The look of the image from the film has a buttery and soft look also the colors are just beautiful actually were compared with the eyes. Third, film has visually beautiful grain than digital. One poorest things about digital is also the best things about the film, the grain. The grain that gets from the film is much finer looking and natural than digital, and it adds to the quality and personality of the photo.
This creates a contrast with the darker and lighter parts of the scene, and creates the subject of the scene to be hidden in the shadows. This lighting technique is perfect for a gangster film such as the Godfather. Francis Ford Coppola’s has made apt use of lighting in this scene. In this scene, almost all the frames are low lit, especially the scenes where Don Corleone’s eyes are darkened.
Throughout the movie, high angle, low angle, and etc. are used. One commonly used angle is the low angle shots help Westley seem more robust in a difficult situation. During battles or the quest, low angle shots emphasize Westley’s superiority. This shows his heroic and powerful personality and lets us feel very comfortable around him. In contrast, he is never vulnerable to anyone and the need for high angle shots are minute.
Night and Day In the great history of man, there is no event committed as gut-wrenchingly ignoble as the Holocaust. Therefore, conveying the devastation and emotional trauma on a believable and personal level is a sign of fantastic writing, which can be seen in Elie Wiesel’s Night. Moreover, to take this awful situation and put an almost light-hearted twist on it is also increasable, which is seen in the film “Life is Beautiful.” Accordingly, both of these mediums portray main characters that are in concentration camps, but present them in varying ways that create stories that feel completely different.
The story itself is also a bit creepy and dark, childhood experience, and classic kid horror. Burton uses those styles to empathize the mood and tone. Today, the topic will be about those cinematic
Before we even meet Jeff Bailey (née Markham), he’s already being pulled back into the grimy, dark world of his past. As a noir, this film has everything — a hard-boiled detective, a catastrophic return to the underbelly of crime, the irresistible tug of fate, snappy, cynical dialogue spoken in a cynical world, a flashback, a twisting, complex plot, incredibly expressive lighting and cinematography, a femme fatale so horrible, she makes Phyllis Dietrichson look like a sane and reasonable role model, and cancer-by-osmosis levels of smoking. Like other noir we’ve seen, it doesn’t conform neatly to one genre. There’s violent crime, yes, but there’s also pure romance (from Ann’s point-of-view) and comedy. But first and foremost, what makes this film a true noir is its roughness.
Many of the shots of the character Edward begin with his hands and then move up his body. These closeups of Edward’s omenes ependiges make the entire seen to come slightly frightening. In the film the music is a chorus of voices that seemed to be imitating angels. Tim Burton did this to show that despite his appearance Edward is a good natured soul that only wants to be apart of the town. In his film Tim Burton uses darkness to show the unknown and that which the audience cannot understand.
but then people come into the house. Just like in Tim Burton’s movie Beatlejuice. Beatlejuice along with other films are mainly gloomy storylines with low key lighting and dark colors but he turns them into enjoyable movies for kids and adults to watch. Tim Burton uses lighting and colors to convey dark, mysterious style like in his films Edward Scissorhands, Corpse Bride, and Beatlejuice.
Dark, foreboding alleyways, creepy villains, and sinister music are all things one would expect to find in a Tim Burton film. But do you know why? Every aspect of his films are carefully thought out to give off a specific effect. One example of this is how Burton uses camera angles and lightings to create an ominous and lonely mood in his films, because he wants his audience to connect with the strange, or “different” characters.
Cinematography plays an extremely vital role in the scene, it allows audiences to feel as uncomfortable as Elliot does within the scene, through methods of adjusting tonality, speed, perspective, and framing. Elliot’s discomfort in the scene is palpable as ET approaches him, and cinematography aids the scene’s purpose in the film. The first extremely relevant part of the cinematography of the scene is the tonalities that range within the shots. The beginning scene shows a perfect eerie night with clouds in the air, dark corn fields, and the light from the flashlight. The shed is one big light source in the scene, since there isn’t a lot of light that is around at night.
Sure the last act has a mixture of CGI and Practical thrown in, but by and large the film just relies on tension. The not seeing being what scary. Though this abandon during the last section of the film, when the film quickly devolves into a creature feature. A good one
In contrast, the biggest difference between the two is what I previously stated. One in which was District Nine was a work of fiction partly based on what really happened in District Six. In Nine, when they were evicting the aliens they would find weapons that could only be used by the aliens. Also, the aliens made a spray that was used to move their spaceship that was hidden underground.
High key lighting is used in this scene during the moment where the slaves begin to bathe themselves before being auctioned. McQueen uses this lighting to exhibit the setting they are in. The light highlights there features but does not over enhance their bodies. Rather the lighting is full but drab, in that it does not show contrast or much difference in each of the persons. This use of high fill light allows the viewer to see the area in which they have been put in, but does not provide detail.
Donnie Darko is a fiction movie written and director by Richard Kelly and release for a sci fi, drama, tragedy, romance and thriller. It is a serious exploration of physical and metaphysical reality. This movie explains the meaning of madness, the ability to perceive the divine, and the possible overlap between them. This complex demonstration can be translated as heroism and sacrifice in the everyday life of Donnie Darko. The movie is centered around a young 17 year old biy names Donnie Darko.