DUMPSTER ENCLOSURE AREA FACTORS: A second area that creates a very real threat to staff safety, and which is equally as dangerous as the Center Island issue, is the Dumpster Enclosure. This is located at the east edge of the Lower Lot, and a few feet lower in rise than The Circle Lot. This location can be used to facilitate an attack on someone walking either to the Circle Lot, the Enclosure itself, or, the Lower Lot. The next set of photographs will demonstrate the views of a Perpetrator laying in ambush for a Passer-By walking to the southeast corner of the Lower Lot. In similar fashion as with the Center Island, to the left is an aerial view of the south portion of the Circle Drive area of SLC, emphasizing the immediate area surrounding …show more content…
To the west in the Lower Lot is a second such light pole servicing the east portion of that lot and the Dumpster Enclosure area, and does affect the Circle Lot. Additionally, 2 sconces along the west all of the sanctuary outer wall assist in illuminating the east half of the Circle Drive and Center Island. These lights may not have been updated since their installations; believed to be circa 1999 for the poles (16 years), and circa 2006 (9 years) for the sconces. The present predominant surface on all drives and lots about SLC is dark asphalt. While being an economic building material, its dark color absorbs rather than reflects light – making visibility during dark hours less effective. The other predominant ground cover in the area is grass, which also does not generally improve visibility in darkness. Lighting from these sources covers the minimum needs for safely navigating this area on foot. They are, however, lacking in sufficient luminosity as to aggressively deter a Perpetrator’s …show more content…
The best view of this area is from the Children’s Wing classrooms, which are mostly unoccupied during staff comings and goings. Views from neighboring homes are also obscured by trees and other landscaping. Due to the isolated location of the church, passing drivers and walkers are unlikely to notice the activity of staff in the Circle Drive and Lot areas. And, of course there is no view to this area from the east due to the no window monolith of the sanctuary wall. Several factors could assist this situation, including but not limited to: landscape changes; staff actively watching staff; adding audio/video surveillance; changing the location of staff parking. Of an additional concern is that incoming persons and vehicles during the work day are not easily monitored or even recognized. The present staff parking can fill the Circle Lot. This causes visitors to either park in the “fire lane” of the Circle Drive, or to park in the Lower Lot. In either case, under the present conditions, persons and vehicles can easily enter both of these areas unnoticed by staff. Persons approaching the Main Lobby Breezeway while using the east sidewalk can do so unnoticed, even by vigilant staff, until seconds before they appear at the entry
In his article titled, “Let There Be Light”, Paul Bogard tries to convince readers that efforts should be taken to preserve natural darkness. He builds his argument using rhetorical devices such as a personal anecdote and concrete details to help persuade his audience that we should limit our use of artificial light at night. To introduce the reader to his argument, Bogard presents a personal anecdote of how dark the night sky was at his family’s cabin in Minnesota. The use of this anecdote helps establish his position on the argument.
The article "On Dumpster Diving", by Lars Eighner relies upon a man who discusses his survival as a vagrant joined by his canine Lizbeth. Not only does he tell us his techniques living out of dumpsters, yet furthermore the lessons he has learned as a scrounger. Specifically I think the message he was endeavoring to get transversely finished is that we misuse considerably more than we figure. The paper contains narrative proof that is drawing into the peruser due to how Eighner standardizes a somewhat irregular subject by displaying the data as though it were found in a guideline manual.
The Third Dumpster by Gish Jen Every culture and society have a different way to deal with their parents when they grow old. In this story we deal with two brothers who have lived in America all their lives, while their parents have lived there for fifty years, it’s about how to nurse your parents when they grow old, do they leave them behind? Or nurse them? Or build them a house? It’s about the struggle the two brothers meets while trying to build the perfect house for their grown parents in America.
While you're walking down toward your dumpster to throw your trash think about how much food is going to waste just because it's a day over the expiration date. The essay “On Dumpster Diving” by Lars Eighner comes from his book Travels with Lizbeth. In this essay Eighner speaks about his journey throughout his life living on the street and having to join the dumpster diving family. Although the term dumpster diving for him proved to be inaccurate because he lacked the ability to lower himself into dumpsters. He prefers the word “scavenging” when referring to what he does to obtain food and daily necessities.
1. Eighner’s attention to language in the first five paragraphs causes the reader to view dumpster diving differently than they normally would. By providing the reader with his own personal views of how he sees a dumpster diver, and the terms he prefers to use when referring to them, Eighner inserts a more positive perspective over dumpster diving. For example, Eighner “I live from the refuse of others, I am a scavenger” (Eighner 108). Eighner indirectly dismisses the typical negative ideas about dumpster diving and instead puts it in a more positive light.
