Abstract: This paper explore the issue of gender discrimination in Pakistani patriarchal society in a film Bol directed by Shoaib Mansor. Feminist theory is used as a major theoretical framework for this research. The paper is analyzed by the qualitative method and the descriptive analysis. Feminist Julia Kristeva’s assumptions regarding "gender discrimination" are involved in theoretical background. According to her, women have been reduced to reproduction and maternal function as presented in Bol movie. The character of Zainaib and her mother (Suraiya) is portrayed as a victim of male chauvinist society. Kristeva’s notion of abjection as a cause of oppression and discrimination help to shed light on the oppression and subordination …show more content…
When Islam does not discriminate against a woman and gives equal rights to it. Paper reveals the domination of men over women, women remain restricted within the boundries made by men of piety and honor while men hold the power to decide ultimately.
Story is about a girl zainab who is sentenced to death. As her last wish she is allowed to tell her story in front of media. Her parents had a lot of daughters and then her mother gave birth to a child who is transgender and named SaifUllah. Zainab got married and returned home after separation and meanwhile their financial situation deteriorated. She gets her mother operated so that she could no longer give birth. Hakeem sahib got infuriated after knowing the matter. One day Zainab finds Saifi dressed in women’s clothes and gets disturbed. Mustafa gets saifi to a guy who paints trucks. One day Saifi is raped and after knowing this Hakim suffocates saifi to death with a plastic bag. To keep it a secret he must bribe the police officer with two lakhs. He is forced to take money from masjid fund and then to go to Saqa kanjer in order to earn money to pay his debts back. The
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Later Meena comes to Hakim sahib’s house to give him the baby. Upon finding out who the baby was, Hakim’s wife screams at him and he beats her up. She tells her daughter what happened and Zainab that they will all leave the house. At night Saqa arrives to take meena’s daughter, hakim tries to kill the daughter but he himself was killed by Zainaib with a fatal knock on the head. They hide the baby and tell Saqa that Hakim killed and disposed off the baby. Back in the present, a reporter Rashida keeps trying to prove that Zainab is innocent but fails. Zainab says that why killing someone is a crime and giving birth is not. She said that she took revenge from her father. She asks why people give birth to children if they couldn’t feed them. She is then hanged. After watching this newscast the president schedules a meeting with the question asked by Zainaib. At the end everything changes and the rest of the family open up a restaurant called zainab’s
We get to know a lot about Amir, a young boy, and his father, Baba Throughout the story we see Baba’s gradual change in character, turning from the cold distant father he was to the loving and caring father Amir wanted him to be. Baba fills the hole inside himself that was dug by guilt in Afghanistan by learning to move on from his sins and build a relationship with his son in America. The loss of his wife, Sofia Akrami, created the hole. After her death and Amir’s birth, he felt such despair that he had an affair with his best friend, Ali’s, wife. This only created more guilt, as he impregnated her with Hassan.
Women’s rights has always been a prevalent issue throughout history, this topic was usually ignored and justified by men. However this all changes in the late 19th and early 20th century, when women no longer considered themselves the lesser gender, and those silly justifications by men are rebuked and found false. Two historic advocates for women’s rights were Sojourner Truth, and Bahithat al-Badiya. Though both women came from different backgrounds, they still held similar views on gender equality. Sojourner Truth was a former slave from New York.
After he talks to Rahim Khan, he tells him the Hassan not only his childhood best friend but his half brother. Amir tries to help Hassan's own son, Sorab, who is his nephew that is locked in a orphanage. He ends up finding out that a taliab took Sorab. He is shocked when he finds where he is. He finds out that the head person there is Assef.
Finally when he thought he couldn’t take the guilt anymore, he blames Hassan for stealing money from him and forces him out of baba’s house. Although he never sees Hassan again, he does not forget the terrible sins he committed. After years of holding the guilt of his doings, Amir sets out to seek for redemption. Amir goes back to where it all started, Kabul, to find Hassan’s son Sohrab.
