On Thursday September 19th I attended a traditional live Jazz music concert at Cafe Stritch. Cafe Stritch was a medium sized cafe that features different styles of musical performers including garage, psych, soul and of course jazz. The interior of the cafe gave of an unmistakably urban-hipster vibe comparable to one of a San Franciscan music club in the Urban area of the city. There was upstairs seating as well a downstairs and bar-seating. The walls were constructed out of urban-brick and decorated with large paintings and photographs of Jazz Performers. The performers that night were the Aaron Germain Quartet which featured Aaron Germain on the Bass, Jeff Massanari on Guitar, Matt Clark on piano and Deszon Claiborne and drums. The show was supposed to start at 8:30 but it was postponed until approximately 8:54 pm. In order to take a full advantage of the jazz-cafe experience I order a chocolate torte, grilled cheese sandwich and tomato soup in order to maximize the experience. The first song performed was a rendition of Herbie Hancock’s Tell Me a Bedtime Story. In this particular song, Matt Clark played a upright piano and Aaron Germain played a guitar. I would describe Tell me a Bedtime Story as a low, slow, snazzy tune. The drums were played softly. Tell me a bedtime story was the longest piece of the section. …show more content…
For this song Aaron Germain swapped his guitar out for an upright bass and Matt Clark switched from the upright piano to the grand piano. Runaway Blues was slower that the Tell me a Bedtime story. It was full of passionate due to the fact that the tempo was slower. The bass was the most noticeable instrument in the song. Matt Clark seemed very into his piece even though the sound of the piano playing was overpowered by the other instruments. The drummer seemed very into the piece. Jeff Mansari took a rest during part of the song. The song ended rather
The Greg Billings Band comprises Bass Guitar, Lead Guitar, Guitar, Keyboard, Harmonica and Drums. The songs performed were written by Greg and other members of the band. During a GBB performance they typically include
The effective improvisations succeed one another with color and feeling. Highlighting Stinson 's basswork and Zack 's dry drumming, “Survival Instincts” appears as an awkwardly disconcerting dance that gets epic contours. It opposes to the simplicity of movements revealed in Stinson’s “Why She Loves”. “Alligator Got the Blues” is another high point, showcasing a leisurely-paced introductory section before exploring alternative beats with a strong foundation in rock music.
MUS120 Comparative Essay: Week Two Comparative Essay From a distance, it is easy to say that Choo Choo Ch’ Boogie by Louis Jordan and Hoochie Coochie Man by Muddy Waters are both songs that belong to the blues genre. Yet, when placed under the microscope and compared next to one another, the division between the blues and jump blues becomes very clear. A choice of differing instruments and vocal styling allow for a change of ambience between the two pieces, along with a drastic change in tempo which sets the energy and results in a noticeable variance in the mood. Choo Choo Ch’ Boogie is a high energy and up beat variation of jump blues, whilst Hoochie Coochie Man maintains a slower and solemn tone, with a true blues style acoustic range.
The concert was held in an exceedingly luxurious environment which put everyone in the audience in a jubilant mood. The audience would tap their feet along to the catchy rhythm, then would cheer with an electrifying applause after each piece was performed. The band continued to draw the crowd’s attention by having every musician on the stage play their own solo in each song. When Byron Stripling and the Jazz St. Louis Big Band performed the last piece in their set of the night they ended it with every musician on stage shouting “Clark Terry” to end the exquisite
This past week I visited the Charles H. Templeton Music Museum during Mississippi State University’s Ragtime and Jazz Festival. The first time I visited this museum was my junior year of high school on a field trip while studying The Great Gatsby, but every time I visit the museum it is a brand new experience. Templeton's extensive collection of instruments, recordings, and sheet music allows for visitors to have an inside look on the progression of music throughout the late 1800’s and early 1900’s by emerging them into each particular musical time period. Charles H. Templeton himself stated, "This is one of the few collections, if not the only one, which carries through all of those changes. You started out with blues and then ragtime evolved from that, and then the Dixieland sound emerged and the big band, and from that came the forerunner of modern jazz.”
Exuding a relaxed, laidback charm, the venue houses a creative blend of food (Nutella and strawberry toasties. Enough said), coffee, alcohol. Best of all, you can enjoy your meal in a peacock chair. Sounds like a winner! 4.
