Andrew Marvell uses hyperboles, rhyme schemes, and synecdoche to develop a theme of carpe diem in a coquettish manner in "To His Coy Mistress". The speaker uses unequivocal diction to persuade his mistress to lose her virginity to him. Throughout the poem he attempts to impress upon her that she should stray away from her coy mentality with him because life is too short. The narrator shares the consequences of not acting on the lust for her that he expresses. Hyperboles are used throughout this piece frequently. A hyperbole is an exaggerated statement or claim that's not meant to be taken literally. In line two of the poem the speaker suggest that if his mistress does not take to his advances it may amount to a crime. "This coyness, Lady, …show more content…
The literary device synecdoche is used when a part of something represent a whole or vice versa. He uses these parts, to her whole (her body) along with an extensive amount of time that foreshadows its decay. In line eleven the author states "My vegetable love should grow". It is meant to be meaningful to the mistress because in that time frame vegetables grew naturally. He was trying to emphasize on the fact that his love for her will grow with time. In line fifteen of the poem the author makes a reference to the mistresses body. "Two hundred to adore each breast:" He is saying that he would admire her body if she was naked. Synecdoche is used frequently to make the mistress feel more comfortable with opening up to the narrator because he will supposedly end up loving her in the end. The idea of carpe diem is timeless. It is in modern day synonymous to peoples belief in the idea that you only live once. "To His Coy Mistress" addresses this belief in a blunt manner by use of hyperboles, rhyme schemes, and synecdoche. The poet uses these devices in an attempt to persuade the audience to live in the moment and enjoy her aesthetic beauty while her hour glass is still top
The smiles of my mistress could not remove the sorrow that dwelt in my young
This device is explaining that her life was forgotten then remembered again. Later, the author shifts to simile were thousands bee’s, met love, from the tree to the root in every blossom. As the author made this a simile to represent what she thought love was. Which led her to feel week or faint from marriage.
And also how the mistress of the neighboring slaves abuses her power and whips them almost hourly. Rhetorical Device: Sentence: “Her face was made of heavenly smiles.” Douglass uses a hyperbole to exaggerate the truth of the expression of his mistress. Douglass describes his new mistress by saying she was a woman of the kindest of hearts and finest feelings.
The young boy wanted to give the lady an orange in trade for the chocolate, which shows another representation of how the oranges are shown as a symbol of love. In the last stanza, the girl eats the chocolate while he peels his orange. The poet
It is sarcastic because the hyperbole usually refers to something good, shining bright with value, but in the context of the passage, it means to shine with deceitfulness, presenting the brightness only to achieve the desired outcome of getting out of
Douglass is also expressing the mental affect that her mistreatment had on him. On the same page Douglass wrote, “Slavery soon proved its ability to divest her of these heavenly qualities. Under its influence, the tender heart became stone…” (pg.66). In this metaphor Douglass conveys how the power of slavery made his mistress become cruel.
This was all shred to pieces with slavery. Douglass juxtaposes Mistress’ “lamb-like disposition” to “tiger-like fierceness” (¶ 2). This is a very power juxtaposition because it displays the cruelty and evil that lies within slavery, and what effect it has on even the kindest of souls. This also alludes to the Christian Bible, in the way that slavery is allowed by the Bible, and this clash between Mistress’ Christian values, and this idea of slavery, that ultimately results in the victory of slavery. The beginning of paragraph two begins by praising Mistress for “treat[ing] me as she supposed one human treat another” (¶ 2), and then speaks of the same Mistress, who “became even more violent in her opposition than her husband himself” (¶ 2).
Before being given any context, the speaker shares how she is packing tomato seeds or what her friend Denise refers to as “love apples” (4). Still unsure of her destination, she shares how her father says, “they won't grow” where they are going (5). By including the term “love apples” the author intends to show the reader that the seeds symbolize love, specifically the love the speaker has for Denise. Although the speaker does not specify where she is going, her father’s mention of how the seeds “won't grow”, tells us that the environmental conditions are so harsh, even tomatoes won't grow. The speaker’s action of packing the seeds is hopeful and nearly oblivious whereas her father is fully aware of their future conditions.
The following quote "Poor Joe Starks. Bet he turns over in his grave everyday" is an example of a hyperbole. It 's an extreme exaggeration that is a readily of Janie 's actions. As the whole town watches Janie 's relationship with Tea Cake flourish the opinions are rich and at their peak. With the battle over right from wrong Janie is heavily on the wrong side.
When the reader goes to find deeper meaning in her poems, it comes out to be a very personal and emotional piece of writing. Her poem “Sex Without Love” can connect the reader personally with society. A lot of people in the world are obsessed with the act of having sex. Olds shows the contrast between coldness and physical heat. (McGiveron).
With such beauty and grace the lady confesses her love and desire for him instantly becoming love struck "that burned and set fire to his heart" (line 119). "If it pleased you, if you such joy might be mine that you would love me, there is nothing you might command, within my power, that I would not do, whether foolish or wise. I shall obey your command; for you, I shall abandon everyone. I want never to leave you. That is what I most desire" (lines 121-130).
In T.S. Eliot’s work “The LoveSong of J. Alfred Prufrock”, he uses diction to give an underlying meaning and tone to his poem in order to express the downfall of a man. The author uses his diction to give this poem Its tone as if he regrets what he did in life. He also shows great tone changes in this work, giving this poem a dramatic, almost tragic outlook. Many of his word choices also give his work an underlying meaning and adds to his theme and messages. A large part of his poem is also using metaphors to add to this underlying meaning and give more force to this tone he is trying to create.
Throughout the book the narrator draws many comparisons between women and flowers. Often, flowers are considered as a symbol of fertility and beauty. In the book, flowers are highlighted as objects that can bloom and grow at a time when few women can. From a technical standpoint, flowers are also the part of a plant that holds the reproductive organs. They're constant reminders of the fertility that most women lack.
In the play “Othello” by William Shakespeare showed how the lies and the jealousy of others can ruin a relationship . Throughout the history of this play people have understood it as a “triad of nobility,purity, and villainy.” A literary critic, Michael Andrews noted the significance of the handkerchief that was used in the play. “Othello tells Desdemona that the handkerchief is a love-controlling talisman his mother received from an Egyptian "charmer.” The gift that Desdemona receives is used to represent a symbol of Othello’s love.
Society’s superficial viewing of women is also reflected in the poem’s wring, as it may seem that this poem is strictly concerned with a prostitute, but in fact it describes all females. The male representative in the poem, Georges, then asserts his superiority, despite their similar conditions of being poor. Although he is sexually attracted to her as he “stiffens for [her] warmth”, suggesting an erection, he is unwilling to accept her as a human being as he deems her question “Why do you do this?”