Grace Nelson
Art history
Onnica Marquez
19 May 2023
Final Art History
Non-Western art is art across countries not related to the United States. Non-Western art includes art pieces from China, Japan, Mexico, Egypt, and other areas. This kind of art is usually not simplistic and is quite intrinsic and unique. Non-Western art is a gateway to learning about other areas of the world that may be uncommon to people in Western countries. Non-Western is important to study because it gives one insight into other religions and beliefs, the history and culture of art in other countries, and one is exposed to various forms of art. Firstly, art from week 12 concerning Buddhist art and architecture will be used to discuss the importance of religions and other
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Aztec art is seen quite often in Western areas. Aztec art is a testament to the rich cultural heritage of the Aztec civilization, which flourished in Mesoamerica from the 14th to the 16th century. It reflects the artistic traditions, beliefs, and values of the Aztec people. Through their art, the Aztecs expressed their identity, social hierarchies, religious rituals, and mythological narratives. Aztec art is highly symbolic and filled with intricate iconography. It often depicts deities, mythological creatures, and supernatural beings. Aztec art serves as a valuable historical record. Aztec codices, which are illustrated manuscripts, offer glimpses into the everyday life, rituals, and traditions of the Aztec society, contributing to our understanding of their history and social organization. The Folio 2, Codex Mendoza, is a piece of art depicting the historical significance of the victory of New Spain (The Aztecs, 217). It provides visual documentation of important events, such as military conquests, royal lineages, and political alliances. By studying Aztec art, we gain insights into the complex belief system and cosmology of the Aztecs, their understanding of the natural world, and their connections to the divine. Aztec art showcases the remarkable technical skills and craftsmanship of the Aztec artisans. They mastered various artistic techniques, such as stone carving, metalwork, pottery, and featherwork. By studying Aztec art, we appreciate their advanced knowledge of materials, tools, and artistic processes, which played a crucial role in the development of their civilization. Aztec art has left a lasting impact on the artistic traditions of the region. Its stylistic elements and motifs can be seen in the works of subsequent Mesoamerican civilizations. Moreover, the study of Aztec art contributes to the understanding of the broader cultural legacy of
Mexico’s indigenous past is suggestive to collect the Chicano art to celebrate the work of Mexican artists and intellectuals. The turn of Mexico’s indigenous past is one of the most
During the Post-Classic period of Mexico, the Mixtec people accumulated a great amount of wealth, and became highly talented in artistry. The development of these art practices helped reflect on their political organization, religious practices, and social structure. In particular, Tomb 7 at Monte Alban has revealed a multitude of fascinating artifacts and remains from the Mixtec peoples. Tomb 7 at Monte Alban is one of the richest and most famous archaeological discoveries made in the New World (McCafferty and McCafferty: 1994) Along with a central noble figure and a few sacrificed servants, there lay many gold treasures, such as the famous Gold Pectorals, silver artifacts, turquoise mosaics, and fine jewelry (Coe and Koontz: 2013).These Gold Pectorals discovered both show the dedicated time it took to create such an intricate design, and significance it has to its
The sculptures towered up to three meters in the air and were nearly four and a half meters in circumference. Not only were they large in volume, but the stone heads dominated in mass. They could weigh up to nearly 40 tons, although it was rare to have many of them being that heavy.” Other art produced by the Olmec people were things such as wood carvings and cave painting. However, many of the wooden carving cease to exist, disintegrating over time, unlike the many cave painting created by the olmecs which still remain in caves that are now a part of the Mexican state,
It is important for other cultures to view Chicano art to see the daily struggles, at times they are often bypassed and forgotten. There is a part of San Francisco where these murals exist and where the Chicano culture is much alive, this is known as “The Mission”. Through the analyzation of these
Article review of Reinventing the Aztecs, Part one by Ronald A. Barnett Reinventing the Aztecs, Part one was a self-eluding article that really took away from the everyday knowledge of the Aztecs and let the reader really get into what the Aztecs were about music, spiritually and religiously from different ideas of poems and sacrifices. Throughout the article the reader listens as Barnett gives an insight of the many different rituals that were not usually given to the audience in a history book. For example most know the Aztecs for not being appreciated until several decades after the Spaniards destroyed the Aztec civilization but many don’t know that the Aztecs were extremely devoted to landscapes, and music as well as human sacrifices and
