pire (British) Gaze in A Passage to India
A story of cross-cultural resonance in postcolonial discourse, A Passage to India, plays on imperial misinterpretations and misunderstandings. Throughout the novel Forster employs a kind of cynical realism to highlight the impossibilities of cross cultural male bonding, between Aziz, the protagonist, an Indian Muslim doctor and Fielding, the English professor. As his biographer P.N. Furbank notes in his biography on Forster, E.M Forster:
A Life, using Forster’s own words, “When (I) began the book (I) thought of it as a little bridge of sympathy between
East and West, but this conception has had to go, my sense of truth forbids anything so comfortable” (106). Such a statement made by the author himself,
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(A Passage to India 5).
In evaluating such a description, the reader is deliberately shifted from exotic and colorful narratives about British
India which featured picturesque and exalted discourses about the colonial exchange. But the description is still largely Eurocentric.
As Sara Suleri asserts, it is a mundane geographical appropriation of the colonized land, rendered as a hollow space through which the imperial dialogue is articulated in its imperial ideologies. It is this striking feature of the novel that locates it on the cusp between colonial and postcolonial narrative, in Suleri’s words: “the touristic experience of colonialism is deglamourised into mathematical computations of how literally banal the exotic may be” (45). But if detouring from eroticizing India offers an escape route from a colonial paradigm, Forster relies on other stereotypes to reiterate his theme as essentially Orientalized. The manner by which all his Indian characters are portrayed, starting with the protagonist himself, echoes an undercurrent of unauthenticity, simulating, in this regard, old colonial narratives, where the Other was hardly understood.
Aziz is portrayed as a little dark man, whose attractions are never literalized. He is impulsive, prone to
He seems to only care about himself, and unwillingly gives everything
Also, he gets angry very fast. He could even be seen as abusive at times, verbally and physically. One example of this is when he called Abby a whore in the
All he knows to do to is to let it control him instead of him controlling it. He lets himself become a
Lastly, we see this in how he makes plans with people but changes his mind about it and does not want to follow through with them. We see this in his interactions with Mr. Antolini, Sunny, and Sally. In fact, he says, “So all I did, in front of that museum, was get a cab and go down to the Biltmore. I didn’t feel much like going. I’d made that damn date with Sally,
He shows signs of depression, PTSD, OCD, bipolar disorder, and the beginning stages of anxiety and anger issues. From the beginning of the book, one can see that he different than other characters who have similar characteristics. He is “in that unhappy phase of life, that transitional stage, where he has outgrown the relatively well-ordered world of his childhood and must find his way in the world of adults” (Bungert). This is important considering that many people get diagnosed with mental illnesses when they are in their teenage years. His struggles for getting out of childhood is a stressor for his mind.
Other symptoms include the person having trouble making decisions and having a sudden burst of
He also has a sense of entitlement and heightened arrogance. These mental issues are attributed to BTKs
He will immediately do something as soon as his emotions suggest it. He will not stop to think anymore, unlike a rational person who would contemplate his actions before he
The short story “Identities” by W. D. Valgardson, tells the story of an up-class man being wrongly stereotyped resulting in his untimely death. The effective use of contrast in this story helps readers to understand the protagonist. Contrast is the strategy in which the writer describes the difference between two or more neighbourhoods, characters, or perceptions. Contrast is initially displayed in Valgardson’s detailed description of the protagonist's neighbourhood and the poorer side of town. The character's community is expressed as innocent, honest and spotless.
He's trying to even out the two as he outlooks his own desires, such as handling a range of social situations such as street fights or when he is on his
His forceful personality is used to getting its own way and being in
One of the first few chapters, he already gives the reader a sense of short-temperedness. He doesn’t always agree with people and wants to do whatever he wants. “‘I ain’t leaving,’ I say, as they keep doing their stuff. “ (Patrick Ness, pg 42) He is short-tempered as to not leaving by himself when he is told.
‘The Gift of India’ is a noble tribute to the brave Indian soldiers and sons of India. The poem has a raging world war as its background. It is in a form of address by Mother India to the world. The country is personified and identified with the poet. Her tender and sensitive soul leaps forward to sympathize with the heroes who displayed their valour on different battlefronts fighting for Allied forces.