In the movie, “Bright Star” directed and written by Jane Campion, the writer includes the poem, “Bright star, would I were stedfast as thou art” by John Keats, to further emphasize the romanticism of the poem. The movie portrays the poem author, John Keats falling in love with the neighboring girl, Fanny Brawne. Nonetheless, Keats is a poet with no real success and has no money, so their future together is limited and disdained. With the hopes of becoming officially engages and getting married, Keats sets out to finish his latest poetry novel. However, during his trip Keats becomes incredibly ill, tuberculosis, he is recommended to go Italy in hopes of getting better, but tragically dies. The use of the poem in the film conveys, love has a …show more content…
Throughout the film, the idea the love is dependent on trust, especially times of solitude use to highlight the poem notion of mindlessly devoted love. The poem is stated completely in the movie, during the last scene and is the last thing spoken. Time after finding out Keats has died, Brawne goes for a walk in the garden reciting the poem. Campion concludes the film in this matter to further that love has no end, even in the matter of death. This thematic approach allows the audience to capture Keats purpose of the poem demonstrating that extreme emotions that love can have of one. By the film, having Brawne walk in the garden alone indicates that “like nature’s patient, sleepless Eremite” (Keats Line 4). The word “Erimite” can be taken to mean a hermit, suggesting that love can be a lonely task without sleep, but one worth doing. Further the idea that love in this sense can be a directionless road since there is no end goal of where she is going. Moreover, in the poem, Keats implies that love can be standstill. In the first line of the poem, Keats personifies a star and begins to speak to the …show more content…
Keats express that he had watched the star with “eternal lids apart” (Keats Line 3), and in the film, Brawne is being driven to a suicidal point after receiving a short letter from Keats expressing that “it’s all over” and give her a “knife” (Campion). The idea of “eternal lids” indicate that if he was to close his eyes that could end everything. Similarly, Brawne wanting to end her life because of the lack length of the letter gives the same theatrical approach. That even the mundane things, was watching stars or getting love letter the moment that stops can arrive a sense of lost in one’s self, further the theme of loneness. Also, in Keats poem, he wants to rather stay “awake for ever in a sweet unrest” (Keats Line 12). The word “unrest” just supposed to have a negative connotation has been reversed to be something to wish for, especially be including the adjective of “sweet” before. Correspondingly, in the film, the night before leaving for his trip to Italy, Keats and Brawne are lying in bed expressing that “touch has a memory” (Campion). Those two moments, although seemly different, related to each other because it conveys the idea that even when looking or touching those memories of each other will never be forgotten. Further expressing that love has no limits. As well as,
Numerous screenwriters and directors have often dealt in their films with the theme of borders, whether literal and officially recognised, like military ranks or state frontiers, or abstract and metaphorical, like those of morality, justice, race, and gender, along with several others. As a consequence, as John Gibbs points out, one could assemble these movies, especially those taking place on the confines between Mexico and United States, under the label of ‘border films’ (2002: 27); thus contextualising them in a very specific tradition, which includes pictures such as Touch of Evil (Orson Welles 1958) or The Three Burials of Melquiades Estrada (Tommy Lee Jones 2005). Accordingly, another notable movie belonging to the ‘border film tradition’ is Lone Star: an acclaimed 1996 hybrid of western and mystery film conventions, directed and written by independent filmmaker John Sayles. The picture recounts the story of a murder investigation, which leads the main character, Sheriff Sam
To conclude, both of the poems make their point, love cannot be defeated by distance. Moreover, John Donne and Anne Bradstreet prove with examples that love is so powerful, and by making that point, both of them are showing that their characters are going to be together no matter what. Probably they might find obstacles in their way; the physical presence does not matter and distance cannot separate what they feel for each other because their souls are going to be still connected just like one entity.
The movie Barfly stars Mickey Rourke as Henry Chinaski. Henry is an alcoholic and writer who spends his days abusing alcohol and fighting a man named Eddie at a bar in Las Angeles, he frequents. Henry is jobless, never cared about the American dream of becoming someone, and just the thought of trying to become someone to fit into societies normal role expectations makes his blood boil. Henry meets a woman in a bar one night, by the name of Wanda, who is played by actress Faye Dunaway. Immediately the two connect and begin a volatile relationship of arguing and abusing alcohol.
Freedom and Responsibility Freedom and responsibility are two directly related concepts that explored throughout many works of art. There are three different philosophical balancing acts related to this topic: conformity and free thinking, positive and negative freedom, and responsibility for others versus responsibility for yourself. To conform is to follow the group and to think freely is to allow one self’s thoughts to diverge from the group. These free thoughts can help one’s group to develop new traditions or can make the group more prone to throw out the free thinker, for disrupting the peace. Balancing these things can allow one to remain an individual while still belonging to one’s group.