It is in walking distance from the school and could easily be demolished for a parking garage. It could be specifically for Point Park students and faculty and the only way to get in is to scan your ID. This would solve all the college kids problems of saying “There’s never any parking”, “I’m always late for my classes because I drive around for ten minutes looking for a spot.” or “I’m seriously broke from how much I feed the meters” (Kercher). They are already paying enough in tuition, room and board, and their meal plans that it could cover the cost to build a parking garage.
Later, Jimmie, older brother of Maggie, uses the absence of light to hide and spy on another character: “Later, from a corner safely dark, he saw the policeman, the ally and the bartender emerge from the saloon...” Crane continues to use this motif a total of twelve times in his novel, using it to describe people’s hair, to hiding places for terrified children. Thompson, on the other hand, only uses darkness seven times, whilst using his motif of stoplights, and light itself, an amazing thirty-two times in his short story. Unlike Crane, Thompson uses light to illuminate the characters and their
Imagine spending one year of your life living in a dumpster. Not just the average, everyday dumpster, but a customized dumpster suited to meet all of the essential needs for one to live in. Professor Jeff Wilson, also referred to as “Professor Dumpster,” is engaged in a one year project in which he will be sleeping in a dumpster every night. His future plans consist of making the dumpster even more appealing by adding a toilet, solar panels, a second floor, and several other amenities. Wilson says in the article, “‘We could end up with a house under $10,000 that could be placed anywhere in the world, fueled by sunlight and surface water, and people could have a pretty good life’”
Challenging Perceptions Society has perceptions about people who are different, these perceptions; also referred to as stereotypes, are not always true. Society has to understand that dumpster divers are not all the same, some dumpster dive in order to get something they want, others dumpster dive to get something they need. All dumpster divers are not uneducated, some events just forces them to have to dumpster dive, even with a college degree. Also, homeless dumpster divers do not necessarily have a miserable life, they have enough to live with. Lars Eighner in his essay “On Dumpster Diving,” challenges the way the middle-class people perceive homeless people who dumpster dive.
There are many reasons for this, one being the small spaces allotted to park in. It’s a lot more fun when the spaces are painted straight instead of slanted. The parking blocks were installed for pure enjoyment. The students have figured out how to drive over them and they realized how fun it is. It is much easier to just drive through the two spaces rather than driving around the row.
In Analyzing Parts of “My Daily Dives in the Dumpster” In the essay “My Daily Dives in the Dumpster,” Lars Eighner—an educated yet homeless individual—recounts his experience as a scavenger who seeks for his basic necessities in dumpsters. On his journey of survival in a penniless condition, Eighner has acquired important life skills and most importantly, gained valuable insights about life and materialism. Throughout his essay, Eigher employs deliberate word choice, a didactic tone, and a logical organization to convey that there is no shame in living “from the refuse of others” (Eighner) and to emphasize that materialistic possessions do not guarantee a fulfilled, happy life.
The lighting in Donnie Darko movie is a key component of composition which creates our sense of illuminating for people and things. This movie uses two sources of lighting; natural light, such as daylight, when the scene is in an outdoor area for example, walking from school, at home, waiting at bus stop, or playing outside of the school on sunny days. Another source of light is artificial spotlight which is used in the movie indoors to cut and shape the light at the dining table, in the classroom or in the psychotherapist's house. Also, distinct shadows are used as an essentially smooth surface that reflects hard light in the Halloween party to feature deep shadows and scary areas in function of the plot. Three-points of lighting create ominous shadows in the horror genre for all the actors at Donnie and Elizabeth's Halloween party with lighting from below the cast to create monstrous objects in real life.
In the text "On Dumpster Diving," Lars Eighner gives us an inside depth of what it's like being homeless and having to dumpster dive for living. Lars Eighner shows how dumpster diving has become a full-time job because it's the only way he can survive. Eighner claims that dumpster diving requires a lot of effort, he made some rules that would help others in the same situation become more efficient and find supplies that are useful for their survival. Dumpster diving has helped Eighner realize that materialistic things aren't necessary and that you should live off necessity. Eighner used to invest on materials that weren't necessary, but dumpster diving has helped him find value in his life and it helped him realize that people need must be grateful for what they have.
This can create make the objects seem more accessible to the general public. Unfortunately, this means objects are not in temperature controlled cases, which leads to fading paintings and tapestries. The only light in the room comes from the windows as well, which can make it difficult to inspect objects in the late afternoon. Also, there is only one guard to watch the room, and no alarm system for when someone gets too close to an object. This presents issues of the type of clientele for the museum, as the museum would not work with large families with rowdy
The Robot that Stopped it All In this short story of The Pedestrian, Bradbury develops a society of the advancement of technology can destroy the uniqueness in this dystopian story. The society in this story has been taken over by technology, instead of people taking night strolls or walking their dogs; they would rather stay home and occupy themselves with something that involves watching a “viewing screen”. Since this has happened, walking seems like an oddity because no one does it anymore.