THE MENTAL INSTITUTION OF NEW ORLEANS
NAME OF PATIENT: Blanche Dubois
DATE OF BIRTH: 22/10/1920
OCCUPATION: Unemployed
SEX: Female
AGE: 28
CRIMINAL HISTORY: vulgar relationship with her student, hotel charges were not payed.
CELL PHONE NUMBER: (504) 7654-8647
ADDRESS: Elysian Fields, New Orleans, Los Angeles, The United States of America
DATE OF ADMISSION: 2/11/1948
DATE OF EVALUATION: 12/11/1948
DIAGNOSIS: Palinacousis, hallucinations, phengophobia, social appearance disorder or gerascophobia, pseudologia fantastica, histrionic and borderline personality disorder, acute stress disorder (anxiety disorder), Post-traumatic stress disorder, alcohol abuse.
ANALYSIS OF MENTAL HEALTH:
Palinacousis: Blanche
…show more content…
Linking to her phobia of light(Phengophobia), Blanche refuses to be seen in the light. When blanche was admitted, Harold Mitchelle had informed the nurse that blanche had lied about her real age when they first met. So, this could justify her phobia of light as she doesn’t want to reveal her real appearance and the wrinkles on her face. When she first came I noticed that her face was packed with powder, and foundation, so that she could hide behind her facade. When the male nurse walks in, she tends to face the blinds, and switch of the lights, which is rather ironic as she speaks to them flirtatiously. Blanche could have Gerascophobia because she believes that if she exposes her real appearance, no one would want to be with her. Being in a relationship is her escape from reality.
pseudologia fantastica(mythomania): Blanche was described as a pathological liar by her brother in law, Stanley Kowalski and Harold Mitchelle. She presented herself from an elite class, elegant, and prim. She has lied about being an alcoholic and how she never actually lived in the flamingo hotel. Ms. DuBois also lied about why she really ‘quit’ her job as a teacher in the school she used to teach in. Ms. DuBois has made lying a part of her, in fact so much that she herself has started believing in them. Therefore, she must be treated with electric shock therapy to stop the pathological
…show more content…
and Mrs. Kowalski claimed that Ms. DuBois had shown drastic changes in behaviorisms and emotional swings. Blanche also gave herself every opportunity to make herself the center of attraction. According to Stanley, when she talks she only talks about herself. Stella also mentioned that when talking blanche manipulated her words in such a way that people were in a way obliged to compliment her. This diagnosis could also correlate with the diagnosis of Gerascophobia (fear of
It is what is haunting Blanche’s life, it is what has made her mentally unstable. Throughout the play, she has been hiding her past from people so she looks like
In the analysis of the abundance of wonderful leaders who made a difference in the African American community since emancipation, W.E.B Du Bois made a special impact to advance the world. From founding the National Association for the Advancement of Colored People, to his influential book The Souls of Black Folk, he always found an accurate yet abstract way of verbalizing the strives of African Americans as well as making platforms for them to be known. Although he had less power than most of the bigger named African American leaders of his time, W.E.B Dubois’ overweighing strengths verses weaknesses, accurate and creative analogies, leadership style, and the successful foundations he stood for demonstrates his ability to be both realistic and accurate in his assessment since emancipation. Though Du Bois did have a beneficial impact
The instances of “inhuman cries and...lurid reflections” (Source B) experienced by Blanche in A Streetcar Named Desire was the line for her sister, Stella. Blanche’s true accusations against Stanley Kowalski and his animalistic desires and her false ones against the successful Shep Huntleigh led Stella to believe she was insane and needed to be institutionalized. However, was this the best choice? Blanche did not seem to pose as a threat to anyone so was she truly in need of assistance?
There are several ways you could say Tennessee William uses the motifs of light and shadow throughout the play “A Streetcar Named Desire”. One of the most obvious is how both are used to convey the difference between reality and the fantasy world some characters seem trapped in. Reality is represented by light, under it nothing can be hidden. Whereas staying in the shadows allow one to hide parts of themselves they wish to keep secret and create a false sense of reality, a fantasy of who they want to be. Williams also uses light to develop the character of Blanche, who struggles with her past and aging body.
Many literary criticisms have been written about Blanche and how she tends to lie about everything in her life. “Blanche disguises her desperation with lies- about drinking, her age, her reasons for coming to New Orleans, her sexual experience.” (Dace n.p.). Dace clearly describes Blanche as a liar and describes the fact how she lied about everything from the smallest thing, like her age to something as big as the reason why she went to New Orleans. “... in spite of the fact she’s somewhat older than I.
