1. Cass Mastern’s story, though at first seemingly unnecessary and random, shares many elements and themes with Jack’s life. The story of Jack Burden and Cass Mastern are alike in that they involve the cycle of betrayal, guilt, and the burden of responsibility.
Cass Mastern commits the ultimate betrayal- he sleeps with his best friend’s wife. Duncan Trice, who was “passionately and single-mindedly devoted to his wife”, commits suicide upon finding out of the affair with a “lead slug nearly the size of a man’s thumb in his chest” (Warren 4.237-243). Jack too betrays someone close to him: his father. Though he did not know Judge Irwin was his father at the time, Jack spends months “digging for what he Judge dropped” (Warren 5.71). As a result of Jack’s findings, the Judge kills himself with a shot “straight through the heart” (Warren 8.488). Cass Mastern and Jack Burden both somewhat directly kill two people very close to them as a result of their deep
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She suffers unbelievable tragedy with the death of her only son and husband in a matter of a month, yet she is one of the only static characters because it does not change her. Willie is Lucy’s first love and they both come from humble beginnings in Mason County. She is largely domestic (Jack spends a good portion of the first chapter describing Lucy in a state of “bliss of self-fulfillment” because she served dinner successfully) and makes many sacrifices for Willie’s career- she stays married to him despite his affairs with multiple women (Warren 1.51). Lucy’s main internal conflict is looking for a “something so [she] could live” after Willie and Tom’s death (Warren 10.590). She finds resolution for this when she adopts Tom’s baby, whom she believes has “got to be Tom’s” and decides she must accept her responsibility in carrying on Willie’s legacy (for her own good) and remember him as “a great man” rather than live in bitterness (Warren
Rather, she takes the brunt of the hurt from the selfishness of her mother and her new husband. Ultimately, Lucynell is the part of the story that causes the other characters to be able to get what they want. Without Lucynell, Mr. Shiftlet would not have been able to con Mrs. Crater out of her money or her car, and he would have never gotten what he wanted. Honestly, if Lucynell had not been a factor in the story, Mrs. Crater may not have even let Mr. Shiftlet stay at her property and do work for her.
She writes in a manner that shows the reader her identity rather that stating it right out. She tells the reader that her face is the reason for her dissatisfaction and unhappiness and one should believe this to be true. Via her anecdotes, Lucy tells us of the horrible things that happen to her because of her face and there is no doubt that they happened because of it. The reader feels for Lucy when she speaks about, for instance, the boys taunting her in the cafeteria or her experiences on Halloween. She feels awful when the boys taunt her and wonderful when she wears a mask and it is all because of her face.
Lucy has often stated that she is beautiful and brilliant. She is innovative when it comes to her ‘psychiatric office’ and often takes money from Charlie without giving him great advice. She often raises her voice to get her point across, and at one point she states, “Everyone is entitled to my opinion.” When she does not get her way,
In All the King’s Men by Robert Penn Warren, Jack refuses to do anything with his life because he is terrified of making a mistake and carrying that burden with him. As a student of history, Jack has seen people struggle with the demons of their past, especially in the case of Cass Masterns. According to Jack “it does not matter whether or not you meant to brush the web” because there are consequences for you actions, despite good intentions (Warren 189). For Cass Masterns, the consequences of his affair are the suicide of his friend and the doom of an innocent slave girl, leaving Cass to deal with the conclusion that he did “no man good, and have seen others suffer for my sin” (Warren 187). Jack is terrified as the prospect of his actions
Lucynell is raised only by her mother on a small family farm that needs extensive maintenance for holes in the front and back steps, the need for a new hog pen, and a fence that needs restoring (430). The need for a man or someone to provide for her is why Lucynell’s mother married her to the first guy available. As stated earlier, it did not work out for Lucynell when she was abandoned by her newlywed. Likewise, Maggie did not live the luxury life either. She was arranged to get married as well to a mossy toothed man named John Thomas (914).
josh Sundquist has trust issues, he doesn 't feel like he 's good enough for anybody. but Josh Sundquist is a fighter, he sees the beauty in everything and always tries to give 100 percent effort. I find myself in the way Josh Sundquist acts toward others and how he feels about himself. the way he always wants the people he is around to love themselves and be better, how he fights for what he believes in, and how he wants to get 100 percent out of life and won 't just give 100 perfect effort and just quit.
