men in this “tough guise” box, using insults to drive them to perform the way they believe a man should.
Man vs. Society is a type of conflict in the book “Night” written by the late Elie Wiesel. Life was harsh for the Jews in the concentration camps; it was so harsh both Jew and officer lost their humanity. One of the few people who kept their humanity was a Dutch man. He never insulted any of them; he even tried to free the Jews. Sadly he was caught and hung.
Rather than a single standard of masculinity to which all men and boys are taught to aspire to, studies have documented a variety of masculinity that define manhood differently across racial , ethnic, class, sexual , and regional boundaries.(Kathleen Blee) In this quote the author states that due to intersectional differences, different racial groups of men might have different definitions on what it means to be masculine and what it means to perform masculinity. Gender roles are also modified by life experiences over time across racial groups. In the next images I presented are all images of my guy friends and cousins. More specifically they are all images of African American males in my life choosing to participate in gender and masculinity.
After viewing Moonlight, which was personally my favorite film of the year, I choose to analyze the scene when Blue takes Chiron to the ocean and teaches him to swim (17:20-19:30). This scene first drew my attention because of Blue’s character. The dynamic of a crack dealer with a heart-of-gold has this duality about it where my heart tells me to love him as a person, but my head tells me that this person is Chiron’s mother’s dealer, and I should despise him for it. Yet, when I watch this scene I can’t help but think of how much I love Blue as a character. He is able to fill in for the role of a father figure, and teach Chiron about life.
“Black Men and Public Spaces” Diagnostic Essay Brent Staples in “Black Men and Public Spaces,” illustrates the inescapable prejudices and stereotyping that African-American men face in America. He does this by relating to his audience through his personal experiences with stereotyping, and sharing his malcontent on how these events have made him alter his way of living. From “victimizing” woman, watching people lock themselves away, and having to whistle classical music to calm the nerves of people around him; Staples builds a picture to help people better sympathize and understand his frustration. Although Staples describes himself as a college graduate, a journalist, and a softy in the face of violence, he details that the overall public deems him a dangerous criminal.
Americans Stereotypes: Loosening stereotypes Americans are always scared when they see a black man and think about them trying to harm them. Actually, that isn’t always the case and isn’t the case a lot of the time. Brent Staples in his writing Black Men in Public Spaces shows some of the societies stereotype issues. Americans should stop stereotyping blacks, not purposely go around them at night, and he shouldn’t have to whistle to make people comfortable around him. Americans put stereotypes on different ethnicities.
Throughout the book Things Fall Apart by Chinua Achebe, there are many references to the protagonist’s necessity to be recognized for his masculinity. Okonkwo, the protagonist, despises his father for his unsuccessfulness, and Okonkwo is motivated to become a prosperous man. His fear of being weak determines his actions in difficult situations, which causes an internal conflict. Eventually, this fear overwhelms Okonkwo, and he commits suicide. Okonkwo’s desire to be masculine in opposition to his father creates an internal conflict established in his fear of being thought weak, which ultimately leads to his death.
The movie Moonlight is about a protagonist named Chiron, who struggles with his identity. The movie is structurally broken down into three stages of Chiron’s life, his childhood, adolescent, and adult life. Chiron is an African American male struggling with self-discovery and confusion regarding his masculinity and the world around him, which consist of drugs, poverty, bullying, and aspiring to uncover his true sexual identity. Chiron’s characterizations are timid, quiet, shy and vulnerable. He is extremely quiet and expresses much of his feelings through nonverbal communication.
In The Sun Also Rises by Ernest Hemingway, the main character, Jake Barnes, is experiencing life post World War I. In a war that denounced faith and integrity, Jake becomes troubled by the concept of being part of a world without purpose. As a result, he starts drinking heavily along with his friends, who are also experiencing the same problems. However, no matter how much these characters drink, they cannot escape their sadness. To add to this purposeless life, Jake also struggles with male insecurity which all the veteran males struggled with after the war.