Liam Herndon Ms. Walsh E12 21 December, 2016 Response of Susannah Cahalan’s Family to her Illness In her memoir Brain on Fire, Susannah Cahalan describes her descent into madness. While the rest of the world believes that she has succumbed to insanity, her family relentlessly supports her and refuses to lose hope in her mental state. Her family’s support appears to be the result of unconditional love, but it is actually rooted in their desperate desire for her to return to her former self. Susannah’s family members believe that, without their help, she cannot fully recover, and they will never again see the Susannah they loves. Her family’s actual attitude toward her illness is better represented by their initial reaction to it. At first, Susannah’s …show more content…
Her father, Tom-- the same man who reacted so coldly to Susannah’s illness a few days before-- suddenly becomes her protector and source of reassurance. He spends all his time at the hospital with her and fibs to her that he is sure that she will “make progress every day” (97). All of his words and actions are now attempts to comfort Susannah, despite his refusal to do so earlier in her illness. Even when his views do not change, he becomes more optimistic. He “ha[s] always distrusted medical authority” (22), for example, and he initially rejects the possibility that Susannah’s behavior is the result of mono or bipolar syndrome. When Susannah is hospitalized, he continues to disbelieve the doctors, but his doubt is different: he claims that they do not have enough hope for her. When Susannah hears that her ovaries may be removed, he expresses this belief to her, saying, “They have no idea what the hell they’re talking about” (160). Instead of rejecting the notion that Susannah is not at fault for her behavior, he now rejects the possibility that she will have to undergo an unpleasant, life-changing surgery. His distrust of doctors remains, but he shifts from ignoring claims that Susannah’s behavior is the result of an outside force to providing false comfort in the face of …show more content…
It is the result of its desperate wish for her to return to her former self. While Tom and Stephen constantly care for Susannah during her illness, they are not primarily concerned with keeping her happy. Instead, they are fixated on helping the old Susannah reemerge. Tom’s fixation on curing Susannah is most obvious. He “decide[s] that whatever happen[s], he [will] be by her side” only when he learns that without his help and support Susannah may be committed to a psychiatric ward, where she will not receive the same level of medical support (91). Susannah has been suffering in the hospital for days before he makes this decision, but, clearly, he is not primarily concerned with her suffering. Rather, Tom expresses a sense of urgency only because he wants her to recover before the doctors give up and her former self is forever lost. Likewise, Stephen is “[t]here for [Susannah] as long as [she] need[s] him” (93), but primarily seeks to salvage her former identity. The motivation is far more subtle in his case-- in fact, he promises to stay with her no matter how much she degenerates-- but he still shares Tom’s focus on helping her revover. His role during Susannah’s illness is not so much that of a comforter, but that of a tool to revive her former identity. In Stephen’s presence, the deviant, hysterical Susannah subsides as she “visibly relax[es],” becoming more resemblant of her former self (93).
In this chapter, Storr wrote more comprehensively about an idea which he addressed in the previous chapter: memory. He began by telling the story of Carole Felstead, a nurse who mysteriously died after cutting ties with her family for no apparent reason. After her death, however, Carole’s family discovered that she did so because she had a mental illness that they did not know about. This mental illness was apparently treated initially by Dr. Fleur Fischer, a woman who, upon Carole’s death, claimed to be Carole’s ‘next of kin.’ This raised the suspicion of both Carole’s family and Storr.
This happened only five years before the antibiotic that could have treated him and prevented his death came to be. In illustrating this story, she describes the event as one that “scarred his family with a grief they never recovered from.” (188) Through this story, as a reader, it is almost impossible not to imagine yourself in her shoes. That, along with the use of these very emotionally provoking words, she captures the audience from the beginning with this pathetic appeal that carries on throughout the essay. She goes on to appeal to logics as well.
“Get her out! Out! Says mother.” Being this sick, and knowing that there may or not be a cure, and knowing that there will be a long journey for whatever happens; May be a tedious idea. This fever is taking over people’s personalities, and bodies.
