Social Satire In Popular Culture

833 Words4 Pages

feel personally and humoristically attracted by them, even though we are all, somehow, victims of those themes”. Now, that political comedy interpretation -again, shared by almost all the interviewees- is far from being a misperception and it does not implicate any lack of knowledge about the genre. In fact, it is aligned with the understanding of factually-based political comedy trilogy explained before (Day, 2011), in which social satire, fictionalized products, and fully-stocked with social criticism animations like South Park, The Simpsons, or Family Guy are generally excluded from the satire as genre-research field. Yet, this research believes, like Baym and Jones (2012) and Rincón (2016) admitted it, that all kinds of satirical contents, …show more content…

Those facts lead media to convert that mass into a specific audience, that according to the directors of the mentioned shows, need to be informed with entertainment infused news. Caracol Radio has aired for 24 years La Luciérnaga [The Firefly], a show that through “irony, sarcasm, laughter and music, which work as Vaseline, we get into the heart of news and their main characters” (Peláez in Peláez and Rincón, 2012:12-13), and which is referenced by all the interviewees as one of the groundbreakers of political humor in Colombia; Blu Radio does almost the same with Voz Populi –a recent bid to compete for the same audience-; and RCN “La Radio”, does its part through El Tren de la Tarde. All follow the same ‘news + impersonations + opinion + analysis + music + satire + humor’ …show more content…

Hernán Peláez, a media personality that founded in 1992 the long-running show La Luciérnaga and who is perceived by all the participants in this research as the “father” of the genre in Colombian radio, agrees with Gómez and Díaz-Salamanca on the fact that satire on radio represents a successful infotainment formula, an gives it a more reflective meaning, rather than a business-framed

Open Document