Colonial art includes the paintings, sculptures, and artifacts, both Catholic and secular, produced in Guatemala during the Colonial period (1524-1821).12 To understand how Guatemalan Colonial art came to exist, it is first necessary to introduce some aspects of the history of the country. Guatemala is a country very rich in history and culture.13 Before the discovery of America and the arrival of the Spanish conquistadores, Guatemala was the epicenter of the Mayan civilization that flourished 2,000 years ago.14 All over Guatemala there are vestiges of the Mayan civilization:' 5 in the highlands stand the ruins of ceremonial and fortress cities,' 6 and, in the northern region of Pet6n, the city of Tikal stands out as one of the most important
The Aztec sun stone is an essential artifact for our continued understanding of the Aztec
The Art is what significantly differentiate us from the other
Knowing that I am an arts ' enthusiast, she searched for local events pertaining to art and stumbled across tickets to this event on the OMA websites list of attractions. The intended exhibit of the Antiques Vintage and Garden Show was a bit of a snooze and we ended up spending over two hours in the room designated for the Pre-Columbian art works instead, which happened to line up with the time period of the art works studied in this course of Art History. Through my experience at this exhibit it was revealed to me the importance of the natural world in every Mesoamerican cultures form of art. Specifically, this was proven by the fact that the materials utilized were part of each cultures stomping grounds, literally, in reference to clays and ceramics, also by the subjects and scenes depicted in such works revolved around the natural environment at hand, and lastly shown by the value of animal life depicted through their representation and symbolism. As we entered a small, yet brightly lit room we were overwhelmed by the sheer quantity of authentic Mesoamerican art works and
While reading “The Trouble with (the Term) Art,” written by Carolyn Dean in the summer of 2006, we are taken through an array of different scenarios that lead us to questions what art really is. Dean explores the idea that the word “art” is used far too often and too habitually, and that as we study the non-Western cultures we need to use much more discretion regarding what we call the different pieces of their culture. Throughout the essay, Dean supports her thesis that we too often categorize non-Western pieces as art by using different examples of how certain non-art pieces were deemed as art throughout the course of their history. Dean does this by using four key examples of how these ancient pieces are inappropriately called art to successfully support her thesis and avoid biases.
Likewise, novels, genre, short stories, essays and plays have flowed from these pens of art was recognized by this language through the coming art forms. Chicano artists produced the bi cultural fashion that included Americans and Mexican influences. This Mexican fashion can be seen by their use of light colors and expressionism. This art has a very strong regionalist element that determines its
The disregard of the Mexica’s cultural roots from a Westerner’s perspective, generated interest from historians, revealing that their evidential name is Culhua-Mexica, demonstrating the immense impact the Spanish had onto the legacy of the Mexicas. Though many historians are attempting to restore legitimate
In the Chicano movement art was used through murals and poems to combat racism. The poem “I am Joaquin” was used to “exemplify the Chicano faith and strength of their community” (Quest for a Home Land). This was a tool to combat racism through the use of creative writing, thus showing the peaceful manner of the Chicano movement. The murals created by Chicano community exemplified their struggle in an Anglo American society and peaceful beauty of their culture that was once thought to be “savage and violent” (Mann, 15). In history our ancestor’s artistic expression was similar to the Chicano art to show our strength and pride of who we are, but early historians showed it as something “violent and uncultured” (Jackson, 10/20/15).
Aztec art such as pictographs, paintings and warrior drawings can still be seen on the walls of their temples and within their ancient
Octavio Paz, a Mexican poet and essayist, is one of the many philosophers with a written piece regarding his understanding of Lo Mexicano. Paz’s “Sons of La Malinche” was first published in the Labyrinth of Solitude in 1950 and is a rather grim interpretation of the Mexican character, however, it captures the crisis of identity that Mexico was burdened with after the conquest. Paz uses the Spanish term “chingar,” (when literally translated means “to screw, to violate”) and its associated phrases to understand the conquest and the effect