Cathedral by Raymond Carver and Car Crash While Hitchhiking by Dennis Johnson are two non-fiction short stories that have many similarities and differences. Cathedral is a story narrated by the husband of a wife who is friends with a blind man. The wife has her blind friend come stay at their house, and the speaker is not comfortable with this, but his views change throughout the story. Car Crash While Hitchhiking is about a man in his mid-twenties that is on a lot of drugs that he receives from previous people who have let them ride with them. He wakes up in a puddle on the side of the road, and eventually a man with his family picks him up, and the end up getting into a wreck.
One similarity between these two stories is the abuse of alcohol/drugs
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In Cathedral, the speaker at first is very uncomfortable with the idea of having a blind man stay at his house. He is a very shallow person, never gives much thought to anything, and he does not try to connect to his wife on a deeper level. At the end of the story, the blind man and the speaker are alone, and the blind man asks him what a cathedral looks like. The speaker says that he cannot describe it, that he does not believe in God, so a cathedral would not have much importance to him. The blind man then has the speaker draw what a cathedral looks like, and he placed his hand on top of the speaker’s while he drew. He then asks the speaker to close his eyes and draw it, and the speaker has an epiphany, saying that he felt placeless, and was feeling like he never did before. I believe that this was him realizing the importance of understanding and empathy. However, in Car Crash While Hitchhiking, the speaker does not change throughout the story. He was on a lot of drugs in the story, and at the end the author depicts him being in some sort pf psych ward. He is hearing voices and is being handed vitamins by a nurse. It seems to me that he is in this psych ward because of his heavy use of drugs, which seems to me that he did not change by the end of the story in that
The unnamed narrator does not see Robert, the blind man, as a person, but as someone different. The grandmother, on the other hand, believes in her appearance and belief that is better than other people. After the challenges they both face, they end up finding enlightenment. In “Cathedral,” the narrator was not certain on how to describe the Cathedral to Robert. The narrator resorts to drawing and with a pen in his hand, he had realized that Robert “closed his hand over my hand” and asks the narrator to “close your eyes” as they drew the Cathedral (75-76).
The author use of the title “Cathedral” was misleading at first. “Cathedral” is about a husband who had an interesting experience with his wife’s blind friend. The narrator, also known as the husband, had difficulty understanding other people thoughts and personal feelings. The narrator knew how important the blind man is to his wife, yet he still makes careless jokes about him. “Maybe I could take him bowling” was a comment made by the narrator after finding out that the blind man was staying over his house.
Raymond Carver’s short story “Cathedral” is about a visit from a wife’s blind friend and is told through the point of view of the husband who is a very judgmental person and uses stereotypes to base most of his thinking of others. As the story progresses, he starts the journey to become a better person when he realizes that this blind man has his life figured out and is comfortable with who he is. This realization leads him to respect the blind man more and opens his eyes in a sense to a wider world. Raymond Carver uses this blind man to represent as a symbol of the husband's blindness to others and his biases of stereotyping and belittling others internally. But towards the end of the story, he begins to see a bigger picture of the world and
The narrator has put his insensitive tone away and has begun to finally see the blind man for who he was, regardless of the man being blind. Thus, revealing the theme of the passage, relationships and acceptance with
The narrator’s eyes are closed and he is being led by a blind man, yet he is able to see. Carver never explains what it is the narrator sees, but there is the sense that he has found a connection and is no longer detached or isolated. The narrator is faced with a stark realization and glimmer of hope. Hope for new views, new life and probably even new identity. Even the narrator’s wife is surprised by the fact that her husband and Robert really get along together.
“Grief does not change you, it reveals you.” This was precisely the case for the protagonist in "Off the Road" by Daniel Duayne. In an instant we see a man stripped of his socially constructed facade, bare, left vulnerable to the whim of his emotions. In this visceral state, his poignant reflections of the past implore us to evaluate the universal concept of loss, and in doing so, reminds us how facing reality and the totality of its truth, can influence how we internalize trauma, and ultimately make necessary sacrifices, to move forward. There are five instances where Duayne references his family in conjunction with his truck, these memories seem to weave the vehicle into the family dynamic.
