Introduction The concept of recording has changed drastically, evolving and developing throughout the years. This allows musicians to record any amount of music they wish. Albin Zak chose to discuss this subject in his article "Sound as Form" and dissects the concept of music recordings and what they are comprised of. Zak is of the opinion that musical recordings begin as "isolated elements" which combine together to become "the piece as a whole". Zak identifies Musical Performance, Timbre, Echo, Ambience and Texture as the five components that are present in a music recording. These five elements can be heard in the song "Blood on the Leaves" by the rapper Kanye West. West who has gained worldwide fame for his music showcases these factors …show more content…
West's music can be defined as the genre of Hip Hop, which includes music heavy in fast paced rapping (or singing), the instrumentation includes many electronic and synthetic elements and various cases of overdubbing of voices. West uses the sample of Simone’s rendition of "Strange Fruit" continuously throughout this track. Zak explains timbre with the example of “Zoo Station” by U2 by saying timbre “is the parameter that allows for the greatest range of experimentation in rock”. This can also be seen clearly in West’s music as this particular track is the product of mixing two genres together. Both songs come from different eras, “Strange Fruit” first released in 1939 and “Blood on the Leaves” released in 2013. Both songs may represent different time periods, however they join together to form a unique sound. Both songs take characteristics from their style and time and combine with the counterpart therefore creating a fusion effect. This demonstrates Zak’s theory as we can see West venturing outside of his typical style and adding variation to his sonic colour. This shows West’s ability to look beyond his typical style of hip hop and create a new sound using both new musical ideas and old familiar material to create a …show more content…
As previously mentioned, the track "Strange Fruit" performed by Nina Simone appears at various stages throughout the song. The two tracks are completely opposite in terms of texture. The sample of "Strange Fruit" is a single voice accompanied by a piano which can be described as a homophonic texture as there is a support system for the voice. West creates a rich intense atmosphere within the song using many instruments and different melodies and accompaniment which in turn produce a polyphonic texture as there are many ideas, melodies taking place within the song. West alternates between the two textures beginning with the homophonic sample of "Strange Fruit" then gradually adding more instruments together and then mixes the two songs together to create a fierce sound captivating his audience and holding their attention. West alternates between the two textures for example: At 2.49, Simone's solo voice can be heard singing "Strange Fruit" while West raps a verse with the support of the electronic section being played at the same time. In the last 50 seconds, the instruments begin to fade and disappear in stages from the song. Eventually, the only three instruments present are West's voice, Simone's voice and piano. West's voice gradually fades away and the texture is now the same homophonic texture that it began with
Among his many great compositions, his piece “Chant, Op 12, No. 1 "Nobody Knows the Trouble I've Seen" is one that has influenced many individuals. The form of the song starts softly with the low pitches of the piano and then the violin accompanies it. Around two minutes into the song, the pitches of the violin changes to very high pitched for about forty seconds, and then the song goes back to its normal texture until the song ends. The texture of the song is polyphonic. As the violin is the instrument that is the main instrument in this piece, the piano accompanies it with its harmony of low and high pitches.
Kanye West is our Elvis Presley. Much like how Elvis altered and spread rock n’ roll, Kanye West has laid the foundation for modern hip-hop. When I say Kanye West, you think of narcissism and ego and god-complex. You think of him taking to the stage to say that George Bush “doesn’t care about black people” at a Hurricane Katrina relief broadcast. You think of the 2009 VMA’s where he famously interrupted Taylor Swift.
Although Wong Kar-wai experiments with numerous elements of film in Chungking Express, one of the most notable aspects of the movie relates to sound. Using both diegetic and non-diegetic sound cleverly throughout the film, Wong creates an atmosphere in which his audience is able to form a connection with his four central characters. He commences what could be considered the first act of the film with dramatic instrumentals, introducing Michael Galasso’s “Baroque” as it is juxtaposed with chase scenes enveloped in the night and illuminated only by few vibrant colored signs of shops. The same instrumental song appears several times more, restricted to only the first act of the film and only establishing its presence during similarly action-oriented
Not only is she focusing on creating music, she is also tearing apart already written music and film sequences, recontextualizing them to form new images, sounds, and an overall experience. Her style isn’t commonly heard, especially as casual listening music.
