French New Wave Film Analysis: Breathless
7.0 ANALYSIS OF TWO FRENCH NEW WAVE FILMS
7.1 A BOUT DE SOUFFLÉ - 1960
This classic film was directed by famous French New Wave filmmaker, Jean-Luc Godard in 1960, this is one of the film which most impudent debuts in film record. The storyline is regarding a young criminal Michel who steals a car in Marseille and murdered a policeman rashly. He has been wanted by the authorities, but he mats a hip American journalist student in the capital. The girl agrees to help to hide him after he tried to persuade her to leave with him to Italy, but the girl betrays him when the police about to caught him.
7.2 REVIEW
Based on the research, Breathless has not only won the best director prize at Berlin International Film Festival, but also was won the best
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This was an unprecedented practice in cinema, according to Neupert (Ghosh 2013). Thus, it’s obvious that French New Wave cinema has completely original artistic system. Moreover, Godard has completely breaks the traditional stories and translated his writing into pictures and it’s totally different with Hollywood’s standard, according to Basye (2011).
To conclude, Godard is a French director who notably wrote the shooting script in every morning, he has not only turned the Breathless to be the key films of the New Wave which refused the traditional French cinema and embraced more experimental unique style, it’s also obvious that Godard done the film in a remarkable way as he applied jump cuts and combine the scenes together to creates the thing he wants to explain. He has successfully produced a film in a special way to showing the audience something that can’t be written in literal form, but he made it to be shown in the
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