This is the case with Susanna, who is the autobiographical main character of the book. She provides a perfect reason as to why it is important that mental illness must be talked about more. Susanna is admitted to the McLean Hospital after she attempts suicide and is then diagnosed with borderline personality disorder. She is at first convinced that there is nothing wrong for her, which is something that many patients go through, and is one of the important reasons that mental illness should be discussed more.
This presents a huge shift in thinking for Stephen and places value on things that would not be helpful in his current environment. The connotation of the flowers alludes to beauty, delicacy, and love and they have a symbolic emphasis on the fact that they are fragile. Both the roses and Stephen are described with innocence. Stephen’s willingness to explore other perspectives and realize his own identity ultimately allows him to gain independence and make choices which reflect his personal truths. “When the Polack began to tremble and moan, Stephen hesitated for a long time before he reached out to wake him.”
Foster develops the concept that an illness is never just an illness in How to Read Literature Like a Professor. This is evident in Hurston’s Their Eyes Were Watching God through the symbolism of the illnesses that impact Janie’s life. Foster explains that a prime literary disease “should have strong symbolic or metaphorical possibilities” (Foster 224). Hurston utilizes this concept in her novel, the characters developing illnesses that represent Janie’s freedom and independence.
Insanity is a deranged state of the mind. Not everyone has the same experiences nor the same symptoms which lead to their mental disorder. In her story “The Yellow Wallpaper,” Charlotte Perkins Gilman presents a peculiar case of insanity. The main character is put on bed rest to overcome her temporary nervous depression. However, while being stuck inside the room, the unreliable narrator increasingly becomes more and more symptomatic.
Sarah Byrnes, a troubled girl, disfigured by burns she received when she was three, has always been a friend to Eric. Even when being overweight made him an outcast at school. Now, Sarah needs a friend more than ever. Eric, determined to find out the cause of Sarah’s hospitalization,
Treichler starts off her article by grabbing the attention of the reader adequately by presenting the controversial ideas of improper diagnosis by a domineering husband taking advantage of the time periods stereotype of hysterical women. She then persuasively depicts the setting of the story and adds some sympathy for the narrator who is being forced to accept her diagnosis. The introduction she gives is excellent because it provides the background information to the story and adequately prepares the points that she wants to get across to the
The poet successfully illustrates the magnitude with which this disease can change its victim’s perspective about things and situations once familiar to
Everything from how her interactions with her family to her perception of her environment and how it evolves throughout the story allow the reader to almost feel what the narrator is feeling as the moves through the story. In the beginning, the only reason the reader knows there may be something wrong with the narrator is because she comes right out and says she may be ill, even though her husband didn’t believe she was (216). As the story moves on, it becomes clear that her illness is not one of a physical nature, but of an emotional or mental one. By telling the story in the narrator’s point of view, the reader can really dive into her mind and almost feel what she’s feeling.
The story focuses on the main character who is a woman suffering from mental illness. It is very clear that the woman is ill when she states, “You see, he does not believe I am sick!” (677) speaking of her husband who is a doctor. So first she admits she is sick then later she states, “I am glad my case is not serious!”
The narrator is certain she is really sick, and not just nervously depressed as diagnosed by her husband, but she is confined by her role as a wife and woman, and cannot convince her relatives and friends that something is actually wrong with her. In the story the narrator says, “”If a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the
After she was released from Mclean mental hospital, she requested that she be allowed to see the diagnostic of the doctor. Kaysen knew she needed to go away for a little while and needed some help, but she always thought that she had received the wrong treatment and that there has been some sexism about the judgement made about her. Susanna wrote about her life in a curious mind set. She was never upset about where she was, but she never truly knew why she was there or how she actually got
She incorporates Swanson’s (1991) “Empirical Development Of a Middle Range Theory of Caring” processes such as knowing and being with, into her care and upholds patient advocacy, but she too makes mistakes that hinder Vivian’s wellbeing. Communication In the beginning of the movie, Doctor Kelekian