Even though Lucy is questioning her bravery in this line, she doesn’t know yet that she has such big potential. Later in the book though, she is going to beat the witch and save so many people. To add on, at the end of the story when all of the kids were grown up, each of the children have their own part that describes them in a special way. The author writes, “But as for Lucy, she was always gay and golden haired, and all Princes in those parts desired her to be their Queen, and her own people called her Queen Lucy the Valiant” (Lewis 201). This just shows that Lucy grew up to be beautiful, and happy.
When Jack cannot think of any confessions in catechism class he listens to Sister James’ own confessions, reflects, and then regurgitates the exact same confessions to the priest, Jack knows that these are not his own sins and that lying about them is not even beneficial to claim but he sees that if someone like Sister James, who has a purpose, an identity, can confess to such acts then maybe if confesses the same he will replicate an identity that is as well founded as her own. This does not occur, later on Jack realises that, “Being so close to so much robust identity made me feel the poverty of my own.” This shows that no matter how hard he attempts to assume an identity the truth always catches up. Jack also goes through periods of trying to adopt a character based on seeing them portrayed positively and ‘respected’, which is an extremely sought after trait for him. For example, when Jack is reading ‘Boy’s Life’ he comments that, “I was really no different from the boys whose hustle and pluck it celebrated.”
The authors describe Lucy’s character as being an imaginative, open-minded and honest girl who finds Narnia first and due to her open-mindedness is willing to go in and explore the new world she found and even share it with her family. The authors go on to also describe her as steadfast in her beliefs, innocent and pure. This points back to my thesis as it this article talks about Lucy’s strength honesty and purity but also about how willing she is to take risks to help those she cares about. This article is a great example of how Lucy’s characterization displays her strength and willingness to sacrifice and take risks for her friends and
This initial encounter suggests that Jack will be the stereotypical “hero” and save the damsel in distress. It seems that his motive was to save Joan, he only cared about saving the birds in the back of his truck. Jack agrees to help Joan get to into town, but only if she pays him three-hundred dollars. This sequence of events establishes Jack as a cold-hearted, selfish person, which in turn, follows the typical “romance tip sheet”. Jack’s appearance, however, differs in minor ways than that of the usual hero.
Throughout the first three stages, both Mirabella and her sister Jeanette are compared to each other because of the differences in their ways to adapt to human culture. They are compared when getting nametags, learning to walk, and learning to ride bicycles. To begin with, in stage one when Jeanette receives her nametag she is very cooperative and lets the nuns slap the nametag on her. To prove that this happens, the narrator says, “She slapped on a nametag…” (pg 239). This shows how well Jeanette is adapting to human culture.
Jack 's development is illustrated through the themes of a lack of empathy, powerlessness, and dishonesty through a variety of literacy devices in order to demonstrate the detrimental effects of a dysfunctional family setting. Wolff looks upon his younger self and lack of empathy he displayed, reflecting upon it through characterisation, structural techniques and amplification. Furthermore, with the usage of characterisation and motifs used throughout the novel, Wolff displays the powerlessness that one experiences in a broken home. Jack’s deceptive and mendacious personality form a large part of the novel, contributing as one of the most important themes. As Wolff looks upon this in retrospect, he employs characterisation, diction, and contrasting
Desire is something that is universal in every human, everyone desires something. According to Bennet & Royle, a simple definition of desire is that it has binaries, it is either right/wrong, moral/immoral etc. (207). They also speak about how desire is present in every literary work, whether it be explicit or not (208). So what is Lucy’s desire in Disgrace?
As mentioned before, the fifth house represents merits from past life and credit, as well as the ability and talent to play, and relationships with children. We see that very clearly in the chart of Marlon Brando, one of the most successful and talented actors of the twentieth century. The Sun and Moon are in Pisces, a mystic sign which represents infinite expansion. The Sun rules our ego and the way that we come across, and the Moon rules the mind. In the oceanic sign of Pisces, the personality is extremely flexible and can do just about anything.
This is similar to the struggle with Cecil; she kisses George but then societal pressure causes her to feel guilty. She behaves how she thinks she is expected to, “[feeling] that [she] ought to be offended with [George]” (Ch. 2). By initially rejecting her true emotions she is submitting herself to societal expectations. In short, it can be said that “Lucy's denial of her instinctive life is selfish fear in the guise of a socially acceptable abstraction” (Heath). These two ideas of passion and obligation clearly affect Lucy negatively.