Camille Burton Dr. Greene English 1010-3 22 November 2014 Jazz Artists in New Orleans The early development of jazz is closely tied with the community and is a very important part of the history of New Orleans. New Orleans is seen to be the home of new jazz during the 1900's.
Nonetheless, the band performed a song called “Emily” originally written by Johnny Mandel. The style of the song is considered to be jazz blues, since it requires more developed harmonies and rhythms that generally breaks out of custom blues pattern. This song was considered the soloist of the night, since pianist Vic Donnell started off with a solo in which the rest of the band began to engage in syncopation. However, the highlights of the show would have to be when the band performed “Blue Monk” and “Back at the chicken shack”. Marty Liquori stated that the song “Blue Monk” by Thelonious Monk was considered flat blues.
The Santa Fe Evening of Jazz was a great concert featuring the Rhythm and Blues, Jazz Combo, and Big Band from Santa Fe College with special guest Professor Scott Wilson from the University of Florida Jazz Studies. This Evening of Jazz was the ninth one to be held and was superbly done; getting a ticket was quick and simple, finding a seat was as easy, and leaving was not hard. The whole performance was led by Doctor Steven Lee Bingham who also played with all the bands on the alto saxophone along with giving information about each band, song, scholarship players, and on Mr. Wilson and his unique instrument called a E.V.I.. The audience had a pleasant feel, everyone was talking and laughing before and after the performance, they also were
Savannah Live was a musical preformance held in one of the oldest continuing theater halls in the nation. The theater, appropiately named the Historic Savannah Theater, origionally opened in 1818, yet do to years of wear and tear and several fires, the modern theater was retrofitted to look like its 1940s, art-deco self. Although the stage was in the traditional Proscienim style, the play was anything but traditional. The stage hall itself seemed like something right out of the hay day of Broadway, with lights surrounding the procienian arch, red velvet chairs and carpet, the hall was like a time caplse bringing me back into the 20th centry. Mimicing the transformations of the hall throughout the years, the musical took the audience on a journey through musical, and theatrical history.
On the day of Sunday April 10th, I went to a jazz ensemble concert at the Trinity University Ruth Taylor Recital Hall. This hall was much larger than the previous performance I attended. My first impression of the group was that they were relaxed and comfortable. For instance, when the drummer winked the drummer gave when the director explained his switch from the trumpet to drums.
One of Steven’s best friends, Annette, and his all-time crush, Renee, decide that the concert will be a benefit concert for Jeffrey. This could mean a huge relief to the Alper Family. On the actual day of the concert, things are going great until the intermission. During this period, Steven finds out that Jeffrey has a temperature after he threw up, so he has to go to the Emergency Room. Jeffrey really wants Steven to go with him, so Steven has a choice of either staying and doing his big drum solo, or going with Jeffrey.
Then the school dance rolled around, and a cute girl asked Petty if his group could perform (Zollo “Tom” 2). He agreed whole-heartedly, and the two boys enlisted the help of Richie Henson and Robert Crawford –fellow guitar players –and the night of their first gig, the group played four songs over and over again (Zollo “Tom” 2). The group was a hit in their hometown of Gainesville, FL, and after the dance, they were asked to play at a fraternity party, and the boys agreed (Zollo “Tom” 2). Afterwards, the group decided to call themselves The Sundowners and the band signed up for a “Battle of the Bands” at the local Moose Club, where if they won, The Sundowners would receive a summer long contract to play on Friday nights (Zollo “Tom” 2).
Become Ocean was performed by the South Dakota Symphony Orchestra under the direction of Delta David Gier. This evening was dedicated to being the 95th anniversary of the South Dakota Symphony. The theme for the evening related to water, whether that be the rolling tides of the waves, a bird swooping down to catch something, or a personal reflection that people made through associative listening. The music played had a serene and airy feeling that helped enhance the depiction of becoming one with the ocean.
The poem “Jazz Band in a Parisian Cabaret” by Langston Hughes talks to the audience about how jazz can be found in many different ways, or “languages”, and that everyone can listen to jazz and enjoy it no matter how high of a class or type of person they are. This is shown through many parts of the play including the imagery and word choice. The images that the poem produce helps to show a scene in which many people have gathered in an area around the jazz band, listening to the various ways the music is played. The word choice also helps to show that everyone from “American millionaires” and “dukes” to “school teachers” and “gigolos” can all listen to jazz music and understand what is trying to be portrayed through the rhythms and