The connection between the relationships of Hassan and Amir and then Amir and Sohrab thrive off of the conflicts and the recurring motifs throughout the novel. Amir lived his redemiton and his loyalty through Sohrab, trying to make what he did to Hassan feel like less of a burden on his shoulders. There are many different ways for one to redeem themselves, but there is no better way to show loyalty than to be present in a time of
The saddest part was that Amir was there watching from a distance and was unwilling to help his best friend due to his lack of courage and inability to stand up for himself. Up until adulthood, Amir had to carry the baggage of betraying Hassan by not being there when he most needed him, this guilt tormented him to the point where he moved to America with his dad, Baba, as a way to escape his
For the reason that Hassan was raped, Amir felt guilty and began regretting his actions. Every time Amir would do something mean towards Hassan, he felt guilty after the action. “‘Let’s see. ‘Imbecile.’
Afghanistan is a country full of social expectations and boundaries influenced by both class and ethnicity. Amir and Hassan come from polar opposite social backgrounds: Amir, a wealthy member of the dominant Pashtuns, and Hassan, a child servant to Amir and member of the minority Hazaras. Yet, as young children, it seems as though this difference is a mere annoyance rather than a serious blockade to their friendship. This all changes, though, when Amir makes a split second decision, a decision shaped by his unconscious desire to uphold their class difference. Hassan does everything for Amir, most specifically, he runs his kites, and when the town bully wants to steal that kite, Hassan resists even in the face of unspeakable violence.
This influences Amir to adopt Hassan’s son in an effort to right his wrongs and try to gain redemption. This is challenging for Amir as Sohrab didn’t talk and struggled with depression and suicidal thoughts which lead to him attempting to take his own life. His depression stemmed from watching his parents die and the torture inflicted upon him by Assef, who Amir describes as a sociopath, this is a public challenge faced by both Sohrab and Amir has they try to make his life better and help him endure this tough time in his life. This is shown with this line in the book, ‘"Because " he said, gasping and hitching between sobs, "because I don't want them to see me... I'm so dirty."
Amir’s internal conflict negatively impacts his characterization by characterizing him as fearful. Amir’s growth is marked by his reluctance to solve his past transgressions. Many years later, when he is about to marry Soraya Taheri due to Baba discussing with General Sahib about the matter, Soraya tells
In the progressive modern world, the ancient mindset of men’s superiority exists in many societies. Women who are opposed to such ideology are, in some cases, perceived as rebellious when words such as feminism has come to acknowledgement for over a century. Through the struggles that the characters of A Thousand Splendid Suns faced in the patriarchal Afghani culture, Khaled Hosseini delivers his feminist ideas. For her whole life, Nana endured the troubles given by men, and she is one of the “fallen female warrior” of the novel because she fought against the oppression and lost, due to the unfortunate circumstances of her life. Mariam also suffered the torments imposed on her by the men in her life, sharing a similar fate as her mother, Nana, in a way.
Rasheed however asks her to wear a burqa before going out. He makes it very clear to Mariam and later on to Laila, that a “woman 's face is her husband 's business only”. However when Mariam fails to bear a child, after several miscarriages, Rasheed begins to torture her both physically and mentally. Rasheed also becomes cross on Laila when she gives birth to a girl child. Later on Laila gives birth to a boy, but this does not improve her status in front of Rasheed.
Sohrab then becomes an orphan who lives in a cramped orphanage for awhile before Amir comes to adopt him. He is also “borrowed” by Assef to gain money for the orphanage he stays at and sexually abused multiple
Abstract: In most parts of the world, females have always been the victim of oppressive patriarchy and male chauvinism since ages. This problem has been represented by many people through various forms of creations be it art, literature or films. Films are the most popular visual mediums of entertainment through which a large segment of people can be approached. Like literature, a film is also a work of art which mirrors the society, it also depicts the reality of the society though it has some fictionality in it.
This thesis consists of Hanif’s portrait of women and their marginalized positions in the society and economic, social and religious pride and prejudices towards women in Pakistani society which is an important theme of his novels. He belongs to those who are proof of that some people can tell the truth more comprehensively and authentically with fiction than facts. In his second novel Our Lady of Alice Bhatti (2012), he discusses the battle and determination of a woman fitting in with minority goes out in a patriarchal society and endures accordingly. In a male dominated society women in Pakistan are in lower position than men , they are always on the periphery, and are subordinated to men and are in debased positions both within the house and outside the house. Alam (2011) shows by her study that women’s unequal positions contrasted with men make them weaker both out in the open and private circles.