Raymond Carver is said to be one the most influential American writers and poets in the 20th century, especially in his works of short stories. One of his most famous pieces is “Cathedral.” This well-known short story is the final piece in Carver’s collection Cathedral published in 1983. Carver includes much symbolism through the story’s plot, structure, point of view, tone, and character build. The depictions of each character’s experiences, the irony in the story, and hearing the narrator’s point of view in “Cathedral” work in harmony to support its themes that prejudice and ignorance as well as the nature of reality are present and change throughout the course of the story, and all lead to a strong character development by the close.
“His being blind bothered me” (Carver 1). In Raymond Carver’s short story Cathedral, Carver establishes an ignorant narrator, who is dependent on alcohol and fixated upon physical appearance; he juxtaposes the narrator to a blind man who sees with his heart rather than his eyes. Through indirect characterization, Carver contrasts the narcissistic narrator to the intuitive blind man while utilizing sight as a symbol of emotional understanding. He establishes the difference between looking and seeing to prove that sight is more than physical.
What if someone unexpected changed your way of thinking, permanently? What if God chose to send someone into your life to abolish you superficial thoughts? In both the stories “A Good Man is Hard to Find”, by Flannery O’Connor, and “Cathedral”, by Raymond Carver, the authors create main characters who lack faith and think superficially about life. However, in both stories, the authors send unexpected characters to act like mediums, for their job is to be the connection of the main character’s initial position in faith and their final position, revealed at the end of both stories. Even though the stories have a different plot and involve diverse kinds of characters, the final message and moral is the same.
Throughout the story the reader can affirm that the wife has a deep, strong relationship with the blind man. The wife and the blind man share an intimate and vulnerable moments together; one includes when she lets him touch her face so he can remember her. Similarly, the narrator gets to share an intimate moment with Robert that leads to an epiphany. The epiphany that the narrator experiences when drawing a cathedral refers to seeing life from Robert, the blind man’s, point of view and seeing the struggles as well as life experiences a blind man must encounter on a daily basis.
The narrator begins to change as Robert taught him to see beyond the surface of looking. The narrator feels enlightened and opens up to a new world of vision and imagination. This brief experience has a long lasting effect on the narrator. Being able to shut out everything around us allows an individual the ability to become focused on their relationships, intrapersonal well-being, and
In Raymond Carver’s “Cathedral” he writes a story about a husband's journey to his epiphany. Robert, a blind man, teaches the husband how to see without his eyes. Often a person with the ability to see takes this for granted, leaving them only to see what is on the outside rather than seeing people, and things for what they really are. In this short story, Carver conveys the narrators epiphany through the symbol of the cathedral. Carver develops a story with symbolism throughout his story, beginning with the first line, “This blind man, an old friend of my wife’s
Robert asks about the narrator’s religion which brings them to the topic of Cathedrals. Since Robert is blind he doesn’t know exactly what a Cathedral is and only can picture a normal building and what he thinks it might be like. As they continue to talk, Robert asks for some paper and a pen. Robert takes Bub’s hand and tells him to draw a Cathedral. Robert continues to cheer Bub on and continue drawing.
The short stories "Cathedral "and "A Small Good Thing" by Raymond Carver show the struggles of two American families and how the hardships brought new relationships and understanding to the families and those around them. " Cathedral" depicts the struggle to have a deeper connection not based on physical appearance. " A Small, Good Thing" shows the struggle to overcome the pain brought by the death of a loved one.
In his contemporary short story, “Cathedral,” Raymond Carver tells the story of an unnamed narrator, his wife, and an old friend, a blind man named Robert. Robert has come to visit the narrator’s wife, who is quite excited to see this man whom she hasn’t seen in ten years, yet the same can’t be said of the narrator who is noticeably and vocally uncomfortable about his visit. The story is told through the narrator’s first person point of view, showcasing his thoughts and the events that take place when Robert comes to visit. Carver highlights the theme of having the ability to see, but not truly seeing, through his use of colloquial language, and creation of relatable characters. “Cathedral” begins with the narrator informing the audience