Ridley Scott’s 1982 ‘Blade Runner’ is a mysterious film set in futuristic LA in the year 2019. Technology is incredibly advanced and capable of creating robots called ‘replicants’, which are almost identical to humans. Replicants are stronger than humans, have limited emotions and a life span of only four years. It has been argued that the way Blade Runner portrays the female characters is sexist and outdated, especially as seen in 2017. The unfavourable treatment of the lead female roles is continuous throughout the film, especially since they are all replicants and therefor artificial. The characters Zhora and Pris are both highly sexualised throughout the film, their deaths are also the most brutal and Rachael is seen as a woman who uses her sexual allure to her advantages.
-doesn’t look good to audience
Pris is described in the film as a ‘basic pleasure model’ and Zhora is presented as an exotic dancer, both highly sexist jobs for female characters. Pris also manipulates a male character, Sebastian, with her charm and sexuality to get what she wants for her greater good. Both characters wear very revealing clothing, if any, and are very open about their bodies, Zhora first appears in the film
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Zhora dies, running from Deckard as he chases her through the streets. The chase ends in Zhora being shot multiple times in the back as she crashes through panes of glass. Pris’s death is quite different, she is hiding in an abandoned building when Deckard enters, searching for her. Pris is hiding, pretending to be a mannequin when she is found by Deckard. She fights Deckard but is unarmed and gets shot multiple times until she is dead. These are the most gruesome and awful deaths of the film as the characters were not trying to cause harm to any humans, they only wanted to extend their life span.
Each of these concepts are utilized at the advantage of men, and the disadvantage of women, and has shown to provide detrimental consequences and results for women in society. However, in this film, and other films by Tyler Perry, appear to take the added step to combat these aspects that are present in the media’s portrayal of women. While these are present in the movie, he often makes a point to combat it with an inverse portrayal of each
In the reading for this week, Friedlander discusses how the rise of female musicians in the early 1960s reflected the sexism inherent in society at the time through the labelling of talented performers simply as “girl groups” (pg. 72). This term infantilized artists like The Ronettes, The Shirelles and The Crystals, and by extension, implied that rock music was still a male domain. This is supported by the fact that the production teams behind hit records such as ‘Be My Baby’ were predominantly male. According to Friedlander, if a “girl group” achieved a million-seller record in the early 1960s, they would collectively only receive around $30,000-$40,000 to split between members thanks to a 3-4% royalty rate (pg. 74). Although singles like ‘Da Doo Ron Ron’ (The Crystals) and ‘Baby, I Love You’ (The Ronettes) involved little creative contribution from the performers (both of these examples were produced and co-written by Phil
The female characters in One Flew Over The Cuckoo’s Nest can be split into extremely different categories. Throughout the movie, the men encounter different types of roles played by women. The way each type of role is treated by the men are noticeably different. These roles are still played by women till this day. Women either are depicted as powerful and emasculating, or a men's toy.
Furthermore, several societies persist in viewing women as inferiors and correspondingly these women have few to no rights. One of the valuable traits of science fiction is its ability to teleport its reader into a different world. The SF genre often sets stories in temporally or spatially different places. This difference is typically enough to provide “elements of instability and uncertainty” (Wolmark 55) where “reconstruction of gender can take place…‘elsewhere’”
In the movie “A League of Their Own”, one can see how the more sexist views of the culture in the 1940s and 50s in America was present in the Girls Professional Baseball League. “A League of Their Own” is a movie about what was once the “All-American Girls Professional Baseball League” which was formed when the young men were sent over to serve in World War II. One of the most obvious cultural views that this movie shows is the feminizing of the baseball players to make them “more acceptable and women like”. Unlike men’s uniforms, that include a full shirt and pants, they were to wear skirts that were very short, too short to play baseball in comfortably. This alone shows how this league was just as much about show as it was about the women’s talent.
Burak defines gender socialization as “the process of interaction through which we learn the gender norms of our culture and acquire a sense of ourselves as feminine, masculine, or even androgynous” (Burack, 1). According to Burack, people of different genders behave differently not due to biological factors, but due to socialization that teaches individuals to behave in a particular way in order to belong to a certain gender. For example, women may tend to be nurturing, not because they are biologically programed to be caretakers, but as a result of society teaching them through toys and media to act as mothers. In this way, gender becomes a performance based on expectations rather than natural behaviors or biology, a phenomenon called “doing
Rear Window by Alfred Hitchcock depicts men and women in the 1950's and how they are different and the same when representing their gender roles. There are circumstances in the movie where the gender roles change and switch around. When jeff has a broken leg he needs two women to help him around the house. Nurse Stella and his girlfriend Lisa both take pride in taking care of jeff. There were many different roles depicted in the movie, there were happy couples, sad couples, happy singles, and sad singles.
