While in New York, Armstrong made dozens of records as a sideman, creating inspirational jazz and backup singing for many blues singers. Moreover, he had records as a soloist including "Cornet Chop Suey" and "Potato Head Blues." These solos changed jazz history, by incorporating daring rhythm choices, swing and high notes on cornet(Source B). Furthermore, in 1926, Armstrong finally switched from the cornet to the trumpet. After 1926, Louis became more and more famous and broke more and more barriers through his music.
Latin Jazz, also known as Afro-Cuban jazz originated around 1940. It was due to the gradual and long interactions of American and Cuban music which birthed this distinct style of jazz. African american tunes and dance rhythms traveled north into the United States as well as the musical styles of African-American Jazz found their way down to the Caribbean and Central and Southern America. The fusion of both musical styles; Cuban music and African-American jazz was largely due to musicians and dancers throughout the area beginning to familiarise themselves with both of the musical techniques. The fusion happened in 1940 in the city of New York through the beginning of Machito and the Afro-Cubans orchestra, which was under directorship of Cuban trumpeter Mario Bauzá who essentially created the Latin Jazz through fusing jazz arrangements with Afro- Cuban percussion rhythm.
Louis Armstrong is a phenomenal example of improvisation and is also considered one of the best trumpet players that there has ever been. It is very clear that improvisation is a strong suit of Louis Armstrong just by listening to his song “Heebie Jeebies” from 1926. Without the intermingling of European classical music and African traditional music in the early stages of America, jazz would not contain the distinct components that it does to this very day. Politics/government is a cultural influence that people seem to feel uncomfortable talking about but it is impossible to neglect the fact that politics had a huge impact on the way jazz was shaped. In 1803, the United States purchased a tract of land from the French that spanned from the bayous of Louisiana all along the Mississippi river up to the
Beboppers ‘spoke’ at whirlwind speed, almost as if to say ‘you can’t catch me’ to their white counterparts. Although some elements of the music carried on from the Swing Era, such as the 32 bar song form and the 12 bar blues foundations, the harmonic and rhythmic complexity was stretching the boundaries further and further from the mainstream popular swing style. Heavy use of flattened ninths, sharpened elevenths and other altered intervals in solos and the speed at which they were used as well as the phrasing of these notes gave the music an off balance quality. Dizzy Gillespie’s tendency towards desceding whole or halfstep patterns such as in “Con Alma” and “A Night in Tunisia”, Charlie Parker’s favoured ii-V substitutions in the famous bridge to “Ko Ko” and “Confirmation” and the mastery of dissonance by Thelonious Monk shows the boppers preoccupation with developing their sound, making statements through their music. (Gioia
It is easy to use music to influence people’s mind by the lyrics and rhythm. There are so many kinds of music being a trend during a certain time. For example, in the early of 20th century, the American music is the trend and its influence around the globe. Many peoples are more interested about and focusing on the classical music, blues, and country music, also jazz which from African Americans. The trend of American music still influences the people; however, the mainstream of the music has been changed.
Bossa nova can flow in the American market as an impressive success history (Green 2012). It is a common part of high school jazz. Nevertheless, bossa nova is far from the American tradition but it was introduced to American musicians in 1960s (Bossa Nova 2005). It tends to be the rising of the cool wave from Brazil in the style of cool jazz. It shows how influence for a musical style developed in a peripheral country as Brazil was introduced in a large and central market place as the American (New World Encyclopedia).
Another artist who had a large influence in the black freedom movement and the third world struggles during the 1960’s and 70’s is Sun Ra. Sun Ra is a revolutionary jazz musician who began performing professionally as a kid. Once Sun Ra moved to Chicago in 1945, he immersed himself in jazz. Throughout his life, Sun Ra was influenced by space, religion and radical social movements and he expresses his beliefs and ideals through his music. Sun Ra’s love of astronomy and spiritual awakening opened doors for his music because he started fighting the constraints in jazz.
The book also showed many flappers, parties, jazz music, and dance. He always wore the newest fashionable clothes, parallel to his flapper wife. Fitzgerald enjoyed jazz music because it made him feel alive. He was dedicated to recording the progress of
Louis Armstrong is one of the most influential jazz musicians to ever live. His trumpet defined the role of the jazz soloist and revolutionized jazz itself, and his way of singing was every bit as influential as the instrument he played. His daring trumpet style and unique vocals paved his way to fame. Armstrong style of singing was not always as well liked as it is today. In the beginning, he struggled to make his voice heard.
It Ain’t Gonna Rain No More. (Jazz Standards.com) The 1920’s centered around these tunes more than others, but that doesn’t mean they were hated they just weren’t as popular; but despite the rankings the pieces affected the entertainment in the 20’s for the best. The first great wave of American influence that came on Japanese popular music came before the Second World War and the rapid expansion of Japan’s record industry began in the late 1920’s. Imports of American records, and songs brought a wide amount of music into the culture of Japanese music creating mesmerizing pieces of Japanese popular
Snooky Pryor worked a lot with Moody Jones, they came up with hits like, Sweet home Chicago and Boogie. Influenced by Sonny Boy Williamson, the harpist Snooky Pryor was considered a pioneer of postwar Chicago blues sound and claims to have been the first player to amplify the harmonica. James Edward Pryor He moved to Chicago around 1940 (The Rough Guide to The Blues. 2007). Pryor was definitely a troublemaker when he served in the U.S. Army. Pryor was discharged for blowing bugle calls through a PA system, which led him to experiment with playing the harmonica that way.
The media provided an opportunity for jazz musicians to make a name for themselves. Radio caused the improvement of old songs, and the popular new songs. Public dance halls, clubs, and tea rooms opened in the cities. There was dance moves that were called black dances because they were inspired by African style dance moves like the shimmy, turkey trot, buzzard lope, chicken scratch, monkey glide, and the bunny
The geographic location of the earliest Jazz experiments and the parties involved have been the subject much controversy. Many Jazz writers have pointed out that the non-Jazz elements from which Jazz began. Blues, Ragtime, Brass Band Music, Hymns and Spirituals, Minstrel music and work songs were rising in the United States and was began to recognized in dozens of cities. Jelly Roll Morton is considered to be the inventor of Jazz in 1902. The Jazz musicians was born and raised in New Orleans.
America's Greatest Gift There is no doubt that Jazz music is one of greatest things to come from American culture. It had sprouted up from cultural and spiritual hymns a global sound that has no restraints. From the early slave songs with their call and response style, to the later Swing and Bebop era tones, Jazz became the frontline for American music where it still remains relevant to this day. It all started in the later parts of the 19th with African slaves brought over from the Atlantic slave trade.