Tartuffe has an easy game with Orgon, whose blind faith and obsession render him an easy "bait to fish", in line with the Enlightenment Era, which challenges religious hypocrisy and irrationality caused by blind faith. Even the simple and linear structure of the play used by Moliere reflects the style of an era, looking for spontaneity and realism not only in the text but also in acting. Initially, Orgon praises Tartuffe without giving any proof as evidenced by these verses, “If you only could know him as I do, You would be his true disciple, too. The universe, your ecstasy would span. This is a man . . . who . . . ha! . . . well, such a man." At the end of the opera, Tartuffe is unmasked and loses all power over Orgon, who claims to have always doubted him, “Just stop a minute there! You move too fast! Delight and rapture? Fulfilling desire? Ah! Ah! You are a traitor and a liar! Some holy man you are, to wreck my life, marry my daughter? Lust after my wife? I’ve had my doubts about you, but kept quiet” (58). In contrast, the style of Goethe's Faust is fragmented and chaotic, responding to …show more content…
In Goethe's Faust, Mephistopheles is a sort of mirror that reflects the human smallness, which vainly tries to grab the elusive. FAUST What am I, then, if it can never be: The realization of all human possibility, That crown my soul so avidly reaches for? MEPHISTO In the end you are—just what you are. Wear wigs high-piled with curls, oh millions, Stick your legs in yard-high Hessians, You’re still you, the one you always were (442). In both works there is a blatant exposure of human fragility, easily deceived in the presence of a blinded obsession, with religion in Tartuffe, and highest knowledge in
One of the most well-known works of literature without a doubt is Willa Cather’s “Paul’s Case.” The story is famous because of the richness of writing that Cather employs in making a formidable story one that can help people understand the current times and the world in which we live in especially regarding naturalism and regionalism. This is an interesting story with twists and turns about a young Calvinist man, whom because of circumstances of life felt he does not belong to this life. Paul’s life is filled by people who push him to the limits and make him feel unwanted, among these are; his abusive father, the uncaring teachers and also his classmates that have greatly misunderstood him (Cather and Schlenk 19). It would be justified to say that this is a classic case study on temperaments.
The motif drives the plot and lets the reader analyze the developments that occur throughout both pieces of literature. The similarities and differences of the sins committed in both prose also allow the readers to see how differently the sin played a role in the treatment and development of the
I came into this village like a bridegroom to his beloved, bearing gifts of high religion; the very crowns of holy law I brought, and what I touched with my bright confidence, it died; and where I turned the eye of my great faith, blood flowed up. Beware, Goody Proctor---cleave to no faith when faith brings blood. It is mistaken law that leads you to sacrifice. Life, woman, life is God’s most precious gift; no principle, however glorious, may justify the taking of it. I beg you, woman, prevail upon your husband to confess.
Moliere states to the King: “ it is a piece of great temerity on my part to come and importune a great monarch in the midst of his glorious conquest” (Moliere, Second Petition). Moliere is captivated by the King and believes that he is not worthy of his time, but seeks assistance regardless. Orgon, in contrast, believes that
While reading Tartuffe, I was constantly dumbfounded by the prevalence in the world today of Moliere’s, comedically portrayed, accusations regarding ignorance in arranged marriage, social class dynamics and religious hypocrisy. Moliere created the characters to the complete contrast to what society saw them as, which was intriguing and comedic. He also displayed the average practices, such as planned marriage, to be disgraceful and shameful. Lastly, but most prevalently, Moliere saturated the hypocrisy of religion by later in the story revealing the religious character’s deceitful and malign nature. In this essay, I will be using historic and literary theory to examine Moliere’s interesting views of such practices and the satire involved.
As well as, this recognition of Tartuffe's false nature reveals the severity of Orgon’s arrogance. Moliere highlights within the second half of the play, the extremes of pride and how mankind struggles to face it. The theme of pride is accentuated by Orgon’s nature, especially, during
In Document 6, a monologue is taken from the play Faust by Johann Wolfgang von Goethe, which states, “I’ve studied now Philosophy and Jurisprudence, Medicine, and even, alas! Theology… And now I’m nearly ten years through… and see there’s nothing we can know.” The character in distress has forgotten to be spontaneous and spent his time researching a myriad subjects all to be disappointed by the outcome. The result of the character in Faust is what romantics tried to avoid by escaping to spiritual heights through their art.
The following passage is significant to the play ‘Othello’ in retrospect to the plot progression, as it reiterates themes and introduces important facets to the plot development. Through Iago’s cunning manipulation and Shakespeare’s crafting of language, this passage is constructed as a pivotal point of the play, marking the transition of Othello’s personality and revealing his deepest insecurities that eventually lead to his downfall and tragic ending. Iago wields a lot of power over all the characters throughout the play, but in this passage in particular he is presented at his most powerful. The passage is riddled with subtle suggestions and insinuations by Iago to raise Othello’s suspicions of his wife’s fidelity, opening with the admonition to “beware, my lord, of jealousy!
Relinquishing the selfish desires that consume one’s soul, result in a loss in
Values and beliefs are defining principles of the way in which we view a person, action or relationship. Often, we are encouraged to think again about these values and beliefs, after being exposed to challenging and insightful events, people, or material. William Shakespeare's tragedy, “Hamlet,” written in the Elizabethan era, encourages us to think about our values and beliefs surrounding revenge, love and loyalty. After examination of these concepts, the reader develops new insights into their values and beliefs, and come to fully support the statement that “ the most significant texts encourage us to think again about our values and beliefs.”
Throughout Molière’s ‘Tartuffe” the true intentions of multiple characters are consistently questioned. Different characters involve themselves in self-made delusions for specific reasons, causing the label of ‘hypocrite’ to become a significantly used word. This use of the word ‘hypocrite’ throws everything off balance, forcing the audience to question every statement/event deciding whether or not they are truly sincere. Moliere’s use of hypocrisy when describing Tartuffe brings immediate awareness to the text involving central theme of reason verses emotion, deciding whether or not a characters actions were based on their pure heart or their greed.
The enlightenment thinkers believed that each person should think for themselves and not believe everything based on religious beliefs. The citizens started to bring into the light the abuse of the clergy. This is evident in Tartuffe. The power of deception is seen throughout the play. Deception is not always bad.
Orgon is blinded by his admiration of Tartuffe. Without Orgon seeing for himself, he would never believe that Tartuffe could have deceived him. Moliere makes Tartuffe betrays others by his remarkable gestures of humiliation and aid. Moliere uses satire to emphasize the truth about Tartuffe’s lust for Elmire.
This can lead to extremism, which some might label as false piety or religious fanaticism. Looking at how these ideas might come into play can help us to better understand where Tartuffe and Orgon stood throughout the story, and to decipher what Molière was truly trying to project in this story of hypocrisy. Piety is defined as “devotion to God; fidelity to natural obligations; dutifulness