While some differences between Blade Runner and Frankenstein are evident the similarities are quite clear. In both works the common theme is the hubris of man and how we try to play god and change nature. One of the main differences between these works is the time in which they take place. Frankenstein is the story of Victor Frankenstein who in his youth and arrogance believes he can play god and reanimate the dead. To this end he builds a giant monstrous cadaver of different parts that he recovered from other bodies, he assembles this and uses lightning to try to reanimate it.
The killings display barbarism as there is a lack of compassion or sense of sympathy. For example, after Lemon´s death when Rat Kiley randomly started to shoot at the water buffalo, ¨He shot it twice in the flanks. It wasn't to kill; it was to hurt.¨( O'brien 75). There was no remorse for the baby buffalo as it laid their suffering from the pain that was inflicted on him, Although, this is how Rat releases his emotions from the death of his best friend and is the only way he knows how, it has a negative outcome on living things surrounding him. This concept of dealing with pain is unorthodox as in the real world and doesn't usually happen.
In contrast to the twentieth century we still see some of this in our current day and ages. Contrasting portrayals of men and women in films leave us with the fact that we haven’t changed. Men and women are sought to have different gender roles within
Eliza Penn Gender roles in the mid-1900s held a prominent place in society because they defined an individual’s behavior and outlook. In A Streetcar Named Desire, by Tennessee Williams, two of the protagonists, Stanley and Blanche, strongly represent and embody the extremes of masculinity and femininity. Stanley exemplifies the strong and aggressive male in the 1900s, while Blanche represents the frail and superficial woman. When these two types of characters are placed in close proximity to one another, the results can be devastating. Tennessee Williams wrote this play in order to demonstrate what happens when Blanche, a feminine woman, and Stanley, a masculine man, are brought into conflict; when these extremes clash, it can result in violence and the shattering of an individual’s defense system.
Ridley Scott’s ‘female buddy movie’ Thelma and Louise centres around issues of male dominance and the freedom of release from society. Thelma (Geena Davis) and Louise (Susan Sarandon) are women suppressed by the men in their lives. They take a vacation to escape for a few days and after an attempted rape and murder they end up fugitives on the run for their lives. This unintended event ends up being for them the best adventure of their lives, as they are able to divest from the rules of society and become the independent women they are. By subverting the traditional role of gender in the genre, the film shows how feminism impacted the film industry by challenging Hollywood and the gendered myths and social patriarchy, providing women with a voice, and changing how spectators view how women are looked at through women’s eyes and their experiences.
One of the most important functions of Terminator 2 and Blade Runner within their Science Fiction subgenre is their portrayal of ‘The Other’ or the nonhuman. In this particular case, we are talking about the Terminators and the Replicants and how they are presented in the films. The Terminators are classified as cyborgs in Terminator 2, whereas Replicants are androids which are based on Phillip K. Dick’s novel Do Androids Dream of Electric Sheep?. The terms android and cyborg are completely relative to how the films present them and have a debated definition within the sci-fi community. However, the Terminators are machines that are made in the likeness of human beings.
Lady of the Flies While reading any novel, watching any movie, or generally just enjoying any sort of story no matter what type of media it is conveyed through, the listener may often ask questions of what could have been. That is to say that they ask themselves what new or different direction the story might go through if one or more certain qualities of the story were to be changed or reversed. One common question, or trope, that comes up is if what if the genders of the main characters were changed from boy to girl, or vice versa? In a novel like Lord of the Flies by William Golding, which contains an all male schoolboy cast, this is bound to be asked.
Charlotte Brontë´s novel Jane Eyre is considered one of Britain´s most classical literary work. The story consists of a hybrid of three genres, the Gothic novel, the Romance novel and the Bildungsroman and many critics have praised the novel. Though, the novel got a great deal of good criticism in contemporary time, its immediate reception was controversial. The story plays out during the Victorian period in Britain where the social norms were strict and there was a big gap of equality between the genders. This essay will analyse how the gender roles are portrayed and if they are modern or traditional.