5) What does Blanche do while waiting for Stella to return to her apartment? What does this reveal about her character? Blanche sat very stiffly and drinks. This shows that Blanche is a nervous type and a person who like to be in control due to lines like “Now, then, let me look at you.
She refused to leave him when Blanche insisted and didn’t believe Blanche when it came to her being raped. Blanche, Stella, and Stanley all have the same want to be desired. The ways they act and treat each other back that up. Blanche feels the need to be desired by everyone around her, Stanley by Stella and others, and Stella by Stanley. Their lives revolve around desire.
In A Streetcar Named Desire, the author Tennessee Williams exaggerates and dramatizes fantasy’s incapability to overcome reality through an observation of the boundary between Blanches exterior and interior conveying the theme that illusion and fantasy are often better than reality. Blanche, who hides her version of the past, alters her present and her relationship with her suitor Mitch and her sister, Stella. Blanche was surrounded by death in her past, her relatives and husband have passed away, leaving her with no legacy left to continue. The money has exhausted; the values are falling apart and she is alienated and unable to survive in the harsh reality of modern society. Throughout the novel Williams juxtaposed Blanche’s delusions with
Of course, this seems innocent, except when she continues to make the claim that, “I can’t stand a naked light bulb, any more than I can a rude remark or a vulgar action” (54). Blanche links together the light bulb with rudeness and vulgarity. She compares the two different things such as light, which is an indicator for innocence, and vulgar actions, which then she proves she has an extreme distaste for lighting. Presumably, Blanche believes her beauty is like the light, as she shows this when she frantically explains to Stella about how awful it was living back in Laurel, “I never was hard or sell-sufficient enough. When people are soft--soft people have got to shimmer and glow--they've got to put on soft colors, the colors of butterfly wings, and put a-- paper lantern over the light....
“The Great Gatsby” and “A Streetcar Named Desire” both focus on the common theme of pursuing goals and living the American Dream. As well as leaving behind the past and “turn a new leaf”. The main characters in each story, Blanche and Gatsby, both have dreams of wealth and great living.
When Blanche first comes to Stella’s house, she firmly demands Stella to “turn the over-light off!” as she cannot “be looked at in [the] merciless glare” (Williams 11). Although the light seems harsh, Blanche acts hardhearted and pitiless and could possibly be seeing herself in the glare. Blanche “cannot tolerate being seen in bright light” because she is “hypersensitive to her declining physical beauty” (Adler 30). In attempts to protect her own image, she buys a paper lantern to cover the harsh light in Stanley and Stella’s bedroom; Blanche’s mental state is “as fragile” as the paper lantern that protects her from her own reality (Adler 30).
These rumors were a threat to what she has created in order to help her with the chaos in her life. Although she tried to build a new life with Stella, Stanley never gave in to her act and was constantly suspicious of her actions. Stanley's constant investigations and interrogations on Blanche’s old life. This is a representation of reality is starting to creep in of Blanche's newly created life. From the beginning Stanley has doubted Blanche, this is seen as he went through Blanche's things with Stella, questioning her belongings, “has she got this stuff out of teacher's pay?”(2.33).
In Scene 10, Blanche is begging Stanley to let her get by and he is not moving to let her through. Stanley says that he thinks Blanche would not be too bad to interfere with in a sexual way going back to Scene 6, when he would walk through the rooms in his underwear at night near Blanche. Blanche complained about the little bit of privacy she had in the house and that was exemplified when Stanley later picked her up and carried her into the bedroom. Blanche had thought in the beginning that her situation was frightful, but never to the degree in which she experienced towards the end of the
Blanche’s suppression begins after Allen’s death. For Blanche his death opened up a floodgate of fear and desire which she could not manage. After Allen’s death Blanche was filled with fear, fear that she would end up alone and become a spinster. This panic "drove [her] from one [man] to another, hunting for some protection”(117). As well Blanche states that when she met her husband, she “made the discovery-love.
The 1947 play “A Streetcar Named Desire” by Tennessee Williams tells the story of the sweet, polite, but willfully oblivious Blanche DuBois’ difficult relationship with her rough & tough brother-in-law, Stanley Kowalski. When Blanche loses the family plantation, she travels to the French Quarter of New Orleans, Louisiana, to visit and temporarily live with her sister, Stella. Blanche is in her thirties and, with no money, she has nowhere else to go. Problems arise between Stanley and Blanche when Blanche begins a series of lies and half-truths, and belittles Stanley, labeling him as “common” and “barbaric”. Things escalate between the two because of Stanley’s drunken rage taken out on Stella, but also because Stanley begins to become suspicious and aware of Blanche’s many lies and cover-ups.