"Music." 1 May 2006. New York Times. 7 March 2016. . Stieber, Zachery.
In a society where songs with meaningless lyrics and repeated phrases gathers the most publicity, it is surprising to find songs that exhibit meaningful lyrics and thoughts. Unlike most hip-hop songs that contain useless repeated lyrics, Kanye West’s 2008 hit “Heartless” contains lyrics full of meaning. After producing this song, he was starting to approach the zenith of his career. This song became an instant hit for not only its soothing beats or sounds, but for its impactful lyrics that take the listener multiple attempts to really understand. This song tells the story of a tragic breakup between two individuals that cannot seem to get along.
Behind every song, there is a story that summarizes an event that happened to the singer. The story behind Taylor Swift’s song “Bad Blood” is all about breaking the trust and cheating. The music video for the song defined the theme of the words and their meaning, and what I liked the most is that both the lyrics and the video have the same story. In my own point of view, I think that the music video and lyrics complete the song and make the song different and have a special taste. Both the video which represents Taylor Swift’s reaction toward the unexpected betrayal and the words of the song delivered a life message.
– she switches to a B melody: “And there was music…”. After one instance of the B melody, she returns to the A melody with a different set of lyrics: “There was love…”. After that, there is an instrumental break where the strings play the B melody. She then repeats the A melody with the second set of lyrics. The song ends with an 8-bar outro, near the end of which
The introduction of the piece is the same as that of “The Raiders March”, but with strings playing in the background. The A melody begins with the trumpet as the strings fade out (0:07). The first minute and a half of the song is played the same as that of “The Raiders March”, though due to differing sound equalization, some parts stick out more or less than they do in the original. For example, in the third repetition of the A melody, one can more clearly hear the xylophone accompanying the melody here than in “The Raiders March”. The piece begins to differ more significantly after the break following the third repetition of the A melody when the piece modulates down a half step instead of up like in the original (1:37).
Instruments are introduced at the beginning of new sections, such as the pre-chorus and chorus. Dynamics each verse begins in mp and increases dynamically to mf at the pre-chorus; there is a slow crescendo to f during the transition from pre-chorus to chorus. Tempo the tempo of this song is moderato at approximately 116 bpm, however it feels much slower due to the emphasis being on the 2nd and 4th beats rather than on the 1st and 3rd.
The melody of this song described as restlessly chromatic and undulating, a swaying Arabic-sounding tune. The melodic line is filled with emotion and oddly unbalanced consisting of seven alternating sections of held tones and movement. The harmony is added behind the melody is dissonant but simultaneously lush. The rhythm was played with in Ella’s version making the classic song her own giving the clarinet a smooth solo. The simple rhythm of the song has an AABA pattern it sticks too.
In some parts he also uses ironic phrases to help visualize the description being made. Tone shifts when the woman singer comes in
There have been many rap songs and albums that have been very meaningful, and have gained millions of fans that appreciate their music. For example, on Kendrick Lamar’s debut album Good Kid, m.A.A.d City, each song is a piece of his life story. He describes his struggles growing up in the ghettos of Compton, California. Kendrick addresses situations such as gang violence, peer pressure, and oppressed women. On the song “The Art of Peer Pressure”, Kendrick describes the inner conflict that he dealt with at a young age, trying to distinguish right from wrong in certain situations.
Through out the documentary, different scenes have background music that connects to what is happening. One example was a scene where Caroline is baking treats. Music was placed over top of the baking scene and was depicted as sweet, creating the vibe and sense of joy and innocence. The music placed in a cooking scene gave the impression of innocence and kindness that leads to having Caroline Grills, being kind hearted just as the music portrayed her to be. By including the joyful sweet music with Caroline’s case study; the composer has made sure that this is how the audience will sense both Caroline and her case, guiltless and kind hearted.
Piano and violins are in line with each other while the horn steadily plays offbeat in the ' 'though she feels as if she 's in a play. Through out the song, both string and horns come in without us noticing until the mood