Twentieth Century Body Image
At many points of a woman’s life, they feel doubtful of their body and of their beauty because the standards that are set by the media of today, and the media of the past. One cannot look through a magazine without reading an article title that has anything to do with weight loss or beauty treatments. Even in magazines from decades ago, beauty advertisements and articles on how to be the perfect size or shape, filled the pages. The media’s influence on women’s body image has been very severe on women for decades.
At the beginning of the twentieth century, almost every woman was concerned with obtaining the desired curves of the time. “Buxom ladies tortured their flesh to achieve the hourglass figure… all laced themselves so tightly that they distorted their figure into the exaggerated ‘S’ shape associated with the era... the ‘health’ corset produced a hand span waist…” (Thomas). The health corsets on the early 1900s actually allowed the wearer to breathe, a new privilege every other corset did not allow. The corsets that were required to build the curves of the Gibson Girl era required lots of time, effort, and money. Women could not get these corsets on themselves
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“Lipstick was seen as ‘good for the morale of the nation’... women were applauded for the use of lipstick… and adverts encouraged women to wear lipstick” (H&MUA Team). Women of the 1940s did exceptionally well with adapting to the years of war and rationing. Women balanced both a job and maintaining the household for the first time in decades. Nevertheless, women were still expected to please the male idealism by wearing makeup, especially lipstick. If one were to look at a magazine published in the 1940s, one would find a beauty related advert on almost every
Flappers also wore short skirts and dresses, which were considered scandalous and inappropriate for women then. The hemlines of their skirts rose above the knee, which was a shocking departure from the ankle-length skirts that had been popular in previous decades (Pruitt). Flappers often went without stockings or undergarments, further emphasizing their new sense of freedom and independence (Onion, et al.). Another notable aspect of the appearance of flappers was their bold makeup. They wore bright red lipstick, which was seen as vulgar and inappropriate for women, and they used heavy eye makeup to create a dramatic look (Spivack).
Karen Halttunen, author of Confidence Men and Painted Women: A Study Of Middle-Class Culture In America, 1830-1870, noted that “(a)dvice books, fashion magazines, and etiquette manuals cautioned young women against emulating the arts of the painted woman, sometimes a prostitute but more often a woman of fashion, who poisoned polite society with deception and betrayal by dressing extravagantly and practicing empty forms of false etiquette.” Likewise, the views towards red dresses and lipstick changed during this era as
Even though many things were in short supply, makeup was never one of those things. Lipstick was a boulder to what women called feminine during WWII, and after Rosie's poster, women became anchored to accessories like headscarves, keeping them in their glamor while in work conditions. And not just headscarves but some workers couldn't get uniforms, so the start of women's Pants was how women wore men's pants during the war because they had yet to be manufactured. So for the hard-working Rosies on the front line, they wore whatever clothing they could
Women had to get used to life without their husbands during world war I they explored a more creative side of themselves during this time, being unaware of the controversy that would rise from the ‘new style’. “Not everyone was a fan of women's newfound sexual freedom and consumer ethos, and there was inevitably a public reaction against flappers.”. Before flappers there were Gibson girls which were pictured as very polite and well-dressed women, as the norm changed from a polite and innocent girl to a more rebellious one, not many were accepting of this change. “Utah attempted to pass legislation on the length of women's shirts.
Part of the new style was the use of makeup. Wearing makeup before the 1920s was almost unheard of because the specific tools needed to apply makeup had not been invented yet. This made applying makeup very difficult to do, so many did not even bother with it. The movie scene was largely responsible for the uprising in makeup-wearing women. 1920s women wanted to look like the movie stars they grew to love.
After World War I, women’s fashion took a turn and prospered into an exciting and new vibrant style. Society previously held tight boundaries on how women should dress. There was no law to the way they could dress, but simply that their morals were tighter and they had an unspoken, common knowledge before the 1920s of how women should dress appropriately.
In the “Elizabethan Era” most people cared about their appearance. They would carry mirrors, combs, ear scoops, and bone manicure sets. Pale skin and dark eyebrows were a big part of the bizarre trend in the Elizabethan Era. Women would do anything to achieve pale skin. Not only was pale skin popular so was having long fair colored hair.
Fashion in the 1920s The 1920s was a revolutionary decade for women. In the midst of recovering from a war and preparing for the next one, women were having to save resources and take the place of men who were gone. This influenced women’s fashion and started a new way of thinking in the United States. Because of this new change, everyday women’s clothing became more practical and less showy.
With the traditional and guarded decade of the 1950s over, the 1960s gave way to vivid and showy wardrobes. As said in an article by RetroWaste, “It’s almost like the 1950s bottled everyone up so much that the late 1960s exploded like an old pressure cooker”. Women were showing more skin than ever before with their mini skirts and and dresses and men were certainly expanding their fashion senses as well. By 1961, fashion was slowly beginning to detach from the hold of the 50s and evolve into something that both men and women took pleasure in putting time and effort into. The costume look was a prevailing style for fashionable women of the early sixties.
The 1920s was filled with a lot of progression among society. This progression did not leave the women of the 1920s out. Women became more sexually liberated, more women began to work, and women were also given the right to vote. The 1920s are one of the most stereotyped decades in America. Not only were the 1920s stereotyped as a whole, but women we hugely stereotyped.
In the 1920s fashion was a movement of freedom with flappers, bobbed hairstyles and using art as a fashion statement. “Fashion should be stylish and fun,” (Twiggy). In any decade fashion was a way of saying something. One of the women’s careers was being in the fashion industry.
They started exposing more of their bodies, like their ankles and then their legs. Corsets were common among women. They were a type of body suit laced in the back, which was worn to enhance women’s hips and breasts, while making their waists seem as thin as possible. The use of corsets started in the 1800s and continued until the 1920s. (Cohen,1984).
In the year 1939, from the United States declaring its neutrality in World War II, to The World’s Fair opening in New York, to Nylon stockings going on sale for the first time, the subconscious push for a unified, American woman look was apparently vital to the morale of disenfranchised females across the US. Vogue played an instrumental part in revitalizing the feminine aesthetic of the 1903s, and 1939, in particular, played a pivotal role in the costuming for the coming
During the nineteenth century, corsets were really common among women. They were a type of body suit laced to the back, which was worn to enhance a woman's hips and breasts, while make her waist seem as thin as possible. The use of corsets continued till the 1920s, as it was later attacked for its restrictiveness, both in breathing and movement.
Between 1910 and 1920, fashion began to loosen up. French designers like Paul Poiret encouraged the trend after 1907 by designing women’s clothes for an uncorseted figure. Their clothes were softer in line and followed a woman’s body rather than forcing the body to conform to clothing as previous designers had done. Within a few years women could finally throw away their corsets–underwear garments with long laces that were pulled until a woman’s body was held in a tightly defined silhouette, then tied to keep it that way. Needless to say, corsets could be uncomfortable.