This poem uses literary devices to describe and add more feeling the complexity of stars long gone, and human lives past. Quatrains one and the first stanza of quatrain two are the star stanzas, they talk primarily about the cosmos, “Glowing fission a
The second line of the poem brings out that aspect as it says “White stars is no less lovely being dark.” This line means that just because a person is black does not make them less beautiful. The readers can see how Countee Cullen’s was importance and is seen as being a big impact on the Harlem
This is seen in “A Song to Sing” when he says, “I love you in a place where there’s no space or time. I love you for my life.” It is seen in “The Canonization” when he says, “Call’s what you will, we are made such by love.” Both the poem and the song are about love. However, the speaker is trying to accomplish something different in each one.
The concept of time has always been known to assist people in healing. After all, “Time heals all wounds”. That is not the case in the sci-fi film “Interstellar” by Christopher Nolan. Time dilation is used as a negative element throughout the film which essentially puts the audience on edge. The film shows us a future where there is scares food supply, a collapsed economy and dust storms are the new norm.
Throughout the song, the use of anaphora is very prominent. In alternating lines of the first stanza the anaphora 'Some say love, it is a ' (v. 1, 3, 5), is followed by a different noun each time. Consequently lines 2 and 4 describe the action of each noun, also with the use of an anaphora, in this case 'That ' (v. 2, 4). Each noun used to describe love is a metaphor.
The poem is a long and narrative one, in which he talks about Medieval period including Paganism & Christianity, he was interested in Romanticism hence Love was a topic he mentioned in the poem, Nature, Magic, Legends and Rebels were also present which encompasses the whole story in the poem. Keats admired Shakespeare and he read Shakespeare’s work insightfully, illustrating the greatness of Shakespeare 's creativity. Keats describes this genius as "Negative Capability". It is the idea that man is capable of being in uncertainty or doubt without striving to change this condition through searching for conclusions or reasons or it could the ability to contemplate the world without the desire to try and reconcile contradictory aspects or fit it into closed and rational
She openly confesses her love for Robert Browning in Sonnet XLIII pondering “How do I love thee?” Before continuing to launch into an overwhelming exegesis of the bounds of her love for him and finally concludes “If God choose, I shall but love thee better after death” demonstrating the strong belief in religion during the Victorian era as opposed to the worship of material possession we see in society today. She believes that God’s power over the body and soul of a person in death is the only thing that is stronger than the love she exudes for Robert, but she still hopes that her love will only grow in the afterlife as she believes true love lasts forever and never changes in sonnet XIV “Thou mayst love on, through love’s eternity” the repetition of love highlights the significance of love to Barrett-Browning and refers the timelessness of love in which she believes, a life after death, she uses this to demonstrate her devotion to love and her belief in faith, which was key to the Victorian
The movie Spotlight, recounts the true events that occurred in Boston and were brought to light back in 2002. The movie talks about the massive cover-up scheme by the catholic church to conceals the fact that several priests were abusing and had abused hundreds of kids without any action from the Archdiocese. In this paper I will summarize the movie, discuss the type of victims shown in the movie, asses the risk level of the victims, and lastly relate the different theories of victimization and how each relates to the movie. The movie follows a group of journalists working at the Boston Globe, who are known as the spotlight team.
(Bright Star! Would I Were Steadfast as Thou Art 46). Suddenly, Keats come to the realization that he does not want to feel lonesome like the star. Keats then begins to wish for qualities of which the star does not have. Following, Keats articulates a feeling of yearning for satisfaction.
John Keats was a poet during the early 19th century which is better known as the “romantic period”. The romantic period is not as romantic as it sounds, it was about a social, political, intellectual movement, as well as an artistic one. The writers of the romantic period felt as if they were backlashing at the previous era which was about science and enlightenment hence the lead to Great Britain's industrial revolution. The artists within the romantic period felt that the enlightenment era felt that they have lost what it meant to be human. When people usually look at the romantic period they usually look at the “Big Six” which includes John Keats.
The memory of love in someone 's mind has always been found in someone 's poetry. It is hard to deny that poetry is one of the most fascinating writing and creative arts. There are so many poets in the history that get perceived as an admirable poet. It is not surprising that Ezra Pound is one of them because he had written the most beautiful poetry which is called The River-Merchant 's Wife: A Letter. This poetry is the glorious one that expresses the unspoken feelings of someone who have to separate